Being a knowledgeable young fellow, not quite a kid any more, wanting to help the sick man too, you want to tell him everything you know about that cold-in-the-gut, that reaching invisible surrounding implacable ameba. You know all about it-listen, you want to yell at him, don’t let that touch of cold bother you. Just know what it is, that’s all. Know what it is that is touching your gut. You want to tell him, listen:

Listen, this is how you met the monster and dissected it. Listen, you were skin-diving in the Grenadines, a hundred tropical shoal-water islands; you had a new blue snorkel mask, the kind with face-plate and breathing-tube all in one, and new blue ffippers on your feet, and a new blue spear-gun-all this new because you’d only begun, you see; you were a beginner, aghast with pleasure at your easy intrusion into this underwater otherworld. You’d been out in a boat, you were coming back, you’d just reached the mouth of the little bay, you’d taken the notion to swim the rest of the way. You’d said as much to the boys and slipped into the warm silky water. You brought your gun.

Not far to go at all, but then beginners find wet distances deceiving. For the first five minutes or so it was only delightful, the sun hot on your back and the water so warm it seemed not to have any temperature at all and you were flying. With your face under the water, your mask was not so much attached as part of you, your wide blue flippers trod away yards, yout gun rode all but weightless in your hand, the taut rubber sling making an occasional hum as your passage plucked it in the sunlit green. In your ears crooned the breathy monotone of the snorkel tube, and through the invisible disk of plate glass you saw wonders. The bay was shallow-ten, twelve feet or so-and sandy, with great growths of brain-, bone-, and fire-coral, intricate waving sea-fans, and fish-such fish! Scarlet and green and

aching azure, gold and rose and slate-color studded with sparks of enamel-blue, pink and peach and silver. And that thing got into you, that… monster.

There were enemies in this otherworld: the sand-colored spotted sea-snake with his big ugly head and turned- down mouth, who would not retreat but lay watching the intruder pass; and the mottled moray with jaws like bolt- cutters; and somewhere around, certainly, the barracuda with his undershot face and teeth turned in-ward so that he must take away whatever he might strike. There were urchins-the plump white sea-egg with its thick fur of sharp quills and the black ones with the long slender spines that would break off in unwary flesh and fester there for weeks; and file-fish and stone-fish with their poisoned barbs and lethal meat; and the stingaree who could drive his spike through a leg bone. Yet these were not monsters, and could not matter to you, the invader churning along above them all. For you were above them in so .many ways-armed, rational, comforted by the close shore (ahead the beach, the rocks on each side) and by the presence of the boat not too far behind. Yet you were… attacked.

At first it was uneasiness, not pressing, but pervasive, a contact quite as intimate as that of the sea; you were sheathed in it. And also there was the touch-the cold in-ward contact. Aware of it at last, you laughed: for Pete’s sake, what’s there to be scared of?

The monster, the ameba.

You raised your head and looked back in air. The boat had edged in to the cliff at the right; someone was giving a last poke around for lobster. You waved at the boat; it was your gun you waved, and emerging from the water it gained its latent ounces so tha,t you sank a bit, and as if you had no snorkle on, you tipped your head back to get a breath. But tipping your head back plunged the end of the tube under water; the valve closed; you drew in a hard lungful of nothing at all. You dropped your face under; up came the tube; you got your air, and along with it a bullet of seawater which struck you somewhere inside the throat. You coughed it out and floundered, sobbing as you sucked in air, inflating your chest until it hurt, and the air you got seemed no good, no good at all, a worthless devitalized inert gas.

You clenched your teeth and headed for the beach, kicking strongly and knowing it was the right thing to do; and then below and to the right you saw a great bulk mounding up out of the sand floor of the sea. You knew it was only the reef, rocks and coral and weed, but the sight of it made you scream; you didn’t care what you knew. You turned hard left to avoid it, fought by as if it would reach for you, and you couldn’t get air, couldn’t get air, for all the unobstructed hooting of your snorkel tube. You couldn’t bear the mask, suddenly, not for another second, so you shoved it upward clear of your mouth and rolled over, floating on your back and opening your mouth to the sky and breathing with a quacking noise.

It was then and there that the monster well and truly engulfed you, mantling you round and about within itself- formless, borderless, the illimitible ameba. The beach, mere yards away, and the rocky arms of the bay, and the not-too-distant boat-these you could identify but no longer distinguish, for they were all one and the same thing , the thing called unreachable.

You fought that way for a time, on your back, dangling the gun under and behind you and straining to get enough warm sun-stained air into your chest. And in time some particles of sanity began to swirl in the roil of your mind, and to dissolve and tint it. The air pumping in and out of your square-grinned frightened mouth began to be meaningful at last, and the monster relaxed away from you.

You took stock, saw surf, beach, a leaning tree. You felt the new scend of your body as the rollers humped to become breakers. Only a dozen firm kicks brought you to where you could roll over and double up; your shin struck coral with a lovely agony and ou stood in foam and waded ashore. You gained the wet sand, hard sand, and ultimately with two more paces powered by bravado, you crossed high-water mark and lay in the dry sand, unable to move.

You lay in the sand, and before you were able to move or to think, you were able to feel a triumph-a triumph because you were alive and knew that much without thinking at all.

When you were able to think, your first thought was of the gun, and the first move you were able to make was to let go at last of the thing. You had nearly died because you had not let it go before; without it you would not have been burdened and you would not have panicked. You had (you began to understand) kept it because someone else would have had to retrieve it-easily enough-and you could not have stood the laughter. You had almost died because They might laugh at you.

This was the beginning of the dissection, analysis, study of the monster. It began then; it had never finished. Some of what you had learned from it was merely important; some of the rest-vital.

You had learned, for example, never to swim farther with a snorkel than you could swim back without one. You learned never to burden yourself with the unnecessary in

an emergency: even a hand or a foot might be as expend- -able as a gun; pride was expendable, dignity was. You

learned never to dive alone, even if They laugh at you, even if you have to shoot a fish yourself and say afterward “we” shot it. Most of all, you learned that fear has many fingers, and one of them a simple one, made of too great a concentration of carbon dioxide in your blood, as from too rapid breathing in and out of the same tube-is not really fear at all but feels like fear, and can turn into panic and kill you.

Listen, you want to say, listen, there isn’t anything wrong with such an experience or with all the study it leads

Вы читаете The Man Who Lost the Sea
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