her name, in small capital letters, was the address of the Oxford flat.
The letter bore no date and no salutation. It began about a third of the way down the paper, and said:
So many families nowadays have had sorrowful first-hand knowledge of the seriousness of coronary artery disease, which even where it does not kill can leave a man unable to continue with a full, strenuous working life.
Much work has already been done in the field of investigation into the causes and possible prevention of this scourge of modern man, but much more remains still to be done. Research funded by Government money being of necessity limited in today's financial climate, it is of the utmost importance that the public should be asked to support directly the essential programmes now in hand in privately run facilities.
We do know, however, that many people resent receiving straightforward fund-raising letters, however worthy the cause, so to aid research into Coronary Disability' we ask you to buy something, along the same principle as Christmas cards, the sale of which does so much good work in so many fields. Accordingly the Patrons, after much discussion, have decided to offer for sale a supply of exceptionally fine wax polish, which has been especially formulated for the care of antique furniture.
The wax is packed in quarter-kilo tins, and is of the quality used by expert restorers and museum curators.
If you should wish to buy, we are offering the wax at five pounds a tin; and you may be sure that at least threequarters of the revenue goes straight to Research. The wax will be good for your furniture, your contribution will be good for the cause, and with your help there may soon be significant advances in the understanding and control of this killing disease. If you should wish to, please send a donation to the address printed above. (Cheques should be made out to Research into Coronary Disability). You will receive a supply of wax immediately, and the gratitude of future heart patients everywhere.
Yours sincerely,
Executive Assistant
I said 'Phew' to myself, and folded the letter and tucked it into my jacket. Sob stuff; the offer of something tangible in return; and the veiled hint that if you didn't cough up it could one day happen to you. And, according to Charles, the mixture had worked.
The second big box contained several thousand white envelopes, unaddressed. The third was half full of mostly handwritten letters on every conceivable type of writing paper; orders for wax, all saying, among other things, 'cheque enclosed'.
The fourth contained printed Compliments slips, saying that Research into Coronary Disability acknowledged the contribution with gratitude and had pleasure herewith in sending a supply of wax.
The fifth brown box, half empty, and the sixth, unopened and full, contained numbers of flat white boxes about six inches square by two inches deep. I lifted out a white box and looked inside. Contents, one flat round unprinted tin with a firmly screwed-on lid. The lid put up a fight, but I got it off in the end, and found underneath it a soft mid-brown mixture that certainly smelled of polish. I shut it up, returned the tin to its package, and left it out ready to take.
There seemed to be nothing else. I looked into every cranny in the room and down the sides of the armchair, but there wasn't as much as a pin.
I picked up the square white box and went back slowly and quietly towards the sitting room, opening the closed doors one by one, and looking at what they concealed. There had been two which Louise had not identified: one proved to be a linen cupboard, and the other a small unfurnished room containing suitcases and assorted junk.
Jenny's room was decisively feminine; pink and white, frothy with net and frills. Her scent lay lightly in the air, the violet scent of Milk. No use remembering the first bottle I'd given her, long ago in Paris. Too much time had passed. I shut the door on the fragrance and the memory and went into the bathroom.
A white bathroom. Huge fluffy towels. Green carpet, green plants. Looking glass on two walls, light and bright. No visible tooth brushes: everything in cupboards, very tidy. Very Jenny. Roger Gallet soap.
The snooping habit had ousted too many scruples. With hardly a hesitation I opened Louise's door and put my eyes round, trusting to luck she wouldn't come out into the hall and find me.
Organised mess, I thought. Heaps of papers, and books everywhere. Clothes on chairs. Unmade bed; not surprising, since I'd sprung her out of it.
A washbasin in a corner, no cap on the toothpaste, pair of tights hung to dry. An open box of chocolates. A haphazard scatter on the dressing chest. A tall vase with horsechestnut buds bursting. No smell at all. No long-term dirt, just surface clutter. The blue dressing gown on the floor. Basically the room was furnished much like Ashe's: and one could clearly see where Jenny ended and Louise began.
I pulled my head out and closed the door, undetected. Louise, in the sitting room, had been easily sidetracked in her tidying, and was sitting on the floor intently reading a book.
'Oh, hallo,' she said, looking up vaguely as if she had forgotten I was there. 'Have you finished?'
'There must be other papers,' I said. 'Letters, bills, cash books, that sort of thing.'
'The police took them.'
I sat on the sofa, facing her. 'Who called the police in?' I said. 'Was it Jenny?'
She wrinkled her forehead. 'No. Someone complained to them that the charity wasn't registered.'
'Who?'
'I don't know. Someone who received one of the letters, and checked up. Half those patrons on the letter-head don't exist, and the others didn't know their names were being used.'
I thought, and said, 'What made Ashe bolt just when he did?'
'We don't know. Maybe someone telephoned here to complain, as well. So he went while he could. He'd been gone for a week when the police turned up.'
I put the square white box on the coffee table. 'Where did the wax come from?' I said.
'Some firm or other. Jenny wrote to order it, and it was delivered here. Nicky knew where to get it.'
'Invoices?'
'The police took them.'
'These begging letters… who got them printed?'
She sighed. 'Jenny, of course. Nicky had some others, just like them, except that they had his name in the space where they put Jenny's. He explained that it was no use sending any more letters with his name and address on, as he'd moved. He was keen, you see, to keep on working for the cause…'
'You bet he was,' I said.
She was half-irritated. 'It's all very well to jeer, but you didn't meet him. You'd have believed him, same as we did.'
I left it. Maybe I would have. 'These letters,' I said. 'Who were they sent to?'
'Nicky had lists of names and addresses. Thousands of them.'
'Have you got them? The lists?'
She looked resigned. 'He took them with him.'
'What sort of people were on them?'
'The sort of people who would own antique furniture and cough up a fiver without missing it.'
'Did he say where he'd got them from?'
'Yes,' she said. 'From the charity's headquarters.'
'And who addressed the letters and sent them out?' 'Nicky typed the envelopes. Yes, don't ask, on my typewriter. He was very fast. He could do hundreds in a day. Jenny signed her name at the bottom of the letters, and I usually folded them and put them in the envelopes. She used to get writers' cramp doing it and Nicky would often help her.'
'Signing her name?' That's right. He copied her signature. He did it hundreds of times. You couldn't really tell the difference.' I looked at her in silence.
'I know,' she said. 'Asking for trouble. But, you see, he made all that hard work with the letters seem such fun. Like a game. He was full of jokes. You don't understand. And then, when the cheques started rolling in, it was so obviously worth the effort.'
'Who sent off the wax?' I said gloomily.
'Nicky typed the addresses on labels. I used to help Jenny stick them on the boxes and seal the boxes with sticky tape, and take them to the post office.'
