But at that moment Ethel, who was twitching over the leaves of some paper or other, ran to her mother and sank down beside her chair.
'There, you see,' she cried. 'That's what I mean, mummy. Yellow, with touches of silver. Don't you agree?'
'Give it to me, love,' said Charlotte. She fumbled for her tortoise-shell spectacles and put them on, gave the page a little dab with her plump small fingers, and pursed up her lips. 'Very sweet!' she crooned vaguely; she looked at Ethel over her spectacles. 'But I shouldn't have the train.'
'Not the train!' wailed Ethel tragically. 'But the train's the whole point.'
'Here, mother, let me decide.' Marion snatched the paper playfully from Charlotte. 'I agree with mother,' she cried triumphantly. 'The train overweights it.'
Old Mr. Neave, forgotten, sank into the broad lap of his chair, and, dozing, heard them as though he dreamed. There was no doubt about it, he was tired out; he had lost his hold. Even Charlotte and the girls were too much for him to-night. They were too... too... But all his drowsing brain could think of was—too rich for him. And somewhere at the back of everything he was watching a little withered ancient man climbing up endless flights of stairs. Who was he?
'I shan't dress to-night,' he muttered.
'What do you say, father?'
'Eh, what, what?' Old Mr. Neave woke with a start and stared across at them. 'I shan't dress to-night,' he repeated.
'But, father, we've got Lucile coming, and Henry Davenport, and Mrs. Teddie Walker.'
'It will look so very out of the picture.'
'Don't you feel well, dear?'
'You needn't make any effort. What is Charles for?'
'But if you're really not up to it,' Charlotte wavered.
'Very well! Very well!' Old Mr. Neave got up and went to join that little old climbing fellow just as far as his dressing-room...
There young Charles was waiting for him. Carefully, as though everything depended on it, he was tucking a towel round the hot-water can. Young Charles had been a favourite of his ever since as a little red-faced boy he had come into the house to look after the fires. Old Mr. Neave lowered himself into the cane lounge by the window, stretched out his legs, and made his little evening joke, 'Dress him up, Charles!' And Charles, breathing intensely and frowning, bent forward to take the pin out of his tie.
H'm, h'm! Well, well! It was pleasant by the open window, very pleasant—a fine mild evening. They were cutting the grass on the tennis court below; he heard the soft churr of the mower. Soon the girls would begin their tennis parties again. And at the thought he seemed to hear Marion's voice ring out, 'Good for you, partner... Oh, played, partner... Oh, very nice indeed.' Then Charlotte calling from the veranda, 'Where is Harold?' And Ethel, 'He's certainly not here, mother.' And Charlotte's vague, 'He said—'
Old Mr. Neave sighed, got up, and putting one hand under his beard, he took the comb from young Charles, and