was certainly much more imperious— she ended by calling it imperial—than Mr. Penniman.
So Catherine saw Mr. Townsend alone, and her aunt did not come in even at the end of the visit. The visit was a long one; he sat there—in the front parlour, in the biggest armchair—for more than an hour. He seemed more at home this time—more familiar; lounging a little in the chair, slapping a cushion that was near him with his stick, and looking round the room a good deal, and at the objects it contained, as well as at Catherine; whom, however, he also contemplated freely. There was a smile of respectful devotion in his handsome eyes which seemed to Catherine almost solemnly beautiful; it made her think of a young knight in a poem. His talk, however, was not particularly knightly; it was light and easy and friendly; it took a practical turn, and he asked a number of questions about herself—what were her tastes—if she liked this and that—what were her habits. He said to her, with his charming smile, 'Tell me about yourself; give me a little sketch.' Catherine had very little to tell, and she had no talent for sketching; but before he went she had confided to him that she had a secret passion for the theatre, which had been but scantily gratified, and a taste for operatic music—that of Bellini and Donizetti, in especial (it must be remembered in extenuation of this primitive young woman that she held these opinions in an age of general darkness)—which she rarely had an occasion to hear, except on the hand-organ. She confessed that she was not particularly fond of literature. Morris Townsend agreed with her that books were tiresome things; only, as he said, you had to read a good many before you found it out. He had been to places that people had written books about, and they were not a bit like the descriptions. To see for yourself—that was the great thing; he always tried to see for himself. He had seen all the principal actors—he had been to all the best theatres in London and Paris. But the actors were always like the authors—they always exaggerated. He liked everything to be natural. Suddenly he stopped, looking at Catherine with his smile.
'That's what I like you for; you are so natural! Excuse me,' he added; 'you see I am natural myself!'
And before she had time to think whether she excused him or not— which afterwards, at leisure, she became conscious that she did—he began to talk about music, and to say that it was his greatest pleasure in life. He had heard all the great singers in Paris and London—Pasta and Rubini and Lablache—and when you had done that, you could say that you knew what singing was.
'I sing a little myself,' he said; 'some day I will show you. Not to-day, but some other time.'
And then he got up to go; he had omitted, by accident, to say that he would sing to her if she would play to him. He thought of this after he got into the street; but he might have spared his compunction, for Catherine had not noticed the lapse. She was thinking only that 'some other time' had a delightful sound; it seemed to spread itself over the future.
This was all the more reason, however, though she was ashamed and uncomfortable, why she should tell her father that Mr. Morris Townsend had called again. She announced the fact abruptly, almost violently, as soon as the Doctor came into the house; and having done so—it was her duty—she took measures to leave the room. But she could not leave it fast enough; her father stopped her just as she reached the door.
'Well, my dear, did he propose to you to-day?' the Doctor asked.
This was just what she had been afraid he would say; and yet she had no answer ready. Of course she would have liked to take it as a joke—as her father must have meant it; and yet she would have liked, also, in denying it, to be a little positive, a little sharp; so that he would perhaps not ask the question again. She didn't like it—it made her unhappy. But Catherine could never be sharp; and for a moment she only stood, with her hand on the door- knob, looking at her satiric parent, and giving a little laugh.
'Decidedly,' said the Doctor to himself, 'my daughter is not brilliant.'
But he had no sooner made this reflexion than Catherine found something; she had decided, on the whole, to take the thing as a joke.
'Perhaps he will do it the next time!' she exclaimed, with a repetition of her laugh. And she quickly got out of the room.
The Doctor stood staring; he wondered whether his daughter were serious. Catherine went straight to her own room, and by the time she reached it she bethought herself that there was something else— something better—she might have said. She almost wished, now, that her father would ask his question again, so that she might reply: 'Oh yes, Mr. Morris Townsend proposed to me, and I refused him!'
The Doctor, however, began to put his questions elsewhere; it naturally having occurred to him that he ought to inform himself properly about this handsome young man who had formed the habit of running in and out of his house. He addressed himself to the younger of his sisters, Mrs. Almond—not going to her for the purpose; there was no such hurry as that—but having made a note of the matter for the first opportunity. The Doctor was never eager, never impatient nor nervous; but he made notes of everything, and he regularly consulted his notes. Among them the information he obtained from Mrs. Almond about Morris Townsend took its place.
'Lavinia has already been to ask me,' she said. 'Lavinia is most excited; I don't understand it. It's not, after all, Lavinia that the young man is supposed to have designs upon. She is very peculiar.'
'Ah, my dear,' the Doctor replied, 'she has not lived with me these twelve years without my finding it out!'
'She has got such an artificial mind,' said Mrs. Almond, who always enjoyed an opportunity to discuss Lavinia's peculiarities with her brother. 'She didn't want me to tell you that she had asked me about Mr. Townsend; but I told her I would. She always wants to conceal everything.'
'And yet at moments no one blurts things out with such crudity. She is like a revolving lighthouse; pitch darkness alternating with a dazzling brilliancy! But what did you tell her?' the Doctor asked.
'What I tell you; that I know very little of him.'
'Lavinia must have been disappointed at that,' said the Doctor; 'she would prefer him to have been guilty of some romantic crime. However, we must make the best of people. They tell me our gentleman is the cousin of the little boy to whom you are about to entrust the future of your little girl.'
'Arthur is not a little boy; he is a very old man; you and I will never be so old. He is a distant relation of Lavinia's protege. The name is the same, but I am given to understand that there are Townsends and Townsends. So Arthur's mother tells me; she talked about 'branches'—younger branches, elder branches, inferior branches—as if it were a royal house. Arthur, it appears, is of the reigning line, but poor Lavinia's young man is not. Beyond this, Arthur's mother knows very little about him; she has only a vague story that he has been 'wild.' But I know his sister a little, and she is a very nice woman. Her name is Mrs. Montgomery; she is a widow, with a little property and five children. She lives in the Second Avenue.'
'What does Mrs. Montgomery say about him?'
'That he has talents by which he might distinguish himself.'
