THE KREUTZER SONATA
AND OTHER STORIES
By Count Leo Tolstoi
CONTENTS
TRANSLATOR'S PREFACE.
THE KREUTZER SONATA.
LESSON OF 'THE KREUTZER SONATA.'
IVAN THE FOOL.
A LOST OPPORTUNITY.
'POLIKUSHKA;'
THE CANDLE.
TRANSLATOR'S PREFACE.
On comparing with the original Russian some English translations of Count Tolstoi's works, published both in this country and in England, I concluded that they were far from being accurate. The majority of them were retranslations from the French, and I found that the respective transitions through which they had passed tended to obliterate many of the beauties of the Russian language and of the peculiar characteristics of Russian life. A satisfactory translation can be made only by one who understands the language and SPIRIT of the Russian people. As Tolstoi's writings contain so many idioms it is not an easy task to render them into intelligible English, and the one who successfully accomplishes this must be a native of Russia, commanding the English and Russian languages with equal fluency.
The story of 'Ivan the Fool' portrays Tolstoi's communistic ideas, involving the abolition of military forces, middlemen, despotism, and money. Instead of these he would establish on earth a kingdom in which each and every person would become a worker and producer. The author describes the various struggles through which three brothers passed, beset as they were by devils large and small, until they reached the ideal state of existence which he believes to be the only happy one attainable in this world.
On reading this little story one is surprised that the Russian censor passed it, as it is devoted to a narration of ideas quite at variance with the present policy of the government of that country.
'A Lost Opportunity' is a singularly true picture of peasant life, which evinces a deep study of the subject on the part of the writer. Tolstoi has drawn many of the peculiar customs of the Russian peasant in a masterly manner, and I doubt if he has given a more comprehensive description of this feature of Russian life in any of his other works. In this story also he has presented many traits which are common to human nature throughout the world, and this gives an added interest to the book. The language is simple and picturesque, and the characters are drawn with remarkable fidelity to nature. The moral of this tale points out how the hero Ivan might have avoided the terrible consequences of a quarrel with his neighbor (which grew out of nothing) if he had lived in accordance with the scriptural injunction to forgive his brother's sins and seek not for revenge.
The story of 'Polikushka' is a very graphic description of the life led by a servant of the court household of a certain nobleman, in which the author portrays the different conditions and surroundings enjoyed by these servants from those of the ordinary or common peasants. It is a true and powerful reproduction of an element in Russian life but little written about heretofore. Like the other stories of this great writer, 'Polikushka' has a moral to which we all might profitably give heed. He illustrates the awful consequences of intemperance, and concludes that only kind treatment can reform the victims of alcohol.
For much valuable assistance in the work of these translations, I am deeply indebted to the bright English scholarship of my devoted wife.
THE KREUTZER SONATA.
CHAPTER I.
Travellers left and entered our car at every stopping of the train. Three persons, however, remained, bound, like myself, for the farthest station: a lady neither young nor pretty, smoking cigarettes, with a thin face, a cap on her head, and wearing a semi-masculine outer garment; then her companion, a very loquacious gentleman of about forty years, with baggage entirely new and arranged in an orderly manner; then a gentleman who held himself entirely aloof, short in stature, very nervous, of uncertain age, with bright eyes, not pronounced in color, but extremely attractive,—eyes that darted with rapidity from one object to another.
This gentleman, during almost all the journey thus far, had entered into conversation with no fellow-traveller, as if he carefully avoided all acquaintance. When spoken to, he answered curtly and decisively, and began to look out of the car window obstinately.
Yet it seemed to me that the solitude weighed upon him. He seemed to perceive that I understood this, and when our eyes met, as happened frequently, since we were sitting almost opposite each other, he turned away his head, and avoided conversation with me as much as with the others. At nightfall, during a stop at a large station, the gentleman with the fine baggage—a lawyer, as I have since learned—got out with his companion to drink some tea at the restaurant. During their absence several new travellers entered the car, among whom was a tall old man, shaven and wrinkled, evidently a merchant, wearing a large heavily-lined cloak and a big cap. This merchant sat down opposite the empty seats of the lawyer and his companion, and straightway entered into conversation with a young man who seemed like an employee in some commercial house, and who had likewise just boarded the train. At first the clerk had remarked that the seat opposite was occupied, and the old man had answered that he should get out at the first station. Thus their conversation started.
I was sitting not far from these two travellers, and, as the train was not in motion, I could catch bits of their conversation when others were not talking.
They talked first of the prices of goods and the condition of business; they referred to a person whom they both knew; then they plunged into the fair at Nijni Novgorod. The clerk boasted of knowing people who were leading a gay life there, but the old man did not allow him to continue, and, interrupting him, began to describe the festivities of the previous year at Kounavino, in which he had taken part. He was evidently proud of these recollections, and, probably thinking that this would detract nothing from the gravity which his face and manners
