I haven’t seen a lot of places and haven’t done that many things, but I’ve had a good life.”
My father went on to list what he considered his greatest accomplishments: Kelly, Karl, Bob and me, as well as his three grandchildren, Karl’s five-year-old son Ezekiel and two-year-old daughter Zora and Bob’s five-year-old daughter Nadira.
“You, my children, have not shamed me,” he continued. “I’m proud of that. It could have been so different. Edwidge and Bob, your mother and I left you behind for eight years in Haiti. Kelly and Karl, you grew up here, in a country your mother and I didn’t know very well when we had you. You all could have turned bad, but you didn’t. I thank God for that. I thank God for all of you. I thank God for your mother.” Then turning his eyes back to Bob, he added, “Yes, you can say I have enjoyed my life.”
Listening to my father, I remembered a time when I used to dream of smuggling him words. I was eight years old and Bob and I were living in Haiti with his oldest brother, my uncle Joseph, and his wife. And since they didn’t have a telephone at home-few Haitian families did then-and access to the call centers was costly, we had no choice but to write letters. Every other month, my father would mail a half- page, three-paragraph missive addressed to my uncle. Scribbled in his minuscule scrawl, sometimes on plain white paper, other times on lined, hole-punched notebook pages still showing bits of fringe from the spiral binding, my father’s letters were composed in stilted French, with the first paragraph offering news of his and my mother’s health, the second detailing how to spend the money they had wired for food, lodging, and school expenses for Bob and myself, the third section concluding abruptly after reassuring us that we’d be hearing from him again before long.
Later I would discover in a first-year college composition class that his letters had been written in a diamond sequence, the Aristotelian
“I was no writer,” he later told me. “What I wanted to tell you and your brother was too big for any piece of paper and a small envelope.”
Whatever restraint my father showed in his letters was easily compensated for by Uncle Joseph’s reactions to them. First there was the public reading in my uncle’s sparsely furnished pink living room, in front of Tante Denise, Bob and me. This was done so there would be no misunderstanding as to how the money my parents sent for me and my brother would be spent. Usually my uncle would read the letters out loud, pausing now and then to ask my help with my father’s penmanship, a kindness, I thought, a way to include me a step further. It soon became obvious, however, that my father’s handwriting was as clear to me as my own, so I eventually acquired the job of deciphering his letters.
Along with this task came a few minutes of preparation for the reading and thus a few intimate moments with my father’s letters, not only the words and phrases, which did not vary greatly from month to month, but the vowels and syllables, their tilts and slants, which did. Because he wrote so little, I would try to guess his thoughts and moods from the dotting of his
For the family readings, I recited my father’s letters in a monotone, honoring what I interpreted as a secret between us, that the impersonal style of his letters was due as much to his lack of faith in words and their ability to accurately reproduce his emotions as to his caution with Bob’s and my feelings, avoiding too-happy news that might add to the anguish of separation, too-sad news that might worry us, and any hint of judgment or disapproval for my aunt and uncle, which they could have interpreted as suggestions that they were mistreating us. The dispassionate letters were his way of avoiding a minefield, one he could have set off from a distance without being able to comfort the victims.
Given all this anxiety, I’m amazed my father wrote at all. The regularity, the consistency of his correspondence now feels like an act of valor. In contrast, my replies, though less routine- Uncle Joseph did most of the writing-were both painstakingly upbeat and suppliant. In my letters, I bragged about my good grades and requested, as a reward for them, an American doll at Christmas, a typewriter or sewing machine for my birthday, a pair of “real” gold earrings for Easter. But the things I truly wanted I was afraid to ask for, like when I would finally see him and my mother again. However, since my uncle read and corrected all my letters for faulty grammar and spelling, I wrote for his eyes more than my father’s, hoping that even after the vigorous editing, my father would still decode the longing in my childish cursive slopes and arches, which were so much like his own.
The words that both my father and I wanted to exchange we never did. These letters were not approved, in his case by him, in my case by my uncle. No matter what the reason, we have always been equally paralyzed by the fear of breaking each other’s heart. This is why I could never ask the question Bob did. I also could never tell my father that I’d learned from the doctor that he was dying. Even when they mattered less, there were things he and I were too afraid to say.
A few days after the family meeting, my father called my uncle Joseph in Haiti, to see how he was doing. It was Thursday, July 15, 2004, the fifty-first birthday of Jean-Bertrand Aristide, Haiti’s twice-elected and twice-deposed president. Having been removed from power in February 2004 through a joint political action by France, Canada and the United States, Aristide was now spending his birthday in exile in South Africa. However, the residents of Bel Air, the neighborhood where I grew up and where my uncle Joseph still lived, had not forgotten him. Joining other Aristide supporters, they’d marched, nearly three thousand of them, through the Haitian capital to call for his return. The march had been mostly peaceful, except that, according to the television news reports that my father and I had watched together that evening, two policemen had been shot. My father called my uncle, just as he always did whenever something like this was happening in Haiti. He was sitting up in bed, his head propped on two firm pillows, his face angled toward the bedroom window, which allowed him a slanted view of a neighborhood street lamp.
“Are you sure he’s sleeping?” my father asked whoever had answered the phone at my uncle’s house in Bel Air.
My father cupped the phone with one hand, pushed his face toward me and whispered, “Maxo.”
I gathered he was talking to Uncle Joseph’s son, Maxo, who had left Haiti in the early 1970s to attend college in New York, then had returned in 1995. Though I had spent most of my childhood with Maxo’s son Nick, I did not know Maxo as well.
“Don’t you think it’s time your father moved out of Bel Air?” my father asked Maxo.
As he hung up, he seemed disappointed that he hadn’t been able to speak to Uncle Joseph. Over the years, this had been a touchy subject between my father and uncle: my father wanting my uncle to move to another part, any other part, of Haiti and my uncle refusing to even consider it. I now imagined my father longing to tell his brother to leave Bel Air, but this time not for the reasons he usually offered- the constant demonstrations, the police raids and gang wars that caused him to constantly worry-but because my father was dying and he wanted his oldest brother to be safe.
I write these things now, some as I witnessed them and today remember them, others from official documents, as well as the borrowed recollections of family members. But the gist of them was told to me over the years, in part by my uncle Joseph, in part by my father. Some were told offhand, quickly. Others, in greater detail. What I learned from my father and uncle, I learned out of sequence and in fragments. This is an attempt at cohesiveness, and at re-creating a few wondrous and terrible months when their lives and mine intersected in startling ways, forcing me to look forward and back at the same time. I am writing this only because they can’t.
Brother, I’m Dying
