orchids, his sunrise room, the baths of pink and blue alabaster, the finishings of marble and intaglio. Here Cowperwood was represented as seated in a swinging divan, his various books, art treasures, and comforts piled about him. The idea was vaguely suggested that in his sybaritic hours odalesques danced before him and unnamable indulgences and excesses were perpetrated.
At this same hour in the council-chamber itself were assembling as hungry and bold a company of gray wolves as was ever gathered under one roof. The room was large, ornamented to the south by tall windows, its ceiling supporting a heavy, intricate chandelier, its sixty-six aldermanic desks arranged in half-circles, one behind the other; its woodwork of black oak carved and highly polished; its walls a dark blue-gray decorated with arabesques in gold—thus giving to all proceedings an air of dignity and stateliness. Above the speaker’s head was an immense portrait in oil of a former mayor—poorly done, dusty, and yet impressive. The size and character of the place gave on ordinary occasions a sort of resonance to the voices of the speakers. To-night through the closed windows could be heard the sound of distant drums and marching feet. In the hall outside the council door were packed at least a thousand men with ropes, sticks, a fife-and-drum corps which occasionally struck up “Hail! Columbia, Happy Land,” “My Country, ’Tis of Thee,” and “Dixie.” Alderman Schlumbohm, heckled to within an inch of his life, followed to the council door by three hundred of his fellow-citizens, was there left with the admonition that they would be waiting for him when he should make his exit. He was at last seriously impressed.
“What is this?” he asked of his neighbor and nearest associate, Alderman Gavegan, when he gained the safety of his seat. “A free country?”
“Search me!” replied his compatriot, wearily. “I never seen such a band as I have to deal with out in the Twentieth. Why, my God! a man can’t call his name his own any more out here. It’s got so now the newspapers tell everybody what to do.”
Alderman Pinski and Alderman Hoherkorn, conferring together in one corner, were both very dour. “I’ll tell you what, Joe,” said Pinski to his confrere; “it’s this fellow Lucas that has got the people so stirred up. I didn’t go home last night because I didn’t want those fellows to follow me down there. Me and my wife stayed down-town. But one of the boys was over here at Jake’s a little while ago, and he says there must ’a’ been five hundred people around my house at six o’clock, already. Whad ye think o’ that?”
“Same here. I don’t take much stock in this lynching idea. Still, you can’t tell. I don’t know whether the police could help us much or not. It’s a damned outrage. Cowperwood has a fair proposition. What’s the matter with them, anyhow?”
Renewed sounds of “Marching Through Georgia” from without.
Enter at this time Aldermen Ziner, Knudson, Revere, Rogers, Tiernan, and Kerrigan. Of all the aldermen perhaps Messrs. Tiernan and Kerrigan were as cool as any. Still the spectacle of streets blocked with people who carried torches and wore badges showing slip-nooses attached to a gallows was rather serious.
“I’ll tell you, Pat,” said “Smiling Mike,” as they eventually made the door through throngs of jeering citizens; “it does look a little rough. Whad ye think?”
“To hell with them!” replied Kerrigan, angry, waspish, determined. “They don’t run me or my ward. I’ll vote as I damn please.”
“Same here,” replied Tiernan, with a great show of courage. “That goes for me. But it’s putty warm, anyhow, eh?”
“Yes, it’s warm, all right,” replied Kerrigan, suspicious lest his companion in arms might be weakening, “but that’ll never make a quitter out of me.”
“Nor me, either,” replied the Smiling One.
Enter now the mayor, accompanied by a fife-and-drum corps rendering “Hail to the Chief.” He ascends the rostrum. Outside in the halls the huzzas of the populace. In the gallery overhead a picked audience. As the various aldermen look up they contemplate a sea of unfriendly faces. “Get on to the mayor’s guests,” commented one alderman to another, cynically.
A little sparring for time while minor matters are considered, and the gallery is given opportunity for comment on the various communal lights, identifying for itself first one local celebrity and then another. “There’s Johnnie Dowling, that big blond fellow with the round head; there’s Pinski—look at the little rat; there’s Kerrigan. Get on to the emerald. Eh, Pat, how’s the jewelry? You won’t get any chance to do any grafting to-night, Pat. You won’t pass no ordinance to-night.”
