Hull Zero Three

LIFE START

A jerk and an awful sound, like water rushing or blood spurting. Everything’s dark and muddled. A little redness creeps into my vision. I’m surrounded by thick liquid. My legs and arms thrash out against a smoothness.

Have we crashed? Did we break up in space before we landed? I’m already losing bits and pieces of what all that means. My memory is becoming like a puzzle picked up and shaken apart.

Puzzle. Jigsaw puzzle.

All wrong!

My entire body hurts. This is not the way it should be—not the way anything I know should be. But then I can feel what little I do know slipping away, including my name and why I’m here.

Alone in a shrinking tightness, like being squeezed out of a tube, legs still trapped, fingers ripping through the rubbery membrane, opening holes through which

I breathe.

I’m kicking my way out of a smothering sac. My chest aches and burns. The air hurts. Then the noise hits again and pounds my head, my ears, metal on metal. Doors closing. Walls moving, scraping, squealing.

My lungs seize. Hands and arms grow stiff. Naked flesh sticks to the deck. Skin comes away. I’m freezing.

A little one pulls on my exposed arm. She’s thin and wiry and strong. She tears at the sac until all of my upper body is cold. She makes sounds. I think I understand but my head isn’t locked in yet.

There was something wonderful before this.

What was it?

CHASING HEAT

“Don’t just lie there—get up.”

The little one’s still tugging and pushing, dancing on the frozen deck. I try to move but I’m uncoordinated. I’m losing skin all over. I try to fight. Maybe she’s the reason I’m in so much trouble.

“Hurry! The air’s going to freeze!”

All I can do is grunt and cry out. I hate this skinny creature. Who is she? What is she to me? She’s pulled me out of the Dreamtime, and it’s no good.

I turn to look at where I came from. Bodies are pushing out of a gray wall. They’re enclosed in reddish sacs. They’re trying to move, trying to punch and tear their way out, but the bags crystallize and shatter. The room is long and low. Carts wait on the floor. Bodies flop down on the carts and squirm but they’re moving slowly, slower still.

They’re all going to freeze.

I lash out, pushing her away.

She encourages me. “That’s it,” she says. “Breathe deep. Fight. Hurry. The heat’s going fast.”

Standing makes my head spin. “Help… them!” I cry out. “Go bother them!”

“They’re already dead,” she says. “You came out first.”

So that’s why I’m special. This time, when she takes my arm, I don’t resist—I’m in too much pain, and I don’t want to freeze. She drags me through a tall oval door into a long hall, curving up far away where there’s brightness, to my left. The brightness is moving on, going away.

Receding. Strange word, that one.

The little one leaves me behind, running, dancing. Her feet never linger on the cold surface. Either I make it or I don’t. It hurts too much to stay. I stumble after her. My legs are getting a little stronger, but the cold sucks my strength away as fast as it returns. It’s going to be a close thing.

It gets worse. I see black stripes and thousands of tiny lights wrapped around the long, curved hall. The lights are going out. Walls fall in place behind me. They make the horrible clanging sound I heard at first. They’re called bulkheads or maybe hatches. I blink and look up and down and see notches, indentations. That’s where the bulkheads will rise or fall and close me off, trap me.

Where I am is bad. All wrong. The only place to go is in the light ahead, receding, getting smaller, soon to vanish unless I run faster and keep up with the little one, a faraway, tiny figure, all thrashing legs and arms.

I start to really run. My legs catch on, my arms pump in rhythm. The air is warming a little. I can breathe without pain, then I breathe deep, as instructed. Swirls of fog drape off the walls and split as I pass through them. Other oval doors fly by. All are dark and cold, like little rat holes.

Rats. Whatever they are.

No time for questions.

“Come on!” the little one shouts over her shoulder.

No need for encouragement. I’ve almost caught up with her. My legs are longer. I’m taller. I can run faster if I put my mind to it. But then I realize she’s deliberately lagging, and with a burst she’s way ahead, pink in the full blaze of light. She turns and waves her hand, beckoning.

“Hurry! I’ve got clothes!”

A bulkhead slides down, and I jump forward just before it slams shut. It would have smashed me or cut me in half. The long, curved hall doesn’t care. That violates everything I think I know, everything I think I remember. The next notch is a few steps ahead. The floor rumbles and shivers. I pass the notch. The bulkhead puffs cold air on my back as it slams down. I’m gaining on them.

The little one jumps for joy. “Almost there!” she shouts.

What a way to wake up from the long nap, but I’m almost in the light. The warmth is delicious, the air is sweet. Maybe there’s hope.

I look back. Another bulkhead drops. So far, my life—away from the Dreamtime—is filled with simple shapes and volumes. Striped halls, hatches, oval and circular openings, gray and dark brown except for the lights. Then there’s the little one, like me, legs and arms and running and shouting.

I look ahead. The little one holds one arm up, head turned sideways, mouth open in surprise, staring at something I can’t see.

She suddenly flinches and covers her face with her arm.

Something new and terrible enters the picture. I see it in the square of light, where the little one is, where I want to be. A thick, furry blackness fills that square, blocks it with a huge, unfurled rug of a hand that swoops behind the little one and wraps her and lifts her. She screams a short scream and then throws something as far as she can—something small. It lands in the hall, bounces, slides to a stop.

Something moves in the blackness, and three gleaming beads focus on me— looking at me. Then it’s gone. She’s gone. The light opens up. Warmth pulses down the hall like a temptation, a lure. I stop and stand, shivering, under a spatter of condensation from the roof.

A wall flies up between me and the horror waiting in the light. I don’t mind. I slump and lean against the wall, a bulkhead five or six paces behind me and now one in front, nine or ten paces. The little one is gone. The light is gone.

I guess it all started badly, so I close my eyes and hope maybe it will stop. It’s quiet. The walls aren’t freezing but they are still cold. I think if I lie flat, they’ll suck out what’s left of my heat. That’s what I need. A reset. Time to start over. I’ll be painlessly absorbed and wait for a better start, more like what the Dreamtime promised. I hardly remember any of what came before the sac, the tugging, the cold. It’s gone but leaves a beautiful, troubling impression.

Things could have been so much better. What went wrong? I lie back and stare up at the dripping brownness. The coolness is pleasant after the exertion.

Who was the little one? I think past tense because I’m sure whatever it was that got her ate her or recycled her or something like that. Obvious and inevitable. First lesson learned: Don’t go where