Rachel Proctor collapsed bonelessly to the floor, like a puppet whose strings have been cut. The spirit of George Kulick had left her body, at long last, to go… where?
I made my eyes focus on Sligo, and almost wished I hadn't. He'd jabbed the silver blade into Christine's lower belly, bringing forth another scream, and now he was adjusting his grip, with the clear intention of pulling the knife upward toward Christine's breastbone, opening her up from groin to chest.
I closed my eyes. I couldn't watch, couldn't bear it. The only hope I had left was that she would die quickly, become truly dead, and go someplace where there was no more pain, and no more fear.
And for this I'd 'saved' her from leukemia.
Christine, I couldn't protect you, and I'm sorry, baby, so sorry. But as long as I have breath in my body, I will dedicate myself to taking vengeance on this motherfucker, I swear it.
I guess I was crying, I don't know, but my head came up at the sound of another scream. Because this one was in a man's voice.
Sligo had withdrawn the knife from Christine's belly without cutting any further. He had dropped it on the altar, and was clutching both hands to the sides of his head, as he screeched 'No! Get out! Leave me now – I command you!'
In my concussed state, it took me a few seconds to figure things out, but then I knew who Sligo was talking to: George Kulick.
And now I knew where Kulick had gone when he left Rachel – inside Sligo. He was taking possession of Sligo's body exactly as he had Rachel's – except that Kulick didn't hate Rachel when he'd assumed control of her. She'd been merely a tool. A tool for vengeance.
I don't know why Kulick was able to invade without any resistance, unless Sligo had used up all his psychic energy in destroying his father, and had none left to protect himself. But Kulick was in there now, and Sligo was clearly losing the battle for control over his own body. He dropped to his knees with the strain of trying to expel Kulick from inside him, then fell over on his face. But after, I don't know, a minute or two, Sligo's screaming and writhing stopped. He stood, slowly. I thought I could see something different in his face, but I was too far away and too fucked-up to say for sure.
I know for certain what happened next, though. Sligo's hand slowly reached out to the altar for the silver- bladed dagger. I had a moment's panic, thinking that he had somehow defeated Kulick, after all, and was planning to take the knife to Christine again.
I needn't have worried. He never even looked toward Christine.
That's not to say that the dagger didn't see a lot of use in the following few minutes – all of it upon the person of Richard Vollman, also known as Sligo.
I don't think I want to tell you all the things Kulick made Sligo do with that blade. In my job, I see a lot of blood and sadism, but this would have made Satan himself throw up.
Karl told me once about an article he'd read describing Le Theatre du Grand-Guignol in Paris. I gather that back in the day those sickos used to put on performances that were the ancestors of our modern-day splatter films. What was going on at the front of the pump house was like that – except none of the blood was fake. And there was a lot of blood.
After a while, I couldn't look any more. You'd think I would be full of vengeful satisfaction over what was happening to that motherfucker, who'd tried to kill me, my partner, and my little girl. At first, yeah, that's pretty much how I felt. But the things Sligo was being made to do to himself with that knife – before I looked away, I actually started to feel some pity for him. Not a lot, but some.
I assumed this was all going to end by Sligo plunging the silver dagger into his own black heart, achieving true death, and by then glad to get it. But I'd underestimated George Kulick's appetite for revenge.
Kulick didn't make Sligo kill himself. Instead, when the last full measure of vengeance, short of death, had finally been extracted, he forced Sligo to fling the dagger out of reach – probably so that he couldn't use it for self- destruction.
Then Kulick just – left.
I happened to be looking at the precise moment when George Kulick's spirit left Sligo's body. I saw a brief ripple in the air just over where Sligo lay on the blood-soaked floor, and I thought that might be Kulick's departure. Then Sligo started screaming, and I was certain.
I call it 'screaming,' but what Sligo was doing sounded more like loud croaking, and it just went on and on. It's hard to scream when you don't have a tongue, or lips or… well, you get the idea.
I don't know where Kulick went, except that he never returned. He'd saidsomething, back at the parking garage, about being intrigued by the afterlife. I guess he went off to see for himself.
Fuck both of them. I needed to reach Christine, who was still tied and hanging upside down from the ceiling, bleeding from the stomach puncture as well as the three symbols carved into her flesh. I had to get her loose, and find help for her. Hell, everybody left alive in that room needed help, including me. I tried to look for my cell phone, but every turn of my head brought the vertigo back. Fuck the phone, then.
Karl still lay in the position he'd landed in. It didn't look like he was still among the living, but I needed to know for sure. I tried to stand, and fell forward on my face. Tried again, with the same result. I'd decided to crawl, all the way to Karl and then to Christine, when I saw Rachel Proctor stir.
I hadn't even been sure she was alive.
Rachel moved her legs a little, then a little more. Then she gave the kind of groan you might hear from somebody waking up after a three-day bender. I managed to croak, 'Rachel.' Even that much made my head throb.
She started at my voice, then slowly rolled over until she was facing me, from maybe ten feet away.
Her eyes were open. They were Rachel's gray eyes, and they were open and they looked sane. I felt my heart lift a little, for the first time since I'd burst into this accursed place.
Rachel blinked a few times, then her gaze went vague, as if she was listening for something. 'Kulick,' she whispered, looking at me. 'Is he really…?'
'Yeah, Rachel, he's gone… For good, I think.'
'Thank the Goddess,' she said, sounding like she meant it. She sat up slowly, and looked around the part of the pump house that was in her view. Fortunately, her back was to the altar area and the atrocities it contained, and she hadn't turned that way yet.
'Where are we, Stan?' she asked. 'And why is it so damn bright in here?'
Sligo had stopped his inhuman bleating a little while ago. Maybe he'd passed out from blood loss. But now he gave another of those hoarse-sounding croaks that were his version of a scream.
'Aaah!' Rachel jumped, if you can jump sitting down, then started turning to look behind her. 'What the fuck was-'
'Rachel! Look at me!'
She turned back quickly. 'What is it Stan? What's wrong?'
'Don't look back there, yet. Please.'
'Why? What's-' She started to turn again.
' Rachel!'
God, that made my head throb.
She looked at me again, eyes wide with concern.
'What, Stan? What's the-'
'Rachel, I'm not… tracking too well. I'm concussed, pretty bad. Maybe I can't… explain stuff as well as normal, okay?'
'Sure, but if you're concussed-'
' Will you fucking listen to me?' Bad idea, yelling. Oh, God, my head… 'Sorry, I'm sorry, but there's something… behind you, that I don't… want you to see, yet. It's what's making that… sound. There's no danger, honest.'
'All right, Stan. Whatever you say.' Rachel spoke in the soothing tones you use with a lunatic. Who knows – maybe she was right.
'Short version: we're in the pump house, Lake Scranton Dam. Sligo… guy Kulick was after, was gonna do some big ritual, become a super-vampire.'
'A what? A super… what?'