13. Now that you have seen the world through Darcy’s eyes, is Elizabeth’s estimation of his character accurate?
14. What does each of the titles in the trilogy reveal about the Darcy within it?
15. Since the trilogy is now complete, what would you like to see Pamela Aidan tackle next?
Enhance Your Book Club Experience
1. The renowned poet, Lord Byron, is mentioned in the novel as a somewhat scandalous introduction to the drawing rooms of high society. Shakespeare and Milton are quoted often in the novel as well. For your next meeting, bring a poem or sonnet you feel one of Pamela Aidan’s characters would enjoy and discuss the reasons behind your selection. Or if you really want a challenge, write an original piece in the voice of Mr. Darcy or the other characters!
2. As one of the world’s most celebrated writers, Shakespeare’s plays are performed with regularity throughout the United States. Find a local performance of
Q&A with Pamela Aidan
This book was far and away the most difficult to write. That it was finished at all is due in great part to the encouraging yet critical help of my husband.
As I wrote a section, he would read and critique it with an honesty that sometimes smarted but was always with the goals of keeping me on target with Austen and the characters as I had drawn them and challenging me to become a better writer.
I’ve been to Europe several times and toured gardens in France and Italy as well as paged through books about gardening and its history. Gardens were a deeply integral part of European homes, whether wealthy or not. Great changes in gardening philosophy had occurred during the fifty years before and during this time period that relate to how people of the time regarded nature and their place in it.
Ireland was a conquered land and all the worst excesses of occupation that accompany that fact had and were being visited upon its people. The other factor in its oppression was Ireland’s Catholicism. Since the time of Henry VIII — excluding the reign of his daughter Mary — Catholics had not been allowed to vote for fear that the Pope would then be able to reinsert himself into British politics. During the Regency, the loyalty of the Irish troops in the war with Napoleon became a serious issue, as was the loyalty of Irish peers, so “The Catholic Question” (i.e. their enfranchisement) was taken up by Parliament. Prince George had previously let it be known that he was in favor of giving Catholics, and therefore the Irish, the vote and full citizenship in the Empire; but when he became Regent, he disavowed it and the upheaval of a war-time political scene pushed it back out onto the fringe of consideration. Ireland had long been sympathetic to France due to their shared Catholicism and lately their overthrow of a hated aristocracy. Some British Whigs were also sympathetic to “republican” ideas. Then, there was the assassination of the prime minister in 1812, when
Its usefulness as a subplot only occurred to me when I decided to bring Lady Sylvanie back into the story. In her, I had a half-Irish villainess who had disappeared, only to marry an old classmate of Darcy’s. Characters and events began to fall into place in my mind, and I decided to use Sylvanie and her new quest for power through politics to bring Darcy to a situation in which he finally was forced to admit that he no longer could trust his own judgment or perception.
Dy Brougham was a surprise from the beginning and was another one of those characters that appeared full-blown almost out of nowhere and told his own story whether I liked it or not! Of course, Sir Percy Blakney — the Scarlet Pimpernel — was a model in some ways. I wanted Darcy’s friend to be a character of great wit and yet a mystery. But any true friend of Darcy’s would have to be much more complex than a public clown. By creating him as a domestic spy, he immediately became someone who could appear and disappear from the storyline and yet be incredibly well-informed and capable when he was needed. As the story progressed, the usefulness of his “occupation” dovetailed so well with his friendship with Darcy, that it became integral to the plot.
Both of your surmises are true. The trilogy was always meant to be more than merely a converse look at
I chose the ones that seemed to me to be the most difficult for Darcy to deal with: challenging his long-held assumptions, demanding he make a choice, or sorely testing his new growth, understanding, and character. Some of them were great fun to write, almost writing themselves, and others were very difficult. And, frankly, some just offered delicious moments of high drama!