truly terrible about this moment-about the music with its lovely compelling rhythm, and the desperate look on Alex's face.
'The simple truth is ... I don't want to be married. Not yet.' And perhaps not at all?
He didn't answer her. She'd been too blunt, too much to the point. She knew that sudden shrinking. It wasn't unmanly; on the contrary, it was gentlemanly. She had hurt him, and when he smiled again now, there was a sweetness and a courage in it that touched her and made her feel all the more sad.
'Father will be back in a few months, Alex. We'll all talk then. Marriage, the future, the rights of women, married and unmarried, and the possibility that you deserve far better than a modern woman like me who's very likely to turn your hair grey within the first year and send you running into the arms of an old-fashioned mistress.'
'Oh, how you love to be shocking,' he said. 'And I love to be shocked.'
'But do you, dearest, really love to be shocked?'
Suddenly he did kiss her. They had stopped in the middle of the dance floor, other couples swirling around them as the music swept on. He kissed her and she allowed it, yielding to him completely as if she must somehow love him; must somehow meet him halfway.
It didn't matter that others must be looking at them. It didn't matter that his hands were trembling as he held her.
What mattered was that, though she loved him terribly, it was not enough.
* * *
It was cool now. There was noise out there; cars arriving. The braying of a donkey; and the sharp high- pitched sound of a woman laughing, an American woman, who had driven all the way from Cairo as soon as she had heard.
Lawrence and Samir sat together in their camp chairs at the ancient writing table, with the papyri spread out before them.
Careful not to put his full weight on the fragile piece of furniture, Lawrence hastily scribbled his translations in his leather-bound book.
Now and then he glanced over his shoulder at the mummy, the great King who for all die world looked as if he merely slept. Ramses the Immortal! The very idea inflamed Lawrence. He knew that he would be in this strange chamber until well after dawn.
'But it must be a hoax,' Samir said. 'Ramses the Great guarding the royal families of Egypt for a thousand years. The lover of Cleopatra?''
'Ah, but it makes sublime sense!' Lawrence replied. He set down the pen for a moment, staring at the papyri. How his eyes ached. 'If any woman could have driven an immortal man to entomb himself, Cleopatra would be that woman.'
He looked at the marble bust before him. Lovingly he stroked Cleopatra's smooth white cheek. Yes, Lawrence could believe it. Cleopatra, beloved of Julius Caesar and beloved of Mark Antony; Cleopatra, who had held out against the Roman conquest of Egypt far longer than anyone dreamed possible; Cleopatra, the last ruler of Egypt in the ancient world. But the story-he must resume his translation. . . .
Samir rose and stretched uneasily. Lawrence watched him move towards the mummy. What was he doing? Examining the wrappings over the fingers, examining the brilliant scarab ring so clearly visible on the right hand? Now mat was a nineteenth-dynasty treasure, no one could deny it, Lawrence thought.
Lawrence closed his eyes and massaged his eyelids gently. Then he opened them, focusing on the papyrus before him again.
'Samir, I tell you, the fellow is convincing me. Such a command of languages would dazzle anyone. And his philosophical perspective is quite as modern as my own.' He reached for the older document, which he had examined earlier. 'And this, Samir, I want you to examine it. This is none other than a letter from Cleopatra to Ramses.'
'A hoax, Lawrence. Some sort of little Roman joke.'
'No, my friend, nothing of the kind. She wrote this letter from Rome when Caesar was assassinated! She told Ramses she was coming home to him, and to Egypt.'
He laid the letter aside. When Samir had time he would see for himself what these documents contained. All the world would see. He turned back to the original papyrus.
'But listen to this, Samir-Ramses' last thoughts: 'The Romans can not be condemned for the conquest of Egypt; we were conquered by time itself in the end. And all the wonders of this brave new century should draw me from my grief and yet I can not heal my heart; and so the mind suffers; the mind closes as if it were a flower without sun.' ''
Samir was still looking at the mummy, looking at the ring. 'Another reference to the sun. Again and again the sun.' He turned to Lawrence. 'But surely you don't believe it-!'
'Samir, if you can believe in the curse, why can't you believe in an immortal man?'
'Lawrence, you play with me. I have seen the workings of many a curse, my friend. But an immortal man who lived in Athens under Pericles and Rome under the Republic and Carthage under Hannibal? A man who taught Cleopatra the history of Egypt? Of this I know nothing at all.'
' 'Listen again, Samir: 'Her beauty shall forever haunt me; as well as her courage and her frivolity; her passion for life, which seemed inhuman in its intensity while being only human after all.' '
Samir made no answer. His eyes were fixed on the mummy again, as if he could not stop looking at it. Lawrence understood perfectly, which is why he sat with his back to the thing in order to read the papyrus, so that he would get the crucial work done.
'Lawrence, this mummy is as dead as any I have ever seen in the Cairo Museum. A storyteller, that is what the man was. Yet these rings.'
'Yes, my friend, I observed it very carefully earlier; it is the cartouche of Ramses the Great, and so we have not merely a storyteller but a collector of antiquities. Is that what you want me to believe?'
But what did Lawrence believe? He sat back against the sagging canvas of the camp chair and let his eyes drift over the contents of this strange room. Then again he translated from the scroll.
' 'And so I retreat to this isolated chamber; and now my library shall become my tomb. My servants shall anoint .my body and wrap it in fine funerary linen as was the custom of my time now so long forgotten. But no knife shall touch me. No embalmer shall extract the heart and brain from my immortal form.* '
A euphoria overcame Lawrence suddenly; or was it a state of waking dream? This voice-it seemed so real to him; he feh the personality, as one never did with the ancient Egyptians. Ah, but of course, this was an immortal man. . . .
* * *
Elliott was getting drunk, but no one knew it. Except Elliott, who leaned on the gilded rail of the half-landing again in a rather casual manner that he almost never assumed. There was a style to even his smallest gestures, and now he carelessly violated it, keenly aware that no one would notice; no one would take offense.
Ah, such a world, made up almost wholly of subtleties. What a horror. And he must think of this marriage; he must talk of this marriage; he must do something about the sad spectacle of his son, quite obviously defeated, who, after watching Julie dance with another, came now up the marble stairs.
'I'm asking you to trust in me,' Randolph was saying. 'I guarantee this marriage. All it takes is a little time.'
'Surely you don't think I enjoy pressing you,' Elliott answered. Thick-tongued. Drunk all right. 'I'm much more comfortable in a dream world, Randolph, where money simply doesn't exist. But the fact is, we cannot afford such reverie, either of us. This marriage is essential for us both.''
'Then I shall go to see Lawrence myself.'
Elliott turned to see his son only a few steps away, waiting like a schoolboy for the adults to acknowledge him.
'Father, I badly need consolation,' Alex said.
'What you need is courage, young man,' Randolph said crossly. 'Don't tell me you've taken no for an answer again.'
