will tell me, now that you know I ask in friendship, were you born blind, Orrec? Or those witches you told of, from Cordemant, did they do this to you, in spite, or a feud, or a raid?”
I did not know how to put his question aside, and had no half-answer for it.
“No,” I said. “My father sealed my eyes.”
“Your father! Your father blinded you?”
I nodded.
¦ 2 ¦
To see that your life is a story while you’re in the middle of living it may be a help to living it well. It’s unwise, though, to think you know how it’s going to go, or how it’s going to end. That’s to be known only when it’s over.
And even when it’s over, even when it’s somebody else’s life, somebody who lived a hundred years ago, whose story I’ve heard told time and again, while I’m hearing it I hope and fear as if I didn’t know how it would end; and so I live the story and it lives in me. That’s as good a way as I know to outwit death. Stories are what death thinks he puts an end to. He can’t understand that they end in him, but they don’t end with him.
Other people’s stories may become part of your own, the foundation of it, the ground it goes on. So it was with my father’s story of the Blind Brantor; and his story of the raid on Dunet; and my mother’s stories of the Lowlands and of the time when Cumbelo was King.
When I think of my childhood, I enter into the hall of the Stone House, I am in the hearth seat, in the muddy courtyard or the clean stables of Caspromant; I am in the kitchen garden with my mother picking beans, or with her by the hearth in the round tower room; I am out on the open hills with Gry; I am in the world of the never-ending stories.
A great, thick staff of yew wood, crudely cut but polished black at the grip by long use, hung beside the door of the Stone House, in the dark entryway: Blind Caddard’s staff. It was not to be touched. It was much taller than I was when I first knew that. I used to go and touch it secretly for the thrill of it, because it was forbidden, because it was a mystery.
I thought Brantor Caddard had been my father’s father, for that was as far back in history as my understanding went. I knew my grandfather’s name had been Orrec. I was named for him. So, in my mind, my father had two fathers. I had no difficulty with that, but found it interesting.
I was in the stables with my father, looking after the horses. He did not fully trust any of his people with his horses, and had begun training me to help him with them when I was three. I was up on a step stool currying the winter hair out of the roan mare’s coat. I asked my father, who was working on the big grey stallion in the next stall, “Why did you only name me for one of your fathers?”
“I had only one to name you for,” my father said. “Like most respectable folk.” He did not often laugh, but I could see his dry smile.
“Then who was Brantor Caddard?”—but then I had figured it out before he could answer—“He was your father’s father!”
“My father’s father’s father’s father,” Canoc said, through the cloud of winter fur and dust and dried mud he was bringing up out of Greylag’s coat. I kept tugging and whacking and combing away at the mare’s flank, and was rewarded with rubbish in my eyes and nose and mouth, and a patch of bright white-and-red spring coat the size of my hand on Roanie’s flank, and a rumble of contentment from her. She was like a cat; if you petted her she leaned on you. I pushed her off as hard as I could and worked on, trying to enlarge the bright patch. There were too many fathers for me to keep straight.
The one I had came around to the front of the mare’s stall, wiping his face, and stood there watching me. I worked away, showing off, pushing the currycomb now in strokes too long to do much good. But my father didn’t say anything about it. He said, “Caddard had the greatest gift of our lineage, or any other of the western hills. The greatest that was ever given us. What is the gift of our lineage, Orrec?”
I stopped work, stepped down from the stool, carefully, because it was a long step down for me, and stood facing my father. When he said my name, I stood up, stood still, and faced him: so I had done as far back as I could remember.
“Our gift is the undoing,” I said.
He nodded. He was always gentle with me. I had no fear of harm from him. Obeying him was a difficult, intense pleasure. His satisfaction was my reward.
“What does that mean?”
I said as he had taught me to say: “It means the power to undo, unmake, destroy.”
“Have you seen me use that power?”
“I saw you make a bowl go all to pieces.”
“Have you seen me use that power on a living thing?”
“I saw you make a willow wand go all soft and black.”
I hoped he would stop, but that was no longer where these questions stopped.
“Have you seen me use that power on a living animal?”
“I saw you make… a… make a rat die.”
“How did it die?” His voice was quiet and relentless.
It was in the winter. In the courtyard. A trapped rat. A young rat. It had got into a rain barrel and been unable to clamber out. Darre the sweeper saw it first. My father said, “Come here, Orrec,” and I came, and he said, “Be still and see this,” and I stood still and watched. I craned my neck so that I could see the rat swimming in the water that half-filled the barrel. My father stood above the barrel, gazing down steadily into it. He moved his hand, his left hand, and said something or breathed sharply out. The rat squirmed once, shuddered, and floated on the water. My father reached his right hand in and brought it out. It lay utterly limp in his hand, shapeless, like a wet rag, not like a rat. But I saw the tail and toes with their tiny claws. “Touch it, Orrec,” he said. I touched it. It was soft, without bones, like a little half-filled sack of meal inside its thin wet skin. “It is unmade” my father said, his eyes on mine, and I was afraid of his eyes then.
“You unmade it,” I said now, in the stable, with a dry mouth, afraid of my father’s eyes.
He nodded.
“I have that power,” he said, “as you will. And as it grows in you, I’ll teach you the way to use it. What is the way to use your gift?”
“With eye and hand and breath and will,” I said, as he had taught me.
He nodded, satisfied. I relaxed a little; but he did not. The test was not over.
“Look at that knot of hair, Orrec,” he said. A little clotted tangle of muddy horsehair lay on the stable floor near my feet, among the slight littering of straw. It had been caught in the roan mare’s mane, and I had worked it free and let it drop. At first I thought my father was going to scold me for dirtying the stable floor.
“Look at it. At it only. Don’t look away from it. Keep your eyes on it.”
I obeyed.
“Move your hand—so” Coming behind me, my father moved my left arm and hand gently, carefully, till the joined fingers pointed at the clot of mud and hair. “Hold it so. Now, say what I say after me. With your breath but not your voice. Say this.” He whispered something that had no meaning to me, and I whispered it after him, holding my hand pointing as he had placed it, staring and staring at the clot of hair.
For a moment nothing moved, everything held still. Then Roanie sighed and shifted her feet, and I heard the wind gusting outside the stable door, and the tangle of muddy hair on the floor moved a little.
“It moved!” I cried.
“The wind moved it,” my father said. His voice was mild, with a smile in it. He stood differently, stretched his shoulders. “Wait a while. You’re not six yet.”
“You do it, Father,” I said, staring at the clot of horsehair, excited and angry, vindictive. “You unmake it!”
I scarcely saw him move or heard his breath. The tangled thing on the floor uncurled in a puff of dust, and nothing lay there but a few long, reddish-cream hairs.
