pray for forgiveness? He felt simultaneously panic-stricken and rocked with remorse, that this should happen on the very night he had transgressed, after a lifetime of blameless (or virtually blameless) service in the Church. He knelt on the turf at the roadside, his hands clasped in front of his anguished face, and cried, 'Forgive me, Father, for I have sinned.'

He couldn't discount the possibility that his lapse with Claudia Coppi was directly responsible for what was happening. By speculating that his few seconds' fondling of a pair of pretty breasts had hastened the end of the world, he may have been presumptuous, but he felt an ominous sense of cause and effect

He sneaked another look around his clasped hands. The state of the sky remained just as awesome. Streaks of fire were leaping up like skyrockets, leaving trails of sparks.

As yet there were no avenging angels to be seen, nor other apocalyptic phenomena. He heard no trumpets, but nothing would surprise him now.

Instead he saw two brilliant lights, so dazzling that they made his eyes ache. And immediately there came a low droning, becoming stronger. The source wasn't supernatural. A car, its headlights on full beam, was moving at high speed towards him along the road, from the direction of the pillar of fire. Father Faustini could understand people fleeing from the wrath to come, but he knew that they were deluding themselves. There could be no escape.

And so it proved.

The engine-note grew in volume and the lights intensified in brilliance. Ordinarily, Father Faustini would have waved to let the driver know that he was dazzled. But of course he wasn't mounted on his moped. He was on his knees at the side of the road. He'd abandoned the bike when he'd first seen the pillar of fire. Abandoned it where he had stopped, in the middle of the narrow road.

The car was racing towards it.

He clapped his hands to his head.

There simply wasn't time to drag the moped out of the way. He could only hope that the driver would spot the obstruction in time and steer to the side. It might be academic at this late stage in the history of the world whether an accident-even a fatal accident-mattered to anyone, but Father Faustini had always been safety conscious and he couldn't bear the thought of being responsible for anyone's death.

In truth, the driver of the car would share some blame, for bis speed was excessive.

What happened next was swift and devastating, yet Father Faustini saw it in the curious freeze-frame way that the brain has for coping with danger at high speed. The car bore down on the moped without any letup in speed until the last split second, when the driver must have seen what was in front of him. The rasp of tire rubber on the surface of the road as the brakes were applied made a sound like a siren's blare. The car veered left to avoid the moped, and succeeded. But it hit the curb, went out of control and ricocheted to the opposite side. Father Faustini registered that it was a large, powerful sedan. The white light from the headlamps swept out of his vision and was replaced by intense red as the car skidded past with its brake lights fully on. It mounted the curb and started up a bank of turf that bordered a field. The band of rear lights lifted and spun in an arc. The whole thing was turning over. It was thrown on its back not once, but three times, tons of metal bouncing like a toy, smashing through a fence and finally sliding on the roof across the ploughed earth.

One of the rear lights was still on. It went out in a spray of sparks. Smoke was rising from the wreck.

Father Faustini's legs felt about as capable of holding him up as freshly cooked pasta, but he stumbled across to see if he could get anyone out before the entire thing caught fire.

The weight of the chassis had crushed the superstructure. The priest got on his knees beside the compressed slot that had once been the driver's window. There was a figure inside, the head skewed into an impossible angle. Too late for the last rites.

Round the other side was the passenger, another man, half on the turf. Literally. The other half, from the waist down, was still trapped inside. The halves were separated at the waist.

The priest crossed himself. A wave of nausea threatened, but it was vital to stay in control because the air reeked of raw petrol and the whole wreck was likely to turn into a fireball any second. Still troubled that someone might be alive and trapped inside, he lay on his stomach to try and get a sight of what had been the backseat. He needn't have troubled. There wasn't a centimeter of space between the torn upholstery and the impacted roof.

As he braced to get up, a sound like the rushing mighty wind of the Pentecost started somewhere to his right. The petrol had caught fire.

He sprang up and sprinted away. Behind him, there was a series of cracking sounds followed by an almighty bang that must have been the petrol tank exploding. By then, he was twenty meters away and fiat to the earth.

He didn't move for a while. His nerves couldn't take any more. He actually sobbed a little. It was some time before he thought of saying a prayer. In his embattled mind, the car crash had overtrumped the Day of Judgment.

Finally, he sat up. The wreckage was still on fire, but the worst of it was over. Filthy black smoke was taking over and the stench Of burning rubber stung his throat and nostrils. He stared into the flames. The charred, mangled metal that remained barely resembled a vehicle.

Every muscle he possessed was trembling. With difficulty, he got to his feet and walked past the burning wreckage towards the moped, which still stood untouched in the center of the road, a testimony to his stupidity and his responsibility for this tragedy.

Beyond, the night sky was still rent by the vast pillar of fire that had so distracted him. The colors were still unearthly in their brilliance and variety. Even so, Father Faustini was forced to reconsider whether it could really be Judgment Day. The shock of the car crash had altered his perception. He couldn't explain the phenomenon. There had to be a reason for it, but he hadn't the energy left to supply one.

He got astride the moped, started up and rode off to report what had happened…

CHAPTER FOUR

A Saturday evening performance in the Metropolitan Opera House, New York. Domingo and Freni in full voice, before a packed, enthralled house. The entombment scene was drawing to its climax. United in Verdi's tear-jerking 'O terra addio,' the tragic lovers, Radames and Aida, embraced in the crypt, while the massive stone slabs that would bury them alive were lowered inch by agonizing inch. Offstage, the priests and priestesses chanted their relentless chorus, and the unhappy Amneris prayed for Radames' eternal soul. There are moments in an opera when no one minds too much if people wriggle and sway in their seats, straining for a better view, or trying to bring relief to aching buttocks. But when Aida reaches its poignant finale, when the slave girl is expiring in the arms of Radames, and the lights are slowly dimmed to signify the sealing of the tomb, the stillness in the auditorium is palpable, from the orchestra stalls right up to the sixth tier.

Or should be.

This evening in the Center Parterre, the most expensive seats in the Met, there was a disturbance. Of all things at this heart-rending moment, a series of electronic beeps shrilled above the singing, a call-signal considerably louder than the wristwatch alarms that are always going off in cinemas and theaters. Some philistine had brought his pager to the opera.

The most absorbed of the audience ignored the source of the sound, refusing to have their evening blighted. Not everyone was so forbearing.

'Jesus Christ-I don't believe this!' a man spoke up in the row immediately behind, regardless that he was adding to the disturbance. Others took up the protest with, 'Knock it off, will you?' and stronger advice.

In the third row, the source of the bleeps, a silver-haired man in black-framed bifocals, tugged aside bis tuxedo, unhitched the pager from his belt and pressed a button that silenced it. The entire incident had lasted no more than six seconds, but it could not have been more unfortunately timed.

And now the curtain was down and the performers were taking applause, and in the Center Parterre as many eyes were on the man in the third row as on Domingo. Dagger thrusts of obloquy struck at the offender. Try as he did to ignore them by energetically applauding and focusing his eyes fixedly on the stage, he could expect no mercy

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