Old Grannis. In a way she brought the two old people face to face. Each time they were forced to answer her questions it was as if they were talking directly to each other.
'These here are first-rate shoes, Miss Baker. Look here, Mister Grannis, get on to the shoes Miss Baker gi' me. You ain't got a pair you don't want, have you? You two people have less junk than any one else in the flat. How do you manage, Mister Grannis? You old bachelors are just like old maids, just as neat as pins. You two are just alike — you and Mister Grannis — ain't you, Miss Baker?'
Nothing could have been more horribly constrained, more awkward. The two old people suffered veritable torture. When Maria had gone, each heaved a sigh of unspeakable relief. Softly they pushed to their doors, leaving open a space of half a dozen inches. Old Grannis went back to his binding. Miss Baker brewed a cup of tea to quiet her nerves. Each tried to regain their composure, but in vain. Old Grannis's fingers trembled so that he pricked them with his needle. Miss Baker dropped her spoon twice. Their nervousness would not wear off. They were perturbed, upset. In a word, the afternoon was spoiled.
Maria went on about the flat from room to room. She had already paid Marcus Schouler a visit early that morning before he had gone out. Marcus had sworn at her, excitedly vociferating; 'No, by damn! No, he hadn't a thing for her; he hadn't, for a fact. It was a positive persecution. Every day his privacy was invaded. He would complain to the landlady, he would. He'd move out of the place.' In the end he had given Maria seven empty whiskey flasks, an iron grate, and ten cents — the latter because he said she wore her hair like a girl he used to know.
After coming from Miss Baker's room Maria knocked at McTeague's door. The dentist was lying on the bed- lounge in his stocking feet, doing nothing apparently, gazing up at the ceiling, lost in thought.
Since he had spoken to Trina Sieppe, asking her so abruptly to marry him, McTeague had passed a week of torment. For him there was no going back. It was Trina now, and none other. It was all one with him that his best friend, Marcus, might be in love with the same girl. He must have Trina in spite of everything; he would have her even in spite of herself. He did not stop to reflect about the matter; he followed his desire blindly, recklessly, furious and raging at every obstacle. And she had cried 'No, no!' back at him; he could not forget that. She, so small and pale and delicate, had held him at bay, who was so huge, so immensely strong.
Besides that, all the charm of their intimacy was gone. After that unhappy sitting, Trina was no longer frank and straight-forward. Now she was circumspect, reserved, distant. He could no longer open his mouth; words failed him. At one sitting in particular they had said but good-day and good-by to each other. He felt that he was clumsy and ungainly. He told himself that she despised him.
But the memory of her was with him constantly. Night after night he lay broad awake thinking of Trina, wondering about her, racked with the infinite desire of her. His head burnt and throbbed. The palms of his hands were dry. He dozed and woke, and walked aimlessly about the dark room, bruising himself against the three chairs drawn up 'at attention' under the steel engraving, and stumbling over the stone pug dog that sat in front of the little stove.
Besides this, the jealousy of Marcus Schouler harassed him. Maria Macapa, coming into his 'Parlor' to ask for junk, found him flung at length upon the bed-lounge, gnawing at his fingers in an excess of silent fury. At lunch that day Marcus had told him of an excursion that was planned for the next Sunday afternoon. Mr. Sieppe, Trina's father, belonged to a rifle club that was to hold a meet at Schuetzen Park across the bay. All the Sieppes were going; there was to be a basket picnic. Marcus, as usual, was invited to be one of the party. McTeague was in agony. It was his first experience, and he suffered all the worse for it because he was totally unprepared. What miserable complication was this in which he found himself involved? It seemed so simple to him since he loved Trina to take her straight to himself, stopping at nothing, asking no questions, to have her, and by main strength to carry her far away somewhere, he did not know exactly where, to some vague country, some undiscovered place where every day was Sunday.
'Got any junk?'
'Huh? What? What is it?' exclaimed McTeague, suddenly rousing up from the lounge. Often Maria did very well in the 'Dental Parlors.' McTeague was continually breaking things which he was too stupid to have mended; for him anything that was broken was lost. Now it was a cuspidor, now a fire-shovel for the little stove, now a China shaving mug.
'Got any junk?'
