running along behind him, huffing and pounding away, and she never caught up with him until he had collapsed onto a stoop or a bench somewhere, gasping with laughter. One day, she followed him around a corner and chased him into an alley and did not come out the other end. Philip returned to the orphanage half an hour later. He could not say where she had gone.

Ville Tolvanen shot pool every night at the bar on the corner of Eighth and Vine. The friends he had at the bar were the same friends he had known when he was alive. There was something they used to say to each other when they went out drinking in Oulu, a sort of song they used to sing: I'll meet you when I die / At that bar on the corner of Eighth and Vine. One by one, then, as they passed away, they found their way to the corner of Eighth and Vine, walked gingerly, skeptically, through the doors of the bar, and caught sight of one another by the pool tables, until gradually they were all reassembled. Ville was the last of the group to die, and finding his friends there at the bar felt almost as sweet to him as it had when he was young. He clutched their arms and they clapped him on the back. He insisted on buying them drinks. 'Never again…,' he told them, and though he could not finish the sentence, they all knew what he meant. He was grinning to keep his eyes from watering over, and someone tossed a peanut shell at him, and he tossed one back, and soon the floor was so covered with the things that it crunched no matter where they put their feet. For months after he died, Ville never missed a single night at the tables – and so when he failed to appear one night his friends went out looking for him. They headed straight for the room he had taken over the hardware store down the street, where they banged on the door and then dislodged the lock with the sharp edge of a few playing cards. Ville's shoes were inside, and his wristwatch, and his jacket, but he was not.

Ethan Hass, the virologist, drank not in the bars at all but from a small metal flask that he carried on his belt like a Boy Scout canteen. He had been watching the developments in his field for thirty years before he died, reading the journals and listening to the gossip at the conventions, and it sometimes seemed to him that every government, every interest group, every faction in the world was casting around for the same thing, a perfect virus, one that followed every imaginable vector, that would spread through the population like the expanding ring of a raindrop in a puddle. It was clear to him now that somebody had finally succeeded in manufacturing it. But how on earth had it been introduced? He couldn't figure it out. The reports from the recently dead were too few, and they were never precise enough. One day he locked himself in the bathroom of the High Street Art Museum and began to cry insistently, sobbing out something about the air and the water and the food supply. A security guard was summoned. 'Calm down, guy. There's plenty of air and water for you out here. How about you just open the door for us?' The guard used his slowest, most soothing voice, but Ethan only shouted, 'Everybody! Everything!' and turned on the faucets of the sinks, one by one. He would not say anything else, and when the guard forced the door open a few minutes later, he was gone.

It was as though a gate had been opened, or a wall thrown down, and the city was finally releasing its dead. They set out from its borders in their multitudes, and soon the parks, the bars, the shopping centers were all but empty.

One day, not long after the last of his neighborhood's restaurants had closed its doors, the blind man was standing on the steps of the church, waiting for someone who would listen to his story. No one had passed him all day long, and he was beginning to wonder if the end had come once and for all. Perhaps it had happened while he was sleeping, or during the half minute early that morning when he had thought he smelled burning honey. He heard a few car horns honking from different quarters of the city, and then, some twenty minutes later, the squealing of a subway train as its brakes gripped the tracks, and then nothing but the wind aspirating between the buildings, lingering, and finally falling still. He listened hard for a voice or a footstep, but he could not make out a single human sound.

He cupped his hands around his mouth. 'Hello?' he shouted. 'Hello?' But no one answered.

He experienced an unusual misgiving. He brought his hand to his chest. He was afraid that the heartbeat he heard was his own.

TWO. THE SHELTER

The wind had been blowing for twenty-three days, first from the east and then from the south, making a prolonged death moan inside the vents. Occasionally a gust of ice would push its way through the hut's system of turns and baffles, and hundreds of clear gray crystals would come fanning out over the room, peppering down onto the desk and the floor. Laura would stop whatever she was doing and watch them melt. She was disheartened by how long it took. The heating panels were obviously breaking down, if not crippled beyond repair. Next the lights would go, and after that, if she was still alive, it would be the food stores. What a total damned disaster.

The trouble had started nearly a month ago, when the antenna had snapped off the communications array. She and Puckett and Joyce had reconstructed the event as best they could. The antenna was a slender aluminum stilt sheltered inside a large satellite dish, and a thick casing of snow and ice had collected around it. The wind had driven the temperature above freezing for a day or two – the same freak wind that was slowly melting the ice shelf out from under them – and the mass of snow and ice had slipped from the bowl of the array in one giant chunk, taking the antenna along with it.

That was it. That was all that had happened. The whole thing was unbelievably stupid.

Why hadn't the dish been constructed out of thermogenic metal? Or, failing that, why hadn't someone positioned it so that it would remain empty? Or, at the very least, why hadn't the three of them been provided with the equipment they might need to repair it? Sometimes it seemed to Laura that the entire expedition had been slapped together by monkeys. But no. It had been planned and financed entirely by the Coca-Cola Corporation, as either a publicity exercise or a research expedition, depending on where you read about it: an internal document or a news release.

The idea was to send a team of people to the Antarctic to explore methods of converting polar ice for use in the manufacture of soft drinks. The ice cap was already melting, after all, pouring into the ocean by the tankerload, and the corporation might as well take advantage of it while they still could. That was their reasoning. The advertising department had even devised a new slogan: 'Coca-Cola – made from the freshest water on the planet,' which, if it caught on, they planned to modify in a year or two to 'Coca-Cola – now that's fresh!'

The expedition was supposed to last for six months. The planning board had appointed Michael Puckett the polar specialist, Robert Joyce the soft drink specialist, and her, Laura, the wildlife specialist. There was some debate as to whether they should call her a 'wildlife' specialist or an 'animal life' specialist – was Antarctica wild in the same way that, say, the Amazon of the last century was wild? – but the argument was quelled when someone suggested that the board consider the word 'wild' in its original sense, as a neglected or uncultivated region. So it was that the photograph of Laura that appeared in all the newspapers, the embarrassing one that depicted her stuffing underwear into a military-style canvas bag, bore a caption that read, 'Laura Byrd, wildlife specialist, prepares for the long winter.' Her first lover had been a journalism professor, and she was well aware of the subtle ways that newspaper editors contrived to mock the stories they found absurd. Even now, with the cold gradually folding itself around the hut like a pair of hands, she could feel the color rising to her cheeks as she thought about it. Photographs. Wildlife. Monkeys.

Wasn't there an old television commercial that showed a family of monkeys sharing a bottle of Coca-Cola at Christmas? She was pretty sure she remembered seeing something like that when she was a little girl.

In any case, it was not long after the antenna splintered free of the satellite dish – two days, to be exact – that the radio gave a few last sputters of white noise and chopped-up syllables and then went silent. Why couldn't she stop rehearsing the details? The web and telephone connections fell dead along with the transceiver, so that the three of them – she, Puckett, and Joyce – had no way of contacting the corporation for help. Puckett insisted that they search the shelter for any spare parts they could use to patch the radio or the transceiver back together. There were only two rooms to go through, a living area and a sleeping area; nevertheless, the operation took them half the day. They uncovered several hundred bags of pemmican and jerky, a jar of ten thousand vitamin C tablets, a bundle of electric blankets tied together with elastic cords, two kerosene lanterns, six cans of freeze- dried coffee, a Primus stove, an extra pair of collapsible tents, and even a rudimentary tool chest, but nothing that would help them fix the radio or the broken antenna.

Вы читаете The Brief History of the Dead
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату
×