‘Today would be good.’

‘Today, today, all I ever hear.’ Nevertheless, he clicked his fingers at one of his assistants. ‘Snap her.’

Clutching two four-by-five film holders, Hollis watched as the van pulled away. Almost immediately the spectators started to dissipate. The Basque was rolling a cigarette by the Model A; the Kemp boy appeared to have left already. Hollis strolled over.

‘Thanks,’ he said. ‘For the earrings.’

‘I figured it was important.’

‘Yeah?’

‘How many women you know go swimming in their jewelry?’

Damn right, thought Hollis.

‘What do you mean?’ he said.

The Basque eyed him flatly, then slipped the rolled cigarette between his lips and lit it with a steel Zippo.

‘Army issue?’ asked Hollis, nodding at the lighter.

‘See you around, Deputy.’

The Basque climbed behind the wheel of the Model A, fired the engine and pulled away. Hollis stood watching the vehicle, the trailer dancing over the ruts, until it turned east on to Bluff Road and was lost to view.

Three

Unable to justify a full-time photographer, the East Hampton Town Police Department subcontracted the work to a local man, Abel Cole. The sign in the window of his narrow shop next to Edwards Theater on Main Street read: Portraits, Christenings, Weddings.And Bar Mitzvahs’ had been added beneath in a different shade of ink.

Many wealthy Jews from New York had built houses in the more exclusive beachside areas of town in the years preceding the war. They experienced little or no prejudice from the locals, who looked on all ‘people from away’ as aliens, but if they expected their peers to leave their bigotry behind them in the city they were sorely mistaken.

The Maidstone Club, the sine qua non of social acceptability for the wealthy summer colonists, showed no signs of removing its ban on Jewish members. As a Jew, you could own a lavish mansion overlooking the manicured fairways of the Maidstone’s links course, but if you wished to actually play golf you had to travel west to Wainscott.

Hollis had witnessed at first hand anti-Jewish sentiments, or at any rate their aftermath—a Star of David daubed in white paint on the front door of a Colonial-style residence belonging to a family called the Rosens.

It had been a sorry introduction to East Hampton for Hollis, occurring just two weeks after he’d taken up his position as Deputy Chief. A stark and malicious act, it was also quite unnecessary, since a large brass Star of David was already attached to the lintel above the door, nailed there by the Rosens when they had moved into their new home.

A search of the front garden had uncovered a size-10 patent leather dress-shoe speckled with white paint in a clump of hydrangeas—a discovery that Hollis had kept to himself, along with the name of the shoe’s owner, clearly embossed on the inside.

The gentleman was a member of the Maidstone Club, the son of the club Treasurer no less. Hollis didn’t need to summon the full force of his detective’s training to piece together the events of the evening in question: a drunken dinner following the Maidstone’s annual tennis tournament; the member’s dress-shoe; further sets of footprints in the flowerbeds; a property defaced with white paint that washed off easily—as easily, in fact, as the thin whitewash used to mark the lines on a lawn tennis court. Hardly the stuff of departmental legend.

Hollis had stalked the shoe’s owner for a few days until the opportunity presented itself for a word in private. When confronted with the evidence, the culprit pleaded high jinks. When Hollis informed him that a court of law would only accept a plea of ‘guilty’ or ‘not guilty’, he broke down in tears, right there in the changing rooms of a gentlemen’s outfitters on Newtown Lane.

Two hours later, Jacob Rosen answered his door to a blond, redeyed young man in a brand-new blazer who handed him an envelope. Inside was a banker’s draft to the order of five hundred dollars made payable to the Temple Adas Israel in Sag Harbor. The young man then asked for, and received, Jacob Rosen’s forgiveness. He politely declined the invitation to take tea and cake with the family.

To Hollis’ mind the debt was only part-paid. Almost a year on, he still kept the shoe in a box beneath his bed along with a photo of the incriminating article, taken in situ by Abel Cole in his official capacity as the Police Department’s photographer.

It was the first time the two men had met, but the signs of a fast friendship were there from the start. Hollis’ plan for an unofficial settlement of the matter had required Abel’s discretion and collusion. Indeed, it was Abel who suggested the outrageous sum of five hundred dollars by way of a penalty. He knew the family by reputation, knew the boy was good for the money but that it would pinch him hard enough to hurt. That very same week Abel Cole had added ‘And Bar Mitzvahs’ to the sign in his window.

Hollis entered the shop to find Abel photographing a sternfaced, middle-aged woman seated in a chair set against a mottled backdrop. A Persian cat lay curled on her lap, looking quite as unhappy and mistrustful as its owner. As ever, the sickly smell of darkroom chemicals hung heavy in the air.

Abel was stooped behind a tripod, peering through the viewfinder of his camera—a Graflex Speed Graphic. Hollis had seen hundreds, if not thousands, of the machines over the years—in front of precincts and courthouses, at crime scenes, bulbs popping on their side-mounted flashing units—but Abel’s was different, trimmed in olive drab, witness to his time as a wartime photographer in Europe.

‘She’s got beautiful eyes,’ said Abel.

There was no reaction from the woman.

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