enormous smile distended his thick lips; his eyes grew wide, and flashed; and he drew his breath quickly, striking his mallet-like fist upon his knee, and exclaiming under his breath:
'I got her, by God! I got her, by God!' At the same time he thought better of himself; his self-respect increased enormously. The man that could win Trina Sieppe was a man of extraordinary ability.
Trina burst in upon her mother while the latter was setting a mousetrap in the kitchen.
'Oh, mamma!'
'Eh? Trina? Ach, what has happun?'
Trina told her in a breath.
'Soh soon?' was Mrs. Sieppe's first comment. 'Eh, well, what you cry for, then?'
'I don't know,' wailed Trina, plucking at the end of her handkerchief.
'You loaf der younge doktor?'
'I don't know.'
'Well, what for you kiss him?'
'I don't know.'
'You don' know, you don' know? Where haf your sensus gone, Trina? You kiss der doktor. You cry, and you don' know. Is ut Marcus den?'
'No, it's not Cousin Mark.'
'Den ut must be der doktor.'
Trina made no answer.
'Eh?'
'I–I guess so.'
'You loaf him?'
'I don't know.'
Mrs. Sieppe set down the mousetrap with such violence that it sprung with a sharp snap.
CHAPTER 6
No, Trina did not know. 'Do I love him? Do I love him?' A thousand times she put the question to herself during the next two or three days. At night she hardly slept, but lay broad awake for hours in her little, gayly painted bed, with its white netting, torturing herself with doubts and questions. At times she remembered the scene in the station with a veritable agony of shame, and at other times she was ashamed to recall it with a thrill of joy. Nothing could have been more sudden, more unexpected, than that surrender of herself. For over a year she had thought that Marcus would some day be her husband. They would be married, she supposed, some time in the future, she did not know exactly when; the matter did not take definite shape in her mind. She liked Cousin Mark very well. And then suddenly this cross-current had set in; this blond giant had appeared, this huge, stolid fellow, with his immense, crude strength. She had not loved him at first, that was certain. The day he had spoken to her in his 'Parlors' she had only been terrified. If he had confined himself to merely speaking, as did Marcus, to pleading with her, to wooing her at a distance, forestalling her wishes, showing her little attentions, sending her boxes of candy, she could have easily withstood him. But he had only to take her in his arms, to crush down her struggle with his enormous strength, to subdue her, conquer her by sheer brute force, and she gave up in an instant.
But why — why had she done so? Why did she feel the desire, the necessity of being conquered by a superior strength? Why did it please her? Why had it suddenly thrilled her from head to foot with a quick, terrifying gust of passion, the like of which she had never known? Never at his best had Marcus made her feel like that, and yet she had always thought she cared for Cousin Mark more than for any one else.
When McTeague had all at once caught her in his huge arms, something had leaped to life in her — something that had hitherto lain dormant, something strong and overpowering. It frightened her now as she thought of it, this second self that had wakened within her, and that shouted and clamored for recognition. And yet, was it to be feared? Was it something to be ashamed of? Was it not, after all, natural, clean, spontaneous? Trina knew that she was a pure girl; knew that this sudden commotion within her carried with it no suggestion of vice.
Dimly, as figures seen in a waking dream, these ideas floated through Trina's mind. It was quite beyond her to realize them clearly; she could not know what they meant. Until that rainy day by the shore of the bay Trina had lived her life with as little self-consciousness as a tree. She was frank, straightforward, a healthy, natural human being, without sex as yet. She was almost like a boy. At once there had been a mysterious disturbance. The woman within her suddenly awoke.
Did she love McTeague? Difficult question. Did she choose him for better or for worse, deliberately, of her own free will, or was Trina herself allowed even a choice in the taking of that step that was to make or mar her life? The Woman is awakened, and, starting from her sleep, catches blindly at what first her newly opened eyes light upon. It is a spell, a witchery, ruled by chance alone, inexplicable — a fairy queen enamored of a clown with ass's ears.
McTeague had awakened the Woman, and, whether she would or no, she was his now irrevocably; struggle against it as she would, she belonged to him, body and soul, for life or for death. She had not sought it, she had not desired it. The spell was laid upon her. Was it a blessing? Was it a curse? It was all one; she was his, indissolubly, for evil or for good.
And he? The very act of submission that bound the woman to him forever had made her seem less desirable in his eyes. Their undoing had already begun. Yet neither of them was to blame. From the first they had not sought each other. Chance had brought them face to face, and mysterious instincts as ungovernable as the winds of heaven were at work knitting their lives together. Neither of them had asked that this thing should be — that their destinies, their very souls, should be the sport of chance. If they could have known, they would have shunned the fearful risk. But they were allowed no voice in the matter. Why should it all be?
It had been on a Wednesday that the scene in the B Street station had taken place. Throughout the rest of the week, at every hour of the day, Trina asked herself the same question: 'Do I love him? Do I really love him? Is this what love is like?' As she recalled McTeague — recalled his huge, square-cut head, his salient jaw, his shock of yellow hair, his heavy, lumbering body, his slow wits — she found little to admire in him beyond his physical strength, and at such moments she shook her head decisively. 'No, surely she did not love him.' Sunday afternoon, however, McTeague called. Trina had prepared a little speech for him. She was to tell him that she did not know what had been the matter with her that Wednesday afternoon; that she had acted like a bad girl; that she did not love him well enough to marry him; that she had told him as much once before.
McTeague saw her alone in the little front parlor. The instant she appeared he came straight towards her. She saw what he was bent upon doing. 'Wait a minute,' she cried, putting out her hands. 'Wait. You don't understand. I have got something to say to you.' She might as well have talked to the wind. McTeague put aside her hands with a single gesture, and gripped her to him in a bearlike embrace that all but smothered her. Trina was but a reed before that giant strength. McTeague turned her face to his and kissed her again upon the mouth. Where was all Trina's resolve then? Where was her carefully prepared little speech? Where was all her hesitation and torturing doubts of the last few days? She clasped McTeague's huge red neck with both her slender arms; she raised her adorable little chin and kissed him in return, exclaiming: 'Oh, I do love you! I do love you!' Never afterward were the two so happy as at that moment.
A little later in that same week, when Marcus and McTeague were taking lunch at the car conductors' coffee-joint, the former suddenly exclaimed:
'Say, Mac, now that you've got Trina, you ought to do more for her. By damn! you ought to, for a fact. Why don't you take her out somewhere — to the theatre, or somewhere? You ain't on to your job.'
Naturally, McTeague had told Marcus of his success with Trina. Marcus had taken on a grand air.
'You've got her, have you? Well, I'm glad of it, old man. I am, for a fact. I know you'll be happy with her. I know how I would have been. I forgive you; yes, I forgive you, freely.'
McTeague had not thought of taking Trina to the theatre.
'You think I ought to, Mark?' he inquired, hesitating. Marcus answered, with his mouth full of suet pudding:
