But there were no textbooks that described his auras. His auras were not bright, curved lines. He would have welcomed something like that.
His auras held monsters.
The first time he had seen the 'vision' of Deirdre's murder, he had not been able to fill in Gideon Pratt's face. The killer's face had been a blur, a watery draft of evil.
By the time Pratt had walked into Paradise, Byrne knew.
He popped a CD in the player, a homemade mix of classic blues. It was Jimmy Purify who had gotten him into the blues. The real thing, too: Elmore James, Otis Rush, Lightnin' Hopkins, Bill Broonzy. You didn't want to get Jimmy started on the Kenny Wayne Shepherds of the world.
At first Byrne didn't know Son House from Maxwell House. But a lot of late nights at Warmdaddy's and trips to Bubba Mac's on the shore had taken care of that. Now, by the end of the second bar, third at the latest, he could tell the difference between Delta and Beale Street and Chicago and St. Louis and all the other shades of blue.
The first cut on the CD was Rosetta Crawford's 'My Man Jumped Salty on Me.'
If it was Jimmy who had given him the solace of the blues, it was Jimmy who had also brought him back into the light after the Morris Blanchard affair.
A year earlier, a wealthy young man named Morris Blanchard had murdered his parents in cold blood, blown them apart with a single shot each to the head from a Winchester 9410. Or so Byrne had believed, believed as deeply and completely as anything he had understood to be true in his two decades on the job.
He had interviewed the eighteen-year-old Morris five times, and each time the guilt had risen in the young man's eyes like a violent sunrise.
Byrne had directed the CSU team repeatedly to comb Morris's car, his dorm room, his clothing. They never found a single hair or fiber, nor a single drop of fluid that would place Morris in the room the moment his parents were torn apart by that shotgun.
Byrne knew that the only hope he'd had of getting a conviction was a confession. So he had pressed him. Hard. Every time Morris turned around, Byrne was there: concerts, coffee shops, studying in McCabe Library. Byrne had even sat through a noxious art house film called Eating, sitting two rows behind Morris and his date, just to keep the pressure on. The real police work that night had been staying awake during the movie.
One night Byrne parked outside Morris's dorm room, just beneath the window on the Swarthmore campus. Every twenty minutes, for eight straight hours, Morris had parted the curtains to see if Byrne was still there. Byrne had made sure the window of the Taurus was open, and the glow of his cigarettes provided a beacon in the darkness. Morris made sure that every time he peeked he would offer his middle finger through the slightly parted curtains.
The game continued until dawn. Then, at about seven thirty that morning, instead of attending class, instead of running down the stairs and throwing himself on Byrne's mercy, babbling a confession, Morris Blanchard decided to hang himself. He threw a length of towrope over a pipe in the basement of his dorm, stripped off all his clothes, then kicked out the sawhorse beneath him. One last fuck you to the system. Taped to his chest had been a note naming Kevin Byrne as his tormentor.
A week later the Blanchard's gardener was found in a motel in Atlantic City, Robert Blanchard's credit cards in his possession, bloody clothes stuffed into his duffel bag. He immediately confessed to the double homicide.
The door in Byrne's mind had been locked.
For the first time in fifteen years, he had been wrong.
The cop-haters came out in full force. Morris's sister Janice filed a wrongful death civil suit against Byrne, the department, the city. None of the litigation amounted to much, but the weight increased exponentially until it threatened to break him.
The newspapers had taken their shots at him, vilifying him for weeks with editorials and features. And while the Inquirer and Daily News and CityPaper had dragged him over the coals, they had eventually moved on. It was The Report-a yellow rag that fancied itself alternative press, but in reality was little more than a supermarket tabloid-and a particularly fragrant piece-of-shit columnist named Simon Close, who had made it personal beyond reason. For weeks after Morris Blanchard's suicide, Simon Close wrote polemic after polemic about Byrne, the department, the police state in America, finally closing with a profile of the man Morris Blanchard would have become: a combination Albert Einstein, Robert Frost, and Jonas Salk, if one were to believe.
Before the Blanchard case, Byrne had given serious consideration to taking his twenty and heading to Myrtle Beach, maybe starting his own security firm like all the other burned-out cops whose will had been cracked by the savagery of inner-city life. He had done his time as interlocutor of the Bonehead Circus. But when he saw the pickets in front of the Roundhouse-including clever bons mots such as BURN BYRNE! — he knew he couldn't. He couldn't go out like that. He had given far too much to the city to be remembered that way.
So he stayed.
And he waited.
There would be another case to take him back to the top.
Byrne drained his Irish, got comfortable in his seat. There was no reason to head home. He had a full tour ahead of him, starting in just a few hours. Besides, he was all but a ghost in his own apartment these days, a dull spirit haunting two empty rooms. There was no one there to miss him.
He looked at the windows of the police administration building, the amber glow of the ever-burning light of justice.
Gideon Pratt was in that building.
Byrne smiled, closed his eyes. He had his man, the lab would confirm it, and another stain would be washed from the sidewalks of Philadelphia.
Kevin Francis Byrne wasn't a prince of the city.
He was king.
2
MONDAY, 5:15 AM
This is the other city, the one William Penn never envisioned when he surveyed his 'green countrie town' between the Schuylkill and Delaware Rivers, dreaming of Greek columns and marble halls rising majesticallyfrom the pines. This is not the city of pride and history and vision, the place where the soul of a great nation was created, but rather a part of North Philadelphia where living ghosts hover in darkness, hollow-eyed and craven. This is a low place, a place of soot and feces and ashes and blood, a place where men hide from the eyes of their children, and remit their dignity for a life of relentless sorrow. A place where young animals become old.
If there are slums in hell, they will surely look like this.
But in this hideous place, something beautiful will grow. A Gethsemane amid the cracked concrete and rotted wood and ruined dreams.
I cut the engine. It is quiet.
She sits next to me, motionless, as if suspended in this, the penultimate moment of her youth. In profile, she looks like a child. Her eyes are open, but she does not stir.
There is a time in adolescence when the little girl who once skipped and sang with abandon finally dispatches these ways with a claim on womanhood, a time when secrets are born, a body of clandestine knowledge never to be revealed. It happens at different times with different girls-sometimes at a mere twelve or thirteen, sometimes not until sixteen or older-but happen it does, in every culture, to every race. It is a time not heralded by the coming of the blood, as many believe, but rather by the awareness that the rest of the world, especially the male of the species, suddenly sees them differently.
And, from that moment on, the balance of power shifts, and is never the same.
No, she is no longer a virgin, but she will be a virgin once again.At the pillar there will be a scourge and from this blight will come resurrection.
I exit the vehicle and look east and west. We are alone. The night air is chilled, even though the days have been unseasonably warm.
