AUTHOR'S NOTE AND ACKNOWLEDGMENTS
MY THANKS AND HEARTFELT GRATITUDE first and foremost to Special Agent Larry Brubaker, FBI, for so generously sharing his time and expertise. I state unequivocally he was
My sincere gratitude also to the following law enforcement and legal services professionals for graciously giving their time to answer my many questions. As always, I've done my best to bring a feeling of authenticity to the jobs depicted within this book. Any mistakes made or liberties taken in the name of fiction are my own.
Frances James, Hennepin County Victim/Witness Program
Donna Dunn, Olmsted County Victim Services
Sergeant Bernie Martinson, Minneapolis PD
Special Agent in Charge Roger Wheeler, FBI
Lieutenant Dale Barsness, Minneapolis PD
Detective John Reed, Hennepin County Sheriff's Office
Andi Sisco: A million thanks for making connections for me! You're a star.
Diva Karyn, aka Elizabeth Grayson: Special thanks for some inspired suggestions regarding a particularly gruesome fetish used herein. Who says suspense writers have cornered the market on disgusting knowledge?
Diva Bush, aka Kim Cates: For more of the same.
And special thanks, Rocket, for your support, empathy, encouragement, and the occasional necessary kick in the ass. Misery loves company.
1
CHAPTER
SOME KILLERS ARE born. Some killers are made. And sometimes the origin of desire for homicide is lost in the tangle of roots that make an ugly childhood and a dangerous youth, so that no one may ever know if the urge was inbred or induced.
He lifts the body from the back of the Blazer like a roll of old carpet to be discarded. The soles of his boots scuff against the blacktop of the parking area, then fall nearly silent on the dead grass and hard ground. The night is balmy for November in Minneapolis. A swirling wind tosses fallen leaves. The bare branches of the trees rattle together like bags of bones.
He knows he falls into the last category of killers. He has spent many hours, days, months, years studying his compulsion and its point of origin. He knows what he is, and he embraces that truth. He has never known guilt or remorse. He believes conscience, rules, laws, serve the individual no practical purpose, and only limit human possibilities.
His True Self adheres only to his own code: domination, manipulation, control.
A broken shard of moon glares down on the scene, its light faint beneath the web of limbs. He arranges the body to his satisfaction and traces two intersecting X's over the left upper chest. With a sense of ceremony, he pours the accelerant. Anointing the dead. Symbolism of evil. His True Self embraces the concept of evil as power. Fuel for the internal fire.
“Ashes to ashes.”
The sounds are ordered and specific, magnified by his excitement. The scrape of the match against the friction strip, the pop as it bursts with flame, the whoosh of the fire as it comes alive and consumes. As the fire burns, his memory replays the earlier sounds of pain and fear. He recalls the tremor in her voice as she pleaded for her life, the unique pitch and quality of each cry as he tortured her. The exquisite music of life and death.
For one fine moment he allows himself to admire the drama of the tableau. He allows himself to feel the heat of the flames caress his face like tongues of desire. He closes his eyes and listens to the sizzle and hiss, breathes deep the smell of roasting flesh.
Elated, excited, aroused, he takes his erection out of his pants and strokes himself hard. He brings himself nearly to climax, but is careful not to ejaculate. Save it for later, when he can celebrate fully.
His goal is in sight. He has a plan, meticulously thought out, to be executed with perfection. His name will live in infamy with all the great ones—Bundy, Kemper, the Boston Strangler, the Green River Killer. The press here has already given him a name: the Cremator.
It makes him smile. It makes him proud. He lights another match and holds it just in front of him, studying the flame, loving the sinuous, sensuous undulation of it. He brings it closer to his face, opens his mouth, and eats it.
Then he turns and walks away. Already thinking of next time.
MURDER.
The sight burned its impression into the depths of her memory, into the backs of her eyeballs so that she could see it when she blinked against the tears. The body twisting in slow agony against its horrible fate. Orange flame a backdrop for the nightmare image.
She ran, her lungs burning, her legs burning, her eyes burning, her throat burning. In one abstract corner of her mind, she was the corpse. Maybe this was what death was like. Maybe it
In the near distance she could hear a siren and see the weird flash of blue and red lights against the night. She ran for the street, sobbing, stumbling. Her right knee hit the frozen ground, but she forced her feet to keep moving.
“Freeze! Police!”
The cruiser still rocked at the curb. The door was open. The cop was on the boulevard, gun drawn and pointed straight at her.
“Help me!” The words rasped in her throat.
“Help me!” she gasped, tears blurring her vision.
Her legs buckled beneath the weight of her body and the weight of her fear and the weight of her heart that was pounding like some huge swollen thing in her chest.
The cop was beside her in an instant, holstering his weapon and dropping to his knees to help. Must be a rookie, she thought dimly. She knew fourteen-year-old kids with better street instincts. She could have gotten his weapon. If she'd had a knife, she could have raised herself up and stabbed him.
He pulled her up into a sitting position with a hand on either shoulder. Sirens wailed in the distance.
“What happened? Are you all right?” he demanded. He had a face like an angel.
“I saw him,” she said, breathless, shaking, bile pushing up the back of her throat. “I was there. Oh—Jesus. Oh—shit. I saw him!”
“Saw who?”
“The Cremator.”
