Neal Shusterman

Scorpion Shards

For Anne McD., a star-shard of the highest order, and for Mike and Christine, who now shine like a double sun

Acknowledgments

Scorpion Shards began as a small idea, but rapidly evolved into a trilogy, this being the first of three books. Along the way there were a great many people whose support and expertise made this book possible.

First, I’d like to thank the regional and scientific experts I met on-line through Prodigy, who lent an air of authenticity to the story. In Alabama, Matt Dakin, David Camp, Louis Davis, and R. D. McCollum. In the Midwest, Vicki Erwin and Tammy Hallberg. In Boise, Marilyn Friedrichsmeyer and Bradford Hill. In the Northwest, Rick Reynolds, Kim Guymon, Carol Hunter and Jerry Morelan. And the astronomy and scientific experts, John Winegar, Laura L. Metlak, Frank Sheldon, Charles Mielke, Stephen Kelly, and Paul Erikson.

Thanks also to Kathy Wareham, Diane Adams, and Scott Sorrentino, whose comments on early drafts helped to shape the story.

My deepest gratitude and admiration to Kathleen Doherty, who believed this book into existence; to my wife, Elaine, who blesses my life with more love and support than I could have wished for; and to my sons, Brendan and Jarred, who made me a whole boxful of Creepy-Crawler scorpions, to paste on copies of the book.

My only disclaimer is that the star Mentarsus-H does not re­ally exist. But if it did, then this might be what happens . . .

PART 1 - AMERICAN DREGS 

1. The Destroyer

A shattering of glass.

A monstrous crash echoing through the glass-domed restaurant—and then a second sound so horrid and final it could have meant the very end of the world. The way thunder must sound to a man struck by lightning. The ear-piercing rattle of breaking glass, combined with the deep wooden crunch that followed, pinned the high and low ends of human hearing, and what remained between were dying dissonant chords like that of a shattered—

—piano?

The restaurant’s maitre d’ could not yet believe his eyes. He stood dumbfounded, trying to figure out what on earth had happened.

The final tinkling of ruined crystal fell from the ornate glass roof of the Garden Court Restaurant—the pride and joy of the Palace Hotel—the most beautiful restau­rant in all of San Francisco. Until today. Today shards of the crystal ceiling were stabbing the plush Victorian furni­ture to death.

And it was a piano—or what was left of it, lying like a shipwreck in the center aisle.

Is God dropping pianos on us today? thought the maitre d’. I should have called in sick.

The restaurant was closed, thank goodness—Sunday brunch did not begin until eight—but workers and early-rising guests had already gathered to gawk.

Of course it must have been the piano from the new Cityview lounge, up on the top floor, but how could it have come crashing down eight floors, through the glass roof?

“Should I notify security?” asked one of the waiters, but somehow the maitre d’ was sure security had already figured out there was a problem.

***

In like a flash and out in the blink of an eye.

The boy called Dillon Cole was in the street in an instant and vanished into the foggy morning. The streets were not crowded, but there were enough people for Dil­lon to lose himself among unknown faces. He wove through them, brushing past their shoulders, leaving a wake of chaos behind him. The souls he bumped into lost their concentration and sense of direction—a woman stopped short, forgetting where she was going; a man lost his train of thought in the middle of a conversation; a girl, just for a moment, forgot who she was, and why she was even there . . . but then Dillon passed, and their thoughts returned to normal. They would never know that their confusion was caused by Dillon’s mere touch. But Dillon knew. He wondered if believing such a thing was enough to send him to the nuthouse. If that wasn’t enough to have him locked away, certainly the other things would do the job.

Things like that business with the piano. For all the commotion it had caused, it had been an easy enough stunt. It was a simple thing to get into the deserted top-floor lounge on a Sunday morning. Since the grand piano was on wheels, it hadn’t been that hard to ease across the floor, out onto the patio. As he moved the piano, his fury had grown along with the burning, screaming need to fin­ish this act of destruction—a need that ate at his gut like an uncontrollable hunger.

A wrecking-hunger.

Adrenaline coursed through his veins, giving him in­credible strength as he heaved the piano onto the ledge—but all he could feel was that wrecking-hunger, forcing him on like a hot iron drilling down to his very soul. He hoisted the heavy beast of a piano onto the ledge, where it balanced for a moment, floating between possible futures, and then it disappeared, taking the railing with it.

One second. Two seconds. Three seconds.

The impact came as a deafening scream of dying crys­tal as the great glass roof eight floors below was shattered . . . and the wrecking-hunger was instantly quelled. That pressure deep inside was released by some invisible escape valve. Dillon took a deep breath of relief and didn’t spare the time to look at his handiwork. He got out.

Wearing a bellhop uniform he had taken from a stor­age closet, Dillon took the elevator to the lobby and left without anyone giving him a second glance—and why should anyone suspect him? He was fifteen, but could pass for seventeen; he was an attractive, clean-cut, redheaded kid who simply looked like one of the kids the bell captain was training. So no one noticed him as he slipped out into the street, where he quickly took off his bellhop jacket and vanished into the morning.

Now, the hotel was far behind him and, in front of him, the stairwell of a BART station descended into darkness. Fog swirled around it as if it were the mouth of a black cave, but to Dillon it was a wonderfully welcome sight.

Once he was down the stairs and heard the approach­ing train that would carry him away, he knew he was home free. He dropped the bellhop jacket in the trash as he hurried to catch the train. He was not caught. He was

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