open their doors and minds to the information and training made available.

That there exists a mental-physical connection to the commission of crimes is neither startling nor new. Every investigator is familiar with the old maxim of 'MOM,' the three theoretical elements required to solve a murder case: motive, opportunity, and means. There are numerous exceptions to this rule, especially with today's apparent alarming increase in acts of random violence, such as drive-by shootings. Nonetheless, motive remains an integral part of the crime of murder.

Most murders are not solved by brilliant deduction, a la Sherlock Holmes. The vast majority are solved by basic 'gumshoeing,' walking the streets, knocking on doors, locating and interviewing witnesses, friends, and business associates of the victim. In most cases, one of these sources will come up with a piece of information that will point to a possible suspect with a potential motive: a jealous ex-lover, financial gain, revenge for a real or imagined wrong. There are as many motives for the crime of murder as there are thoughts to think them.

Our thoughts connect us to one another and to our actions. Our thought patterns determine what we do each day, each hour, each minute. While our actions may appear simple, routine, and automatic, they really are not. Behind and within each of our thoughts is an aim, an intent, a motive.

The motive within each thought is unique. In all of our actions, each of us leaves behind traces of our self. Like our fingerprints, these traces are identifiable. I call them thoughtprints. They are the ridges, loops, and whorls of our mind. Like the individual 'points' that a criminalist examines in a fingerprint, they mean little by themselves and remain meaningless, unconnected shapes in a jigsaw puzzle until they are pieced together to reveal a clear picture.

Most people have no reason to conceal their thoughtprints. We are, most if not all of the time, open and honest in our acts: our motives are clear, we have nothing to hide. There are other times, however, when we become covert, closeted in our actions: a secret love affair, a shady business deal, a hidden bank account, or the commission of a crime. If we are careful and clever in committing our crime, we may remember to wear gloves and not leave any fingerprints behind. But rarely are we clever enough to mask our motives, and we will almost certainly leave behind our thoughtprints. A collective of our motives, a paradigm constructed from our individual thoughts, these illusive prints construct the signature that will connect or link us to a specific time, place, crime, or victim.

Solving Los Angeles's most notorious homicide of the twentieth century, the murder of a young woman known to the world as the Black Dahlia, as well as the other sadistic murders discussed in this book, is the result of finding and piecing together hundreds of separate thoughtprints. Together with the traditional evidence, these thoughtprints make our case more than fifty years after the event, and establish beyond a reasonable doubt the identity of her killer, the man who called himself the 'Black Dahlia Avenger.'

The Biltmore

January 9, 1947

It was mid-week, Thursday evening at 6:30 p.m. There were only a handful of people milling around the Biltmore Hotel lobby, scanning for the bellhops to take them up in the elevators. Few noticed when the strikingly beautiful young woman with swirling jet-black hair was escorted into the lobby by a nervous young red-haired man, who stayed for a while, then said goodbye and left her there. Maybe one or two guests observed the woman as she went up to the front desk, where she begged for attention from an officious young man who avoided her stare until she spoke up. She stood there, shifting her weight from one foot to the other, watching the clerk riffle through a stack of messages below the counter. He shook his head, and the young woman made her way silently across the deep red carpet to the phone booth, as if she'd been through the place a hundred times before. A couple of people turned to look at her when she hung up the receiver with a loud click.

Now, as she stood outside the phone booth, she seemed crestfallen, almost desperate. Or maybe it was fear.

Again she walked over to the desk, then back to the phone booth, endlessly fidgeting with her handbag and looking around as if she were waiting for someone. A date? More people began to notice her. Perhaps she was a newly discovered actress or just another wannabe scratching at the door of fame to get herself in. She didn't look L.A. Maybe she was from San Francisco. She looked more like Northern California — well dressed, buttoned up, edgy, her fingers twitching nervously inside her snow-white gloves.

Increasingly, people in the lobby couldn't keep their eyes off her, this woman in the black collarless suit accented by a white fluffy blouse that seemed to caress her long, pale white neck. A striking presence, she looked a lot taller than most of the people in the lobby that night, probably because of the black suede high-heeled shoes she was wearing. She was carrying a warm full-length beige coat, a portent of the approaching January chill that creeps along Wilshire Boulevard from the ocean every night at the leading edge of the raw, swirling fog.

As the lobby began to fill, each man who passed her, seeing her standing alone with a look of expectation on her face, was sure she was waiting for someone special. Her eyes seemed to widen a bit every time a new guy in a suit came through the door. And each man probably wished in his heart of hearts that he was the Prince Charming she was waiting for that night, probably for a late dinner or dancing at one of the Hollywood clubs.

As time passed, the young woman became increasingly anxious. Where was he? She sat down. She stood up. She paced the lobby. The woman with no name walked over to the check-in clerk at the front desk and had him change her dollar bill to nickels. Again she went into the phone booth and dialed a number, this time more frantically than before as she snapped the rotor with a loud click between each digit. She slammed down the receiver. Still no answer. Where was he? She slumped into one of the lobby easy chairs and nervously thumbed through a magazine without reading. Every ten minutes or so she once again went over and made a phone call. What kind of man could keep such a beauty waiting?

One hour turned into two. If you were watching her face from across the lobby, you would have seen her jaw tighten, her anxiety turn to anger. He was always like that, late when you wanted him to be on time, early when you wanted him to be late. It was all his way. She thought about that afternoon in early December, just a month ago, when he'd told her — ordered her was more like it — to meet him at the Ambassador Hotel, Los Angeles's grand dame, west of downtown on Wilshire Boulevard. 'Meet me for a drink at five,' he had said.

That time he had forced her to suffer through a three-hour wait at the bar. She had sat there spinning on her red barstool, playing with swizzle sticks, nursing her ginger ales and Cokes, and batting away the advances of seven men, from the twenty-three-year-old bartender to the wealthy real estate broker in his seventies with a Palm Springs tan that made his face look like leather. The remaining five guys had thought she was a high-class hooker or possibly a bored housewife, all dressed up and looking for a little fun. She had suffered a sugar high that night, she complained, after all those sodas she had drunk at the bar just waiting for him. When he finally showed, it was without apology. 'I was delayed.' Arrogant and simple, just like that. And she took it, too.

That was then. She said to herself she wouldn't take it again. It was late now, pitch-black outside. The bright lights inside the Biltmore lobby sparkled as if they were still greeting the New Year. The beautiful young woman

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