The Ghost and the Dead Deb

water into a glass. The audience, packed elbow to elbow, waited with reverent patience for the young author to sip her drink.

I, Mrs. Penelope Thornton-McClure, thirty-something widow, single mother, and co-owner of Buy the Book, leaned forward in my folding chair, joining my customers in their anticipation—an atmosphere of breathless expectation as artfully created as I’d ever seen.

After swallowing deliberately, Angel Stark gave a little smile. The daring, corset-laced bodice of her green and pink Betsy Johnson sundress alone could have held the room’s attention. But she’d come to my small Rhode Island town for a reading, not a fashion show, so she cleared her throat and finally returned her attention to the open book.

“No, perhaps good William is not the appropriate model for our tawdry little tale,” she read. “Perhaps the story of Bethany Banks’s final moments more mirrored one of those lurid Jacobean tragedies by John Webster, where the adulteress is punished by cruel torture and horrible death for her carnality. Of course, every tragedy, even a tawdry one, is unique. This tragedy, my tragedy, unfolded in a gilded beux arts mansion by the sea, under glittering lights that twinkled from high crystal chandeliers like a billion beckoning stars of the northeast. The Newport players were coifed and manicured young women and affluent and mannered young men. Like the cast of an A&E movie, they smiled and chatted as they waited in regal finery for the uncrowned, yet silently acknowledged, queen of our courtly crew to arrive.

“Before something could happen, really happen, Bethany Banks had to put in an appearance. That’s the way things worked—at the annual parties, the sorority, those weekends in the Hamptons or Cap Antilles. Bethany was our diva and our queen, our Simon Says . . .”

From the folding chair beside me, I heard a familiar tsktsk of disapproval. I frowned at the pale, slender man in tailored slacks, a crisp, white short-sleeve button-down, and bow tie.

“Simon Says?” he whispered when he saw my raised eyebrow. He shook his head in dismay. “Good lord.”

I sighed, not entirely surprised at Brainert’s critical reaction to Angel Stark’s prose. J. Brainert Parker (the J was for Jarvis, a first name to which he’d refused to answer since the age of six) was an assistant professor of English at nearby St. Francis College. In his thirties, well-read, acerbic, and gay, Brainert was one of Buy the Books’ most loyal customers—and one of my oldest friends. He never missed an opportunity to voice his opinions about the books I stocked or the authors I brought in for readings. In Angel Stark’s case, he’d dismissed her work the very day her publicist had phoned to accept my invitation to appear at Buy the Book.

I myself had been delighted that the author of the acclaimed best-selling memoirs of her years of depression, addictions, and therapy—and now a controversial true crime tale—would come to our quiet little town, and I immediately rolled out the welcome mat. But when Brainert Parker had heard the news, he’d been less than impressed.

“Angel Stark!” he’d cried. “You mean that silly girl who wrote Comfortably Numb. Every angst-ridden teenager in America had to have a copy, which made her the darling of the New York literary set for two afternoons in a row.”

“Lighten up, Professor,” I’d replied, feeling that as a bookstore owner I should stand up for the honor of any and all authors.

“Forgive me, but I’m speaking as an educator,” Brainert had informed me with a sigh. “It’s a genre now, you know, ‘Prozac-Girl-Interrupted-in-a-Bell-Jar,’ and I found nothing redeeming in her contribution to it or the influence of any of it on my impressionable, if not downright gullible, students. She has a lazy, self-indulgent style, glorifies antidepressant cocktails, and, in my opinion, the most disturbing ‘affliction’ she displayed in her story was her addiction to the letter ‘I.’ Whatever possessed you to ask her to appear at a mystery bookstore?”

There’d been no need for me to answer. My seventy-three-year-old aunt Sadie, and my partner in Buy the Book, had been locked and loaded.

“The subject of Ms. Stark’s new book is true crime,” Sadie had sharply informed Brainert as she polished the glasses that dangled on a chain around her neck. “It’s all about the Bethany Banks murder. Angel Stark was there, and apparently knew the victim quite well. I hear the book is a real tell-all. So why don’t you listen to my niece—and lighten up already on Ms. Stark.”

(What Sadie actually said was Miz Stahk. The “Roe Dyelin” accent can vary from light to heavy as you travel our state—the tiniest in the Union—but it’s murder to write out phonetically. To wit: Car, pasta, letter, and chowder would look more like cah, pahster, letta, and chowda. So, you’ll forgive my going with the conventional spellings here.)

“Hmm,” Brainert had replied to Sadie, clearly intrigued in spite of himself. “I concede you have a cogent point.”

An understatement if ever there was one since the Bethany Banks murder and subsequent investigation were the biggest scandals to rock the Newport jet set since Klaus von Bulow was accused of injecting his obscenely rich wife with enough insulin to send her into a coma until the twenty-second century. And when I’d heard that some of the chic book emporiums in Providence and Newport had refused to consider an author appearance by Angel, I’d immediately issued an invitation for her to come to Quindicott. Miracle of miracles, Angel—or her publicist, at least—had accepted our invitation, and here she stood in our packed Community Events room.

I would have turned my attention back to Angel’s reading just then, but my thoughts were suddenly interrupted by another voice. The one in my head—

In my day, dames with money from well-heeled families hired me to help them duck scandal on the QT. The last thing they’d ever do was write a book about it and tart it up in front of a ham-handed audience for applause.

The booming, masculine voice was either Jack Shepard—the ghost of a private detective who’d been haunting Buy the Book since his murder here more than fifty years ago—or a delusion of what would have to be my half- demented mind.

Which was true?

Take your pick.

“It’s a different world than the forties, Jack,” I silently replied, not a little annoyed that the ghost—who, so far as I knew, only I could hear—broke our agreement that he’d stay silent on evenings of important author appearances.

I liked my world better, Jack shot back. The uptown crowd kept their trashy messes in the back alley, not on their bookshelves.

“Shhh!” my thoughts insisted. “I want to listen to Ms. Stark’s reading.”

“Bethany was our radiant star,” Angel continued from the podium, “and like moths to a flame we circled her, even though at times our wings got burned.”

Brainert tsk-tsked again.

I glanced his way.

“Moths to flame?” he whispered. “Forget the Banks girl, these cliche’s are killing me.”

I shushed him, too.

“In medieval times, songs would be sung about a young maid’s beauty, her wisdom, her virtue. Bethany, like all my other pretty friends, lacked an intellect, an original mind, but no matter. Of her beauty much was written—in the gossip columns and fashion magazines, the Internet fan sites and fawning letters—for Bethany had beauty enough to be envied by all, not to mention a PR flack with a fat Rolodex. Her line of handbags, created by a ghost designer, was sweeping the world. Her face was used to sell magazines. ‘Bethany,’ the new fragrance by an exclusive cosmetics company, was just hitting the market.

“In a life so short, Bethany Banks had possessed it all. But a perfect face, a perfect figure, perfect teeth, a perfect trust fund, and a perfect life were at least one perfect too many for someone. Clearly, that someone had decided that the only experience Bethany lacked was to be brutalized.”

Listen, babe, I’m getting the drift—there’s a big chill unsolved here.

“Yes,” I said. “This is a type of book we call in the book business ‘true crime.’ Most books of this type recount