been turned into an exhibit space—the kitchen, the library, the living room, the bathroom, the study—and yet it was almost as if they were still in use. There were spotless quilts on the beds, the smell of vanilla in the kitchen, and a book open on the desk in the study. But torture was everywhere.

The old man was good at his job. He could rattle off the history of each object without missing a beat, and it was obvious that these things meant a lot to him.

As I followed him from exhibit to exhibit, the only sound in the house was our footsteps. I caught glimpses of the garden when we passed a window. The sun was beginning to set.

He was tall and his shoulders were broad. His voice was firm and he moved like a much younger man. I thought for a moment that I might have been wrong about his age—but when I looked closer, I could see the spots on his face and the wrinkles on his neck.

What was I doing here? And what was my boyfriend doing now? The shrimp had been in the marinade too long, and the strawberry shortcake would be getting stale. It was too late.

But somehow the sight of all these instruments of torture, all of this pain, seemed to fit right in with thoughts of my boyfriend.

“This was brought to us by a bag maker.” The old man pointed at another object.

“It’s like a corset,” I said, peering into a cabinet he had opened in the living room.

“It is indeed. It’s cowhide stretched over a whalebone frame. The device is fitted over the torso and gradually tightened until the ribs crack and the internal organs are crushed. It was designed specifically for use on women.”

“May I touch it?”

“Yes, of course.”

“It doesn’t look particularly old,” I said.

“You’re quite right, it isn’t. It’s actually something that the bag maker designed himself. But my testing revealed traces of human flesh on the inside of the tube, so I found it worthy of being exhibited.”

I pulled my hand away and wiped my fingers on my skirt, trying to avoid letting him see what I’d done.

“Don’t worry,” he said. “The quantities of tissue were infinitesimal.”

“I was actually afraid I might be destroying precious evidence,” I told him.

I wondered which would be more painful: to have your throat slit, to have your heart gouged out, or to have your chest crushed? I bet it’s the corset, since you probably could last a while even after your organs burst. I wondered, too, about the woman who lived upstairs from my apartment. Had she been arrested yet? I imagined that nice detective using the corset to extract a confession. He could make her talk. He certainly was interested in what I had to say, unlike my boyfriend.

There were bright tiles in the bathroom, a new bar of soap in the dish, and neatly folded towels. A shaving set and jars of makeup were lined up above the sink.

“This item is somewhat rare. It comes from southern Yemen.” The old man seemed to be gaining strength as he went on.

“It’s just a funnel,” I said.

“Yes, but a special one. The victim is immobilized on his back, and the funnel is used to drip cold water on his face, one drop at a time.”

“And that’s torture.”

“It most certainly is—one of the more brutal, in fact.” He picked up the funnel and held it carefully in both hands. It was made of a dull silver metal almost the same color as his hair. “For a torture to be effective, the pain has to be spread out; it has to come at regular intervals, with no end in sight. The water falls, drop after drop after drop, like the second hand of a watch, carving up time. The shock of each individual drop is insignificant, but the sensation is impossible to ignore. At first, one might manage to think about other things, but after five hours, after ten hours, it becomes unendurable. The repeated stimulation excites the nerves to a point where they literally explode, and every sensation in the body is absorbed into that one spot on the forehead—indeed, you come to feel that you are nothing but a forehead, into which a fine needle is being forced millimeter by millimeter. You can’t sleep or even speak, hypnotized by a suffering that is greater than any mere pain. In general, the victim goes mad before a day has passed.”

He returned the funnel to its place in the exhibit.

What did my boyfriend’s forehead look like? It had usually been hidden under his long hair, but I had certainly seen it when he was getting out of the shower, or when he pushed back his bangs with that unconscious swipe of his hand, or when his head bobbed violently over me in bed.

I was sure that beautiful forehead would look lovely under an endless drip of water. Icy drops, cold enough to numb the skin, falling right on his forehead, then running down his face and disappearing into his hair. Like he’s crying. With another tear ready at the mouth of the funnel. His eyes are closed, his lips tensed. His forehead is so cute I have the urge to kiss it. But I can’t touch him, I can’t give him relief from the drops.

“Now this one is absolutely unique,” the old man said. “We are especially proud of it.” He held up what appeared to be just another ordinary pair of tweezers. There were stains where the fingers would have held them.

“The pain inflicted resembles that of the funnel we’ve just seen, but of a coarser variety. These were used to extract the hair from the victim’s head, one strand at a time.”

“I’m not sure I understand,” I said.

“I suppose it does seem a bit strange,” he said, nodding and touching his tie again. “The hairs are extracted one at a time, a procedure requiring infinite patience and perseverance. Until the scalp is completely exposed.

“It’s horrible to lose one’s hair. When the Nazis brought prisoners to a concentration camp, the first thing they did was to shave their heads in order to strip them of their humanity. In reality, it does no physical harm, but we seem convinced that our very existence is somehow bound up in our hair.”

“You’re right,” I said. “I’m a beautician. I should know.”

“Then you’ll understand the nature of the torture. It is conducted in a room lined with mirrors. Thus, no matter how hard the victim tries to avert his eyes, he is forced to watch himself becoming bald. The process is time-consuming, but it’s important that the hairs be removed one at a time. If you rip out several at once, the effect is lost. The suffering comes from the slow but steady sense of loss—along with the tiny pain the victim experiences each time a hair is plucked. It’s nothing at first, but as it’s repeated a thousand times, ten thousand times, a hundred thousand times, it becomes the most exquisite agony imaginable.”

The rich colors of the sunset were cast down on us through the skylight. The breeze had died and the leaves of the oak tree were still. The evening shadows collected under the old man’s eyes, making his smile seem a bit spooky.

The next time my boyfriend comes over, I’ll give him a haircut on the balcony. I’ll cover him with a plastic cape and put a towel around his neck. And then I’ll tie his arms and legs to the chair. Maybe this old man will lend me some straps. They’ve got plenty to spare. The ones with the fingernail tweezers would do.

And then I’ll pluck out his hair. It probably doesn’t matter where you start—behind the ears, or maybe on the top of the head. They’ll flutter down like insects with long wings. I’ll enjoy that tiny bit of resistance each time I pluck a hair, the feeling of the skin ripping, of fat popping to the surface.

Before long his scalp will appear, soft and white and delicate. Like the skin of the hamster I found in the trash can. The hair will pile up until the breeze sends it swirling around his legs. If a strand sticks to his face, he won’t be able to brush it away. He won’t be able to do anything but groan. He won’t be able to stop me doing just what I choose.

* * *

“I hope you enjoyed your visit.”

“I certainly did. Thank you for the tour,” I said, bowing. “Would you mind if I asked one last question?” He nodded. “Do you ever get the urge to try out some of the things you’ve got here?”

He put his hand to his temple and stood looking at the light in the lobby.

“Of course I do,” he said at last. His smile had disappeared. “In fact, I don’t exhibit an object unless I have the desire to use it.” He ran his hand through his hair.

“Would you mind if I came back sometime?” I asked.

“By all means,” he said, smiling once more. “Whenever you feel the need, please come to see us. We’ll be expecting you.”

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