him an eggplant. He looks at it in consternation. (He’s not the kind of guy to eat eggplant.)

“I’ll come by later and show you how to cook it,” she says. He grins.

At the farmers’ market she trades the angry little peppers for sassy little raspberries, and the eggplant for two stalks of late rhubarb. She also wants information, so she hangs out awhile gossipping with whoever sits nearby. Everyone talks more than they used to. It’s nice.

And everyone, everyone she speaks to, is planning to attend the prayer.

“I’m on dialysis,” says an old lady who sits under a flowering tree. “Every time they hook me up to that thing I’m scared. Dialysis can kill you, you know.”

It always could, Adele doesn’t say.

“I work on Wall Street,” says another woman, who speaks briskly and clutches a bag of fresh fish as if it’s gold. Might as well be; fish is expensive now. A tiny Egyptian scarab pendant dangles from a necklace the woman wears. “Quantitative analysis. All the models are fucked now. We were the only ones they didn’t fire when the housing market went south, and now this.” So she’s going to pray, too. “Even though I’m kind of an atheist. Whatever, if it works, right?”

Adele finds others, all tired of performing their own daily rituals, all worried about their likelihood of being outliered to death.

She goes back to her apartment building, picks some sweet basil, and takes it next door. Her neighbor seems a little nervous. His apartment is cleaner than she’s ever seen it, with the scent of Pine-Sol still strong in the bathroom. She tries not to laugh, and demonstrates how to peel and slice eggplant, salt it to draw out the toxins (“it’s related tonightshade, you know”), and saute it with basil in olive oil. He tries to look impressed, but she can tell he’s not the kind of guy to enjoy eating his vegetables.

Afterward they sit, and she tells him about the prayer thing. He shrugs. “Are you going?” she presses.

“Nope.”

“Why not? It could fix things.”

“Maybe. Maybe I like the way things are now.”

This stuns her. “Man, the train fell off its track last week.” Twenty people dead. She has woken up in a cold sweat on the nights since, screams ringing in her ears.

“Could’ve happened anytime,” he says, and she blinks in surprise because it’s true. The official investigation says someone — track worker, maybe — left a wrench sitting on the track near a power coupling. The chance that the wrench would hit the coupling, causing a short and explosion, was one in a million. But never zero.

“But… but…” She wants to point out the other horrible things that have occurred. Gas leaks. Floods. A building fell down, in Harlem. A fatal duck attack. Several of the apartments in their building are empty because a lot of people can’t cope. Her neighbor — the other one, with the broken arm — is moving out at the end of the month. Seattle. Better bike paths.

“Shit happens,” he says. “It happened then, it happens now. A little more shit, a little less shit…” He shrugs. “Still shit, right?”

She considers this. She considers it for a long time.

They play cards, and have a little wine, and Adele teases him about the overdone chicken. She likes that he’s trying so hard. She likes even more that she’s not thinking about how lonely she’s been.

So they retire to his bedroom and there’s awkwardness and she’s shy because it’s been awhile and you do lose some skills without practice, and he’s clumsy because he’s probably been developing bad habits from porn, but eventually they manage. They use a condom. She crosses her fingers while he puts it on. There’s a rabbit’s foot keychain attached to the bed railing, which he strokes before returning his attention to her. He swears he’s clean, and she’s on the pill, but… well. Shit happens.

She closes her eyes and lets herself forget for awhile.

The prayer thing is all over the news. The following week is the runup. Talking heads on the morning shows speculate that it should have some effect, if enough people go and exert “positive energy.” They are careful not to use the language of any particular faith; this is still New York. Alternative events are being planned all over the city for those who don’t want to come under the evangelical tent. The sukkah mobiles are rolling — though it’s the wrong time of year — just getting the word out about something happening at one of the synagogues. In Flatbush, Adele can’t walk a block without being hit up by Jehovah’s Witnesses. There’s a “constructive visualization” somewhere for the ethical humanists. Not everybody believes God, or gods, will save them. It’s just that this is the way the world works now, and everybody gets that. If crossed fingers can temporarily alter a dice throw, then why not something bigger? There’s nothing inherently special about crossed fingers. It’s only a “lucky” gesture because people believe in it. Get them to believe in something else, and that should work, too.

Except…

Adele walks past the Botanical Gardens, where preparations are under way for a big Shinto ritual. She stops to watch workers putting up a graceful red gate.

She’s still afraid of the subway. She knows better than to get her hopes up about her neighbor, but still… he’s kind of nice. She still plans her mornings around her ritual ablutions, and her walks to work around danger- spots — but how is that different, really, from what she did before? Back then it was makeup and hair, and fear of muggers. Now she walks more than she used to; she’s lost ten pounds. Now she knows her neighbors’ names.

Looking around, she notices other people standing nearby, also watching the gate go up. They glance at her, some nodding, some smiling, some ignoring her and looking away. She doesn’t have to ask if they will be attending one of the services; she can see that they won’t be. Some people react to fear by seeking security, change, control. The rest accept the change and just go on about their lives.

“Miss?” She glances back, startled, to find a young man there, holding forth a familiar flyer. He’s not as pushy as the guy downtown; once she takes it, he moves on. The prayer for the soul of the city is tomorrow. Shuttle buses (“Specially blessed!”) will be picking up people at sites throughout the city.

WE NEED YOU TO BELIEVE, reads the bottom of the flyer.

Adele smiles. She folds the flyer carefully, her fingers remembering the skills of childhood, and presently it is perfect. They’ve printed the flyer on good, heavy paper.

She takes out her St. Christopher, kisses it, and tucks it into the rear folds to weight the thing properly.

Then she launches the paper airplane, and it flies and flies and flies, dwindling as it travels an impossible distance, until it finally disappears into the bright blue sky.

N. K. Jemisin is a New York City author. Although she has written novels since childhood (to varying degrees of success), she began writing short stories in 2002 after attending the Viable Paradise writing workshop. Thereafter she joined the BostonArea SF Writers Group (now BRAWLers), until 2007 when she moved to New York. She is currently a member of the Altered Fluid writing group.

Jemisin’s short fiction has been published in a variety of print, online, and audio markets, including Clarkesworld, Strange Horizons, Postscripts, and Jim Baen’s Universe. She was the first recipient of the Speculative Literature Foundation’s Gulliver Travel Research Grant, which was awarded for her short story sample “L’Alchimista.” This story and “Cloud Dragon Skies” received Honorable Mentions in two editions of The Year’s Best Fantasy and Horror, and her short story “Playing Nice With God’s Bowling Ball” received an Honorable Mention in The Year’s Best Science Fiction. Her short story “Cloud Dragon Skies” was also on the Carl Brandon Society’s “Recommended” shortlist for the Parallax Award. This story, “Non-Zero Probabilities,” also appeared on the 2010 Hugo Awards Ballot. Her first novel, The Hundred Thousand Kingdoms, was published by Orbit Books. It is the first of a trilogy, and has received starred reviews from Publishers Weekly and Library Journal. A full bibliography of her work can be found at nkjemisin.com.

GOING DEEP

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