But Michael Curry was a different sort from the Mayfair men altogether-husky and relaxed, more beautifully hirsute, altogether lacking in the perpetual preppie gleam perfected by men like Ryan, yet very adorable in a beastly way when he wore his dark-rimmed glasses and read Dickens the way he’d been doing it this very afternoon when she’d gone up to his room. He hadn’t cared a thing about Mardi Gras. He hadn’t wanted to come down. He was still reeling from Rowan’s defection. Time just didn’t mean anything to him, because if he had started to think about it, he would have had to think on how long Rowan had been gone.
“What are you reading?” she’d asked.
“Oh,
A brilliant Neanderthal slumbered in his body waiting to drag you into the cave by your hair. Yes, a Neanderthal with the brain of a Cro-Magnon, who could be all smiles and a gentleman and as well-bred as anybody in this family could possibly want. He had a great vocabulary, when he chose to use it. Mona admired his vocabulary. Mona’s vocabulary was ranked equal to that of a senior in college. In fact, someone at school had once said, she had the biggest words coming out of the littlest body in the world.
Michael could sound like a New Orleans policeman one moment and a headmaster at another. “Unbeatable combination of elements,” Mona had written in her computer diary. Then remembered Oncle Julien’s admonition. “The man is simply too good.”
“Am I evil?” she whispered aloud in the dark. “Doesn’t compute.” She really hadn’t the slightest doubt that she wasn’t evil. Such thoughts were old-fashioned to her, and typical of Oncle Julien, especially the way he was in her dreams. She hadn’t known the words for it when she was little, but she knew them now: “Self-deprecating, self-mocking.” That is what she’d written into the computer in the subdirectory WSJULIENCHARACTER in the file DREAM.
She walked across the kitchen and slowly through the narrow butler’s pantry, a lovely white light falling on the floorboards from the porch outside. Such a grand dining room. Michael thought the hardwood floor had been laid in the thirties, but Julien had told Mona it was 1890s, a flooring they called wooden carpet, and it had come in a roll. What was Mona supposed to do with all the things Julien had told her in these dreams?
The dense murky murals were surprisingly visible to her in the darkness-Riverbend Plantation, where Julien had been born-and its quaint world of sugar mill, slave cabins, stables and carriages moving along the old river road. But then she had cat’s eyes, didn’t she? Always had. She loved the darkness. She felt safe and at home in it. It made her want to sing. Impossible to explain to people how good she felt when she roamed alone in the darkness.
She walked around the long table, now all cleared and stripped and polished, though only hours ago it had held the last Mardi Gras banquet complete with frosted King cakes, and a silver punch bowl full of champagne. Boy, the Mayfairs sure ate themselves sick when they came to First Street, she thought. Everybody was just so happy that Michael was willing to keep the place going though Rowan had flat-out disappeared, and under suspicious circumstances. Did Michael know where she was?
Aunt Bea had said, with tears in her eyes, “His heart is broken!”
Well, here comes the kid with the wonder glue for broken hearts! Stand back, world, it’s little Mona.
She passed through the high keyhole doorway into the front hall, and then she stopped and put her hands on the frame, as Oncle Julien had done in so many old pictures, in this door or the other, and she just felt the silence and bigness of the house around her, and smelled its wood.
That other smell. There it was again, making her…what? Almost hungry. It was delicious, whatever it was. Not butterscotch, no, not caramel, not chocolate, but something thick like that, a flavor that seemed a hundred flavors compressed into one. Like the first time you bit into a chocolate-covered cherry cordial. Or a Cadbury Easter egg.
No, she needed a better comparison. Something you didn’t eat. What about the smell of hot tar? That tantalized her, too, and then there was the smell of gasoline that she just couldn’t tear herself away from. Well, this was more like that.
She moved down the hall, noting the winking lights of other alarm devices, none of them armed, all of them waiting, and the smell became strongest when she stood at the foot of the stairs.
She knew Uncle Ryan had investigated this entire area, that even after all the blood had been washed away, and the Chinese rug in the living room had been taken out, he had come with a chemical that made lots of other blood glow in the dark. Well, it was all gone now. Just gone. He’d seen to that before Michael came home from the hospital. And he’d sworn he detected no smell.
Mona took a deep breath of it. Yes, it made you feel a kind of craving. Like the time she was riding the bus downtown on one of her escapades, all alone and reckless and loaded with dough, and she’d smelled that delicious barbecue from the bus and actually gotten off to find the place from which it was coming, a little French Quarter restaurant in a ramshackle building on Esplanade. Hadn’t tasted half as good as it smelled.
But we’re back to food again and this isn’t food.
She looked into the living room, startled again, as she’d been earlier, to see how Michael had changed things after Rowan left. Of course the Chinese carpet had been taken out. It was all bloody. But he didn’t have to abolish the old scheme of double parlors, did he? Well, he had. Mayfair Blasphemy.
It was one vast room now, with a giant soft sofa beneath the arch against the inside wall. A nice scattering of French chairs-all Oncle Julien’s to hear him tell it, now tricked out in new gold damask or a striped fabric, wickedly rich looking, and a glass table through which you could see the dark amber colors of the enormous old rug. It must have been twentyfive feet, that rug, to stretch through both rooms as it did, embracing the floor before both of the hearths. And how old it looked, like something out of the attic upstairs, most likely. Maybe Michael had brought it down with the gilded chairs.
They’d said the only orders he’d given after he came home were to change that double parlor. Put Julien’s things down there. Make it look entirely different.
Made sense. He’d obviously wanted to erase all traces of Rowan; he had wanted to obliterate the rooms in which they spent their happiest moments. Some of the chairs were faded, wood chipped here and there. And the carpet rested right on the heart-pine floor, thin and silky looking.
Maybe there had been blood all over that other furniture. Nobody would tell Mona exactly what had gone on. No one would tell her anything much except Oncle Julien. And in her dreams, she seldom had the presence of dream-mind to ask a question. Oncle Julien just talked and talked or danced and danced.
No Victrola in this room now. What a stroke of luck it would have been, if they’d brought it down too with all this other stuff. But they hadn’t. She hadn’t heard anybody say a thing about finding a Victrola.
She’d checked out the first floor every time she’d come. Michael listened to a little tape machine in the library. This room lay in stillness, and its great Bosendorfer piano, at an angle before the second fireplace, seemed more a piece of furniture than a thing which could sing.
The room was still beautiful. It had been nice earlier to flop on the big soft sofa, from which you could see all the mirrors, the two white marble fireplaces, one to your left, one to your right, across from you, and the two doors directly opposite to Deirdre’s old porch. Yes, Mona had thought, a good vantage point, and still an enchanting room. Sometimes she danced on the bare floors of the double parlor at Amelia, dreaming of mirrors, dreaming of making a killing in mutual funds with money she’d borrow from Mayfair and Mayfair.
Just give me another year, she thought, I’ll crack the market, then if I can find but one gambler in that whole stodgy law firm-! It was no use asking them now to fix up Amelia Street. Ancient Evelyn had always sent carpenters and workmen away. She cherished her “quiet.” And then what good was it to fix up a house in which Patrick and Alicia were simply drunk all the time, and Ancient Evelyn like a fixture?
Mona had her own space, as they say, the big bedroom upstairs on the Avenue. And there she kept her computer equipment, all her disks and files, and books. Her day would come. And until then she had plenty of time after school to study stocks, bonds, money instruments, and the like.
Her dream really was the management of her own mutual fund, called Mona One. She’d invite Mayfairs only to buy in, and she’d handpick every company in which the fund invested, on the basis of its environmental worthiness.
Mona knew from the
