derive pleasure from such instruction. But no, no -1 deem it only fair that you should know the gravity of the service you perform. You make unto me a considerable offering: of succour, sustenance, replenishment. Wherefore I grant you knowledge… for however short a time. Now stand up, stand tall, hear well my words and follow their directions.

The walls, go to the walls, Dumiitruuu. Good! Now trace the frescoes — with your eyes, my son, and with your hands. Now look and learn:

Here is a man. He is born, lives his life, dies. Prince or peasant, sinner or saint, all go the same way. You see them there in the pictures: holy men and blackguards alike, moving swiftly from cradle to grave, rushing headlong from the sweet, warm moment of conception to the cold, empty abyss of dissolution. It is the lot of all men, it would seem: to become one with the earth, and all the lessons learned in their lives wasted, and their secrets remaining secret unto them alone forever…

Oh?

But some there are whose remains, by circumstance of their interment — like the Greek priest, perhaps — remain intact; and others, perhaps cremated and buried in jugs, whose powdered ashes are kept apart from the earth and pure. There they lie, a crumbled bone or two, a handful of dust, and in them all the knowledge of their waking seasons, all the secrets of life and sometimes of death — and maybe even conditions between the two — which they took with them to the grave. All lost.

And again I say… oh?

And you will say: but what of knowledge in books, or knowledge passed down by word of mouth, or carved in stone? Surely a learned man, if he so desire, may leave his knowledge behind him for the benefit of others to come after?

What? Stone tablets? Bah! Even the mountains are worn down and the epochs they have known blown away as dust. Word of mouth? Tell a man a story and by the time he retells it the theme is altered. After twenty tellings it may not even be recognized! Books? Given a century and they wither, two and they become so brittle as to snap, three — they crumble into nothing! No, don't speak of books. They are the most fragile of things. Why, there was once in Alexandria the world's most wondrous library… and where pray are all of those books now? Gone, Dumiitruuu. Gone like all the men of yesteryear. But unlike the books, the men are not forgotten. Not necessarily.

And again, what if a man does not desire to leave his secrets behind him?

But enough of that for now; for see, the frescoes are changed. And here is another man… well, at least we shall call him a man. But strange, for he is not only conceived of man and woman. See for yourself: for parent he has… but what is this? A snake? A slug? And the creature issues an egg, which the man takes in unto him. And now this most fortunate person is no longer merely human but… something else. Ah! — and see — this one does not die but goes on and on! Always! Perhaps forever.

Do you follow me, Dumiitruuu? Do you follow the pictures on the wall? Aye, and unless this very special One is slain by some brutal man who has the knowledge — or dies accidentally, which may occur upon a time — why, then he will go on forever! Except… he has needs, this One. He may not sustain himself like ordinary men. Rather, he knows better sources of sustenance! The blood is the life…

Do you know the name of such a One, my son?

'I… I know what such men are called,' Dumitru answered, though to an outside observer it would have seemed that he was speaking to a vault empty of life other than his own. 'The Greeks call them 'Vrykoulakas', as you have made mention; the Russians 'Viesczy'; and we travellers, the Szgany, we call them 'Moroi' — vampires!'

There is another name, said the voice, from a land far, far away in space and time. The name by which they know themselves: Wamphyri! And for a moment, perhaps in a certain reverence, the voice paused. Then:

Now tell me, Dumiitruuu: do you know who I am? Oh, I know, I'm a voice in your head, but unless you're a madman the voice must have a source. Have you guessed my identity, Dumiitruuu? Perhaps you've even known it all along, eh?

'You are the Old One,' Dumitru gulped, his Adam's apple bobbing, throat dry as a stick. 'The undead, undying patron of the Szgany Zirra. You are Janos, the Baron Ferenczy!'

Aye, and you may be a peasant but you're in no wise ignorant, answered the voice. Indeed, I am that One! And you are mine to command as I will. But first a question: is there one among your father Vasile Zirra's band whose hands are three-fingered? A child, perhaps, male, born recently, since last you Szgany were here? Or perhaps a stranger you've seen on your travels, who desired to join your company?

A strange question, some would think, but not Dumitru. It was part of the legend: that one day a man would come with three fingers on his hands instead of the usual four. Three broad, strong fingers and a thumb to each hand; born that way and natural enough; neither surgically contrived nor even grotesque to look upon. 'No,' he answered at once. 'He has not come.'

The voice gave a mental grunt; Dumitru could almost see the impatient shrug of broad, powerful shoulders. And: Not come, the voice of Janos Ferenczy repeated his words. Not yet come.

But the attitude of the unseen presence was mercurial; it changed in a moment; disappointment was put aside and resignation took its place. Ah, well, and so I wait out the years. What is time to the Wamphyri anyway, eh?

Dumitru made no answer. In examining the faded frescoes he had reached a part of the wall which showed several very gruesome scenes. The frescoes were like a tapestry, telling a story in pictures, but these pictures were straight out of nightmare. In the first, a man was held down by four others, one to each limb. A fifth tormentor in Turkish breeches stood over him with a curved sword raised high, while a sixth kneeled close by with a mallet and sharp stake of wood. In the next picture the victim had been beheaded and the stake driven through him, pinning him down — but a huge, fat, sluglike worm or snake was emerging from his severed neck, so that the men about him reared back in horror! In a third picture the men had encircled the Thing with a ring of torches and were burning it; likewise the head and body of its once-host, upon a pile of faggots. The fourth and penultimate scene of the set was of a priest, swinging his censer in one hand, while with the other he poured the vampire's ashes into an urn. Presumably it was a rite of exorcism, of purification. But if so, then it was mistaken, wasted.

For the final scene was of the same urn, and above it a black bat in flight, rising like a phoenix from the ashes. Indeed, the very sigil of the Ferenczy! And:

Aye, said Janos darkly, in Dumitru's head, but not until the advent of the three-fingered man. Not until he comes, the true son of my sons. For only then may I escape from one vessel into the next. Ah, for there are vessels and there are vessels, Dumiitruuu, and some of them are of stone…

Again the youth's mind had started to unmaze itself. Of his own will, suddenly he saw how low his torch had burned where he'd placed it in a stone bracket on the wall. He took it down and tremblingly lit another from it, waving it a little to get the flame going. And licking his dry lips, he looked at the myriad urns and wondered which one held his tormentor. How easy it would be to shatter the thing, scatter its dust, thrust his torch amongst those sentient remains and see if they'd burn a second time.

Janos was not slow to note the resurgence of Szgany will, or to read the threat in the mind he'd mastered. He chuckled voicelessly and said: Ah, not here, not here, Dumiitruuu! What? You'd have me lie among scum? And could it be I heard you thinking treacherous thoughts just then? Still, you'd not be of the blood if you didn't, eh? And again his evil chuckle, following which: But you were right to rekindle your torch: best not let the flame die, Dumiitruuu, for it's an exceeding dark place you've come to. Also, there's yet a thing or two I want to show you, for which we'll need the light. Now see, there's a room to your 'right, my son. Go in through the archway, if you will, and there discover my true lair.

Dumitru might have struggled with himself… but useless; the vampire's grip on his mind had returned more solid than ever. He did as instructed, passing under the arch and into a room much like the others except for its

Вы читаете Necroscope IV: Deadspeak
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату
×