harm. Charlie is also forced to confront how far she's prepared to go in order to save the life of a child.
By THIRD STRIKE, Charlie and Sean are living in New York City and working for Parker Armstrong’s exclusive close-protection agency, where Sean has become a junior partner.
In this book, I really wanted to finally explore Charlie’s difficult and often destructive relationship with her parents – and in particular with her father. Charlie has to protect her mother and father from harm at all costs, but is hampered by trying not to let them witness just how cold-bloodedly their daughter must act in order to be effective at her job. It puts her in an often impossible situation, brings her relationship with Sean to an explosive head, and causes her father to reveal a side of himself everyone will find disturbing.
Not only that, but the story ends with big questions over Charlie’s entire future.
By the start of FOURTH DAY, where Charlie, Sean and Parker Armstrong are planning a cult extraction in California, Charlie has still not solved the problems that arose during the previous book – nor has she found the courage to explain it all to Sean. When she volunteers to go undercover into the Fourth Day cult, she’s looking as much for answers about her own life as about the man who died.
It's this battle with her own dark side that is one of the most fascinating things for me as a writer about the character of Charlie Fox. I wanted a genuine female action hero, but one who had a convincing back story. I've tried to ensure she stays human, with all the flaws that entails – a sympathetic character rather than just a 'guy in nylons' as someone described some tough heroines in fiction.
In the latest instalment, FIFTH VICTIM – involving a deadly kidnap plot among the jet-set of Long Island – there are complications with Sean’s ongoing condition, and Charlie’s increasing awareness that her boss, Parker, views her as so much more than a mere employee. Charlie is forced to make decisions this time out that will change her life forever . . .
The instinct and the ability to kill
Characters who live on the fringe have a certain moral ambiguity that we find seductive, I feel. Charlie has that obscurity to her make-up. She discovers very early on that she has both the instinct and the ability to kill. And although she does it when she has to and doesn't enjoy what it does to her, that doesn't mean that if you push her in the wrong direction, or you step over that line, she won't drop you without hesitation.
Dealing with her own capacity for violence when she's put under threat is a continuing theme throughout the books. It's not an aspect of her personality that Charlie finds easy to live with – a difficulty she might not have if she was a male protagonist, perhaps? Even in these days of rabid politically correct equality, it is still not nearly as acceptable for women to be capable of those extremes of behaviour.
But Charlie has evolved out of events in her life and, as you find out during the course of the series, things are not about to get any easier. I do rather like to put her through it! She's a fighter and a survivor, and I get the feeling that if I met her I'd probably like her a lot. I'm not sure she'd say the same about me!
Although I've tried to write each of the Charlie Fox books so they stand alone, this is becoming more difficult as time goes on and her personal story overlaps from one book to the next. I'm always expanding on her back story, her troubled relationship with her parents and her even more troubled relationship with Sean, who was once her training instructor in the army and, when she moves into close protection, he then becomes her boss. He continues to bring out the best and the worst in her.
And their relationship is becoming ever more complicated as the series goes on. In the next outing, Charlie is struggling to deal not only with the dangers faced by her client, but also from the one person she should be able to trust with her life . . .
Copyright © Zoe Sharp 2003
First published in Great Britain 2001
