ENVY

THE

NIGHT

__________

ALSO BY MICHAEL KORYTA

Tonight I Said Goodbye

Sorrow’s Anthem

A Welcome Grave

ENVY

THE

NIGHT

______________

Michael Koryta

 Copyright © 2008 by Michael Koryta. All rights reserved.

For Dennis Lehane, who remembered the elevator

ACKNOWLEDGMENTS

__________

Deepest gratitude to Dennis Lehane, Roland Merullo, Christine Caya, Sterling Watson, Meg Kearney, Laura Lippman, and all others involved with the Writers in Paradise program at Eckerd College in St. Petersburg, and the low-residency MFA program at Pine Manor College in Boston, where this book was born.

The Willow Flowage is a real place, albeit one with which I took plenty of fictional liberties, and I’m grateful to my father for introducing me to it, and to Dwight and Fran Simonton for being gracious hosts over the years and providing some wonderful background information. Also to Jim Kiepke for always finding the fish.

Ryan Easton guided me through details related to cars and the body shop business, and my sister, Jennifer, advised on dealing with stroke patients. If I got anything right, the credit is theirs, and if I got it wrong, the blame is mine.

Thanks, as always, to my agent, David Hale Smith, and to the St. Martin’s Press/Thomas Dunne team for their wonderful work, particularly Pete Wolverton, Andy Martin, Katie Gilligan, and Liz Byrne.

Further thanks to:

Michael Connelly, Bob Hammel, Laura Lane, Gena Asher, Don Johnson, Robert Pepin, Louise Thurtell, and Lawrence Rose. And to all of the booksellers, reviewers, and magazine publishers who do so much to help, particularly Jim Huang, Jamie and Robin Agnew, Richard Katz, Jon and Ruth Jordan, John and Toni Cross, Otto Penzler, Barbara Peters, Lynn Kaczmarek, Chris Aldrich, and Janet Rudolph.

I envy the night

for its absence of light.

Dax Riggs, “Ancient Man”

1

__________

Frank Temple III walked out of the county jail at ten in the morning with a headache, a citation for public intox, and a notion that it was time to leave town.

It wasn’t the arrest that convinced him. That had been merely a nightcap to an evening of farewells—Frank hanging from the streetlamp outside of Nick’s on Kirkwood Avenue, looking down into the face of a bored cop who’d seen too many drunks and saying, “Officer, I’d like to report a missing pair of pants.”

It hadn’t been the hours in the detox cell, either. Frank was one of six in the cell, and one of just two who managed not to vomit. Sitting with his back against the cold concrete block wall listening to some poor son of a bitch retch in the corner, Frank considered the jail, the people who checked in and didn’t check out the next morning, the way he would. He considered the harsh fluorescent lights reflecting off gray and beige paint, the dead quality of the air, the hard looks the men inside developed to hide the hopelessness. It would be the same when the sun rose as when it set, except you wouldn’t be sure when that happened, couldn’t even use the sun to gauge the lack of change. He considered all of that, and knew that if he could understand only one thing about his father, it was the decision he’d made to avoid this place.

This was the second time Frank had been in a jail. The first was for a drunk driving charge in a small North Carolina town two years earlier. He had failed the Breathalyzer but requested field sobriety testing anyhow, his booze-addled brain sure that he could pass. After watching Frank stumble and stagger through the first exercise, the cop put an end to it, said, “Doesn’t look like your balance is too good, kid.” Frank, leaning against the car for support, had waved him closer, as if about to impart a secret of the highest magnitude. The cop leaned down, and when he was close enough, Frank whispered, “Inner ear infection.”

He had the cuffs on and was in the back of the car before he was finished explaining the connection between one’s sinuses and one’s balance. His was not a receptive audience.

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