In the Night Room

less than a second. “Tim” did not want to encourage a fan who told him he was a funny guy—it gave him the willies. So did the shooting gesture with which the man had left him.

Again, he saw April before him, cupping her hands and shaping her mouth to shout . . .

Whistle to us? That could not be right.

Tim let his fork clatter to his plate, signaled the waiter for the check, and returned his pen to his pocket. Rain streamed down the windows of the diner, and when the door swung open, a few drops spattered onto the tiles. Tim sighed. A wet hand swept the sodden hood of a sweatshirt off his admirer’s glowing face. The fan held up a yellow bag bearing the likeness of Charles Dickens.

“Did you time me?”

Tim looked at his watch. “You were gone at least twenty minutes.”

“No, six, at the outside. I would have been here earlier, but the rain slowed me down.”

The fan pulled the books one by one from the shiny bag and stacked them about an inch north of Tim’s plate. They were copies of lost boy lost girl, as yet unpublished. He had received his box of author’s copies only a short while before. “These babies stayed dry, anyhow.” The fan wiped his face and pushed the moisture back into his thick black hair. “Must be a great feeling to sign a book you wrote, huh? Like ‘This is my baby, get a good look, ’cuz I’m one proud papa,’ right?”

Tim wanted to get rid of this character as soon as possible. “Where did you get these books?”

The man slid the books nearer to Tim. “Why? I bought them, didn’t I?”

Water dripped from his sleeves, and drops landed on the Times crossword puzzle. In a small number of squares, the ink melted into the paper.

“Okay,” he said, and sat down in the chair opposite Tim. “Sign the first one to Jasper Kohle, that’s Jasper the normal way, and Kohle is K-O-H-L-E. My full name is Jasper Dan Kohle, but I only use my middle name on checks and my driver’s license, ha ha. Inscribe it however you like. Have fun. Use your imagination. You could say, ‘To Jasper Kohle, I yam what I yam.’ ”

The only thing worse than someone ordering you to be inventive when you signed their book was someone telling you exactly what to write. This fan had managed to do both. Tim looked at Jasper Kohle, for the first time actually taking him in, and saw someone whose cheerfulness was laid on like paint. His eyes had no light, and his smile displayed too many teeth, all of them yellow. He was ten to fifteen years older than he had first appeared.

“You didn’t go to your apartment,” Tim said. “You ran all the way to the bookstore, and then you ran back. I don’t understand it, but that’s what you did. But the real problem is this book hasn’t actually been published yet, and it’s not supposed to be on sale. The copies aren’t even supposed to have shipped to the bookstores.”

“Come on,” Kohle said. “You must have some kind of problem with trust.”

“If I looked inside that bag, I bet I’d find a receipt with today’s date on it.”

Kohle glowered at him. “Let me ask you a question, Tim. Are you this pricky to all your fans?”

“No, I’m just interested in your explanation.”

“I wanted more.”

“More copies of the same book?”

“I have four at home. But since you’re here, I thought I should get three more, so I’d have three signed, plus four backup copies. One of ’em I’ve read, but that’s all, just one.” He nudged the books still closer to Tim. “Don’t inscribe the second two, just flat sign them and put down the date. On the title page, please.”

“You wanted seven copies of lost boy lost girl?”

Kohle showed his yellow teeth again. “If you want to know the truth, I’d like ten, but I’m not a fucking millionaire, am I?”

“Why would you want ten copies?”

“I collect books!”

“I guess you do,” Tim said. He picked up his pen, opened the topmost book to the title page, and thought for a second before writing:

To Jasper Kohle

a collector’s collector

All Best,

Tim Underhill

After adding the date beneath this inscription, he handed the book, still opened to the title page, to Kohle, who was waiting to receive it like a child, both hands out. Gimme gimme gimme. He yanked the book from Underhill’s hands, turned it around, and dipped his head toward the inscription. Odd, irregular white-gray streaks ran through the thick black pelt on the top of his head. When he snapped his head back up, his eyes held a dull, flat glare, and the skin at the corners of his mouth looked wrinkled and dark with grease.

“What happened to ‘I yam what I yam’?”

“I’m not doing so well this morning, but I don’t think I ever put that in a book,” Tim said.

“Oh yes, you did. That cop, Esterhaz, says it in The Divided Man. ‘I yam what I yam.’ Right at the beginning, when he’s hungover and getting out of bed. Just before he sees the dead people marching around.”

At his worst moments, Hal Esterhaz, an alcoholic homicide detective in Tim’s second novel, had seen an army of the dead trudging aimlessly through the streets. He had not once, however, quoted Popeye.

“I see you don’t believe me,” Kohle said. “No wonder, stupid me—you can’t, because you don’t know. Okay, go ahead, sign the other books, you probably got things you want to do.”

Tim removed the second book from the pile and opened it to the title page. He looked back at Jasper Dan Kohle and found that he could not resist. “I don’t know what, exactly?”

“Mr. Underhill,” Kohle said. “Tim. Let me say this, Tim. And I’m saying this although I know that you will have precisely no idea at all what I’m talking about, because that is guaranteed one hundred percent certain. So first let me ask you: do you have any idea at all why a guy like me would want to collect twenty copies of the same book? A hundred copies, if I had all the money in the world, a likely story, thank you very much?”

“As an investment?” Tim took his eyes off Kohle long enough to sign the second book and pick up the third.

Kohle went through a savage parody of yawning. “I don’t even live in this neighborhood. But I saw you doing your crossword puzzle, and I let my whaddayacallit, my joie de vivre, get the better of me, and the next thing I know, I’m spending a whole lot more money than I should on your new book. Which to tell you the truth is a little lightweight, not to mention kind of rushed at the end.”

“Glad you liked it,” Tim said.

“So why do I want fifteen, twenty copies of a book that isn’t really all that hot, if you don’t mind my saying so?”

“That was my question, yes.” Tim pushed the last two books across the table.

“Listen up now, here it comes.” He leaned over and cupped his mouth with his hands, as April had done. “One of them might be the real book.”

He pulled the three copies of Underhill’s novel into the circle of his arms. “What, you ask, is the real book? The one you were supposed to write, only you screwed it up. Authors think every copy of a book is the same, but they’re not. Every time a book goes through the presses, two, three, copies of the real book come out. That’s the one you wanted to write when you started out, with everything perfect, no mistakes, nothing dumb, and all the dialogue and the details exactly right. People like me, that’s what we’re looking for. Investment? Don’t make me laugh. It’s the reverse of an investment. Once you find a real book, sell it to someone? Give me a break.”

“You’re out of your mind,” Tim said.

Kohle raised his hands chest-high in exasperation. “You guys are all the same. Ninety percent of the time, you’re just making things up. You act like a bunch of lazy, irresponsible gods. It wouldn’t be so bad if you weren’t basically deaf and blind, too. You don’t listen.”