Protestant movement, but not before much blood had been spilled in trying to prevent the accurate, cheap and quick distribution of ideas, knowledge and culture.

This attempt culminated in France on January 13, 1535, when a law was enacted at the request of the Catholic Church, a law which forced the closure of all bookshops and stipulated death penalty by hanging for anybody using a printing press.

This law was utterly ineffective. Pirate print shops lined the country’s borders like a pearl necklace and pirate literature poured into France through contraband distribution channels built by ordinary people hungry for more things to read.

1500s: Bloody Mary Invents Copyright

On May 23, 1533, the 17 year old girl who would later become Mary I of England was formally declared a bastard by the archbishop. Her mother, Catherine, who was a Catholic and the Pope’s protege, had been thrown out of the family by her father Henry, who had converted to Protestantism just to get rid of Catherine. This was an injustice Mary would attempt to correct all her life.

King Henry VIII wanted a son to inherit the Throne of England for the Tudor dynasty, but his marriage was a disappointment. His wife, Catherine of Aragon, had only borne him a daughter, Mary. Worse still, the Pope would not let him divorce Catherine in the hope of finding someone else to bear him a son.

Henry’s solution was quite drastic, effective and novel. He converted all of England into Protestantism, founding the Church of England, in order to deny the Pope any influence over his marriage. Henry then had his marriage with Catherine of Aragon declared void on May 23, 1533, after which he went on to marry several other women in sequence. He had a second daughter with his second wife, and finally a son with his third wife. Unlike the bastard child Mary, her younger half-siblings — Elizabeth and Edward — were Protestants.

Edward succeeded Henry VIII to the throne in 1547, at the age of nine. He died before reaching adult age. Mary was next in the line of succession, despite having been declared a bastard. Thus, the outcast ascended to the Throne of England with a vengeance as Mary I in 1553.

She had not spoken to her father for years and years. Rather, hers was the mission to undo her father’s wrongdoings to the Faith, to England, and to her mother, and to return England to Catholicism. She persecuted Protestants relentlessly, publicly executing several hundred, and earning herself the nickname Bloody Mary.

She shared the concern of the Catholic Church over the printing press. The public’s ability to quickly distribute information en masse was dangerous for her ambitions to restore Catholicism, in particular their ability to distribute heretic material. (Political material, in this day and age, was not distinguishable from religious material.) Seeing how France had failed miserably in banning the printing press, even under threat of hanging, she realized another solution was needed. One that involved the printing industry in a way that would benefit them as well.

She devised a monopoly where the London printing guild would get a complete monopoly on all printing in England, in exchange for her censors determining what was fit to print beforehand. It was a very lucrative monopoly for the guild, who would be working hard to maintain the monopoly and the favor of the Queen’s censors. This merger of corporate and governmental powers turned out to be effective in suppressing free speech and political- religious dissent.

The monopoly was awarded to the London Company of Stationers on May 4, 1557. It was called copyright.

It was widely successful as a censorship instrument. Working with the industry to suppress free speech worked, in contrast to the French attempt in the earlier 1500s to ban all printing by decree. The Stationers worked as a private censorship bureau, burning unlicensed books, impounding or destroying monopoly-infringing printing presses, and denying politically unsuitable material from seeing the light of day. Only in doubtful cases did they care to consult the Queen’s censors for advice on what was allowed and what was not. Mostly, it was quite apparent after a few initial consultations.

There was obviously a lust for reading, and the monopoly was very lucrative for the Stationers. As long as nothing politically destabilizing was in circulation, the common people were allowed their entertainment. It was a win-win for the repressive Queen and for the Stationers with a lucrative monopoly on their hands.

Mary I died just one year later, on November 17, 1558. She was succeeded by her Protestant half-sister Elizabeth, who went on to become Elizabeth I and one of the highest-regarded regents of England ever. Mary’s attempts to restore Catholicism to England had failed. Her invention of copyright, however, survives to this day.

1600s – 1700s: The Monopoly Dies And Is Resurrected

After Bloody Mary had enacted the copyright censorship monopoly in 1557, neither the profitable industry guild nor the censoring Crown had any desire to abolish it. It would stand for 138 years uninterrupted.

As we have seen, the copyright monopoly was instituted as a censorship mechanism by Mary I in 1557 to prevent people from discussing or disseminating Protestant material. Her successor, Elizabeth I, was just as happy to keep the monopoly after Mary’s death in 1558 to prevent people from discussing or disseminating Catholic material.

During the 1600s, Parliament gradually tried to wrestle control of the censorship from the Crown. In 1641, Parliament abolished the court where copyright cases had been tried, the infamous Star Chamber. In effect, this turned violation of the monopoly into a sentence-less crime, much like jaywalking in Sweden today: While it was still technically a crime, and technically illegal, you could not be tried for it and there was no punishment. As a result, creativity in Britain soared.

Unfortunately, this wasn’t what Parliament had had in mind at all.

In 1643, the copyright censorship monopoly was re-instituted with a vengeance. It included demands for pre-registrations of author, printer and publisher with the London Company of Stationers, a requirement for publication license before publishing anything, the right for the Stationers to impound, burn and destroy unlicensed equipment and books, and arrests and harsh punishments for anybody violating the copyright censorship.

Fast-forwarding a bit, there was something called the Glorious Revolution in 1688, and Parliament’s composition changed radically to mostly people who had previously been at the business end of censorship and weren’t all too keen for that to continue. Therefore, the Stationers’ monopoly was made to expire in 1695.

So from 1695 onward, there was no copyright. None. Creativity soared – again – and historians claim that many of the documents that eventually led to the founding of the United States of America were written in this time.

Unfortunately, the London Company of Stationers were not happy at all with the new order where they had lost their lucrative monopoly. They gathered their families on the stairs of Parliament and begged for the monopoly to be reinstated.

It is noteworthy that authors did not ask for the copyright monopoly, the printers and distributors did. There was never an argument along the lines that nothing would be written without copyright. The argument was that nothing would be printed without copyright. This is something else entirely.

Parliament, having just abolished censorship, was keen on not reinstituting a central point of control with a possible abuse potential. The Stationers responded by suggesting that writers should “own” their works. In doing so, they killed three birds with one stone. One, Parliament would be assured that there was no central point of control which could be used to censor. Two, the publishers would retain a monopoly for all intents and purposes, as the writers would have nobody to sell their works to but the publishing industry. Three, and perhaps most importantly, the monopoly would be legally classified as Anglo-Saxon Common Law rather than the weaker Case Law, and therefore given much stronger legal protection.

Вы читаете The Case for Copyright Reform
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