“Okay, Mr. Unmey.”

“Where are you exactly and what is your telephone number?”

“I’m just kind of wandering around. I got hit on the head with a whiskey bottle.”

“Well, that’s too bad,” he said acidly. “I presume you had already emptied the bottle.”

“Oh it might have been worse, Mr. Umney. It might have been your head. I’ll call you around ten A.M. at your office. Don’t worry about anybody losing anybody. There’s two other guys working the same side of the street. One’s a local boy named Mitchell and the other is a Kansas City shamus name of Goble. He carries a gun. Well good night, Mr. Umney.”

“Hold it!” he roared. “Wait a minute! What does that mean—two other operatives?”

“You asking me what it means? I’m the guy that asked you. Looks like you only got a piece of the job.”

“Hold it! Hold it right there!” There was a silence. Then in a steady voice that didn’t bluster any more: “I’ll call Washington the first thing in the morning, Marlowe. Excuse me if I sounded off. It begins to look as though I am entitled to a little more information about this project.”

“Yeah.”

“If you make contact again, call me here. At any hour. Any hour at all.”

“Yeah.”

“Good night, then.” He hung up.

I put the phone back on the hook and took a deep breath. My head still ached but the dizziness was gone. I breathed in the cool night air laced with sea fog. I pushed out of the booth and looked across the street. The old guy who had been in the taxi slot when I arrived was back again. I strolled across and asked him how to get to The Glass Room, which was where Mitchell had promised to take Miss Betty Mayfield to dinner—whether she liked it or not. He told me, I thanked him, recrossed the empty street and climbed into my rented car, and started back the way I had come.

It was still possible that Miss Mayfield had grabbed the 7:47 for Los Angeles or some way station. It was a lot more likely that she had not. A cabdriver taking a fare to the station doesn’t stick around to watch the fare get on the train. Larry Mitchell wouldn’t be that easy to shake. If he had enough on her to make her come to Esmeralda, he had enough on her to keep her there. He knew who I was and what I was doing. He didn’t know why, because I didn’t know myself. If he had half a brain, and I gave him credit for a good deal more, he would have to assume I could trace her movements as far as a taxi took her. The first guess I was working on was that he would have driven to Del Mar, parked his big Buick somewhere in the shadows, and waited for her taxi to drive up and unload. When it turned around and started back, he would pick her up and drive her back to Esmeralda. The second guess I was working on was that she wouldn’t tell him anything he didn’t already know. I was a Los Angeles private eye, unknown parties had hired me to follow her, I had done so and then made the mistake of trying to get too close. That would bother him because it suggested he didn’t have the field to himself. But if his information, whatever it was, came from a press clipping, he could hardly expect to have it to himself forever. Anybody with enough interest and enough patience could turn it up in time. Anybody with enough reason to hire a private dick probably knew it already. And that in turn meant that whatever kind of bite he planned to put on Betty Mayfield, financial or amatory or both, would have to be put on fast.

A third of a mile down the canyon a small illuminated sign with an arrow pointing seaward said in script The Glass Room. The road wound down between cliff-side houses with warm lights in the windows, manicured gardens, stucco walls and one or two of fieldstone or brick inset with tiles in the Mexican tradition.

I drove down the last curve of the last hill and the smell of raw seaweed filled my nostrils and the fog-veiled lights of The Glass Room swelled to amber brightness and the sound of dance music drifted across the paved parking lot. I parked with the sea growling out of sight almost at my feet. There was no attendant. You just locked your car and went in.

A couple of dozen cars, no more. I looked them over. One hunch at least had paid off. The Buick Roadmaster solid top bore a license number I had in my pocket. It was parked almost at the entrance and next to it in the very last space near the entrance was a pale green and ivory Cadillac convertible with oyster-white leather seats, a plaid traveling rug thrown over the front seat to keep it dry, and all the gadgets a dealer could think of, including two enormous spotlights with mirrors on them, a radio aerial almost long enough for a tuna boat, a folding chromium luggage rack to help out the boot if you wanted to travel far and in style, a sun visor, a prism reflector to pick up traffic lights obscured by the visor, a radio with enough knobs on it for a control panel, a cigarette lighter into which you dropped your cigarette and it smoked it for you, and various other trifles which made me wonder how long it would be before they installed radar, sound-recording equipment, a bar, and an anti-aircraft battery.

All this I saw by the light of a clip-on flash. I moved it to the license holder and the name was Clark Brandon, Hotel Casa del Poniente, Esmeralda, California.

8

The entrance lobby was on a balcony which looked down over the bar and a dining room on two levels. A curving carpeted staircase led down to the bar. Nobody was upstairs but the hat-check girl and an elderly party in a phone booth whose expression suggested that nobody better fool with him.

I went down the stairs to the bar and tucked myself in a small curved space that commanded a view of the dance floor. One side of the building was an enormous glass window. Outside of it was nothing but fog, but on a clear night with a moon low over the water it would have been sensational. A three-piece Mexican band was making the kind of music a Mexican band always makes. Whatever they play, it all sounds the same. They always sing the same song, and it always has nice open vowels and a drawn out sugary lilt, and the guy who sings it always strums on a guitar and has a lot to say about amor, mi corazon, a lady who is “linda” but very hard to convince, and he always has too long and too oily hair and when he isn’t making with the love stuff he looks as if his knife work in an alley would be efficient and economical.

On the dance floor half a dozen couples were throwing themselves around with the reckless abandon of a night watchman with arthritis. Most of them were dancing cheek to cheek, if dancing is the word. The men wore white tuxedos and the girls wore bright eyes, ruby lips, and tennis or golf muscles. One couple was not dancing cheek to cheek. The guy was too drunk to keep time and the girl was too busy not getting her pumps walked on to think of anything else. I needn’t have worried about losing Miss Betty Mayfield. She was there and with Mitchell, but far from happy. Mitchell’s mouth was open, he was grinning, his face was red and shiny, and his eyes had that glazed look. Betty was holding her head as far as she could get away from him without breaking her neck. It was very obvious that she had had about all of Mr. Larry Mitchell that she could take.

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