'I don't know — I don't remember,' muttered McTeague. Maria roamed about the room, McTeague following her in his huge stockinged feet. All at once she pounced upon a sheaf of old hand instruments in a coverless cigar- box, pluggers, hard bits, and excavators. Maria had long coveted such a find in McTeague's 'Parlor,' knowing it should be somewhere about. The instruments were of the finest tempered steel and really valuable.
'Say, Doctor, I can have these, can't I?' exclaimed Maria. 'You got no more use for them.' McTeague was not at all sure of this. There were many in the sheaf that might be repaired, reshaped.
'No, no,' he said, wagging his head. But Maria Macapa, knowing with whom she had to deal, at once let loose a torrent of words. She made the dentist believe that he had no right to withhold them, that he had promised to save them for her. She affected a great indignation, pursing her lips and putting her chin in the air as though wounded in some finer sense, changing so rapidly from one mood to another, filling the room with such shrill clamor, that McTeague was dazed and benumbed.
'Yes, all right, all right,' he said, trying to make himself heard. 'It WOULD be mean. I don't want 'em.' As he turned from her to pick up the box, Maria took advantage of the moment to steal three 'mats' of sponge-gold out of the glass saucer. Often she stole McTeague's gold, almost under his very eyes; indeed, it was so easy to do so that there was but little pleasure in the theft. Then Maria took herself off. McTeague returned to the sofa and flung himself upon it face downward.
A little before supper time Maria completed her search. The flat was cleaned of its junk from top to bottom. The dirty pillow-case was full to bursting. She took advantage of the supper hour to carry her bundle around the corner and up into the alley where Zerkow lived.
When Maria entered his shop, Zerkow had just come in from his daily rounds. His decrepit wagon stood in front of his door like a stranded wreck; the miserable horse, with its lamentable swollen joints, fed greedily upon an armful of spoiled hay in a shed at the back.
The interior of the junk shop was dark and damp, and foul with all manner of choking odors. On the walls, on the floor, and hanging from the rafters was a world of debris, dust-blackened, rust-corroded. Everything was there, every trade was represented, every class of society; things of iron and cloth and wood; all the detritus that a great city sloughs off in its daily life. Zerkow's junk shop was the last abiding-place, the almshouse, of such articles as had outlived their usefulness.
Maria found Zerkow himself in the back room, cooking some sort of a meal over an alcohol stove. Zerkow was a Polish Jew — curiously enough his hair was fiery red. He was a dry, shrivelled old man of sixty odd. He had the thin, eager, cat-like lips of the covetous; eyes that had grown keen as those of a lynx from long searching amidst muck and debris; and claw-like, prehensile fingers — the fingers of a man who accumulates, but never disburses. It was impossible to look at Zerkow and not know instantly that greed — inordinate, insatiable greed — was the dominant passion of the man. He was the Man with the Rake, groping hourly in the muck-heap of the city for gold, for gold, for gold. It was his dream, his passion; at every instant he seemed to feel the generous solid weight of the crude fat metal in his palms. The glint of it was constantly in his eyes; the jangle of it sang forever in his ears as the jangling of cymbals.
'Who is it? Who is it?' exclaimed Zerkow, as he heard Maria's footsteps in the outer room. His voice was faint, husky, reduced almost to a whisper by his prolonged habit of street crying.
'Oh, it's you again, is it?' he added, peering through the gloom of the shop. 'Let's see; you've been here before, ain't you? You're the Mexican woman from Polk Street. Macapa's your name, hey?'
Maria nodded. 'Had a flying squirrel an' let him go,' she muttered, absently. Zerkow was puzzled; he looked at her sharply for a moment, then dismissed the matter with a movement of his head.
'Well, what you got for me?' he said. He left his supper to grow cold, absorbed at once in the affair.
Then a long wrangle began. Every bit of junk in Maria's pillow-case was discussed and weighed and disputed. They clamored into each other's faces over Old Grannis's cracked pitcher, over Miss Baker's silk gaiters, over Marcus Schouler's whiskey flasks, reaching the climax of disagreement when it came to McTeague's instruments.
'Ah, no, no!' shouted Maria. 'Fifteen cents for the lot! I might as well make you a Christmas present! Besides,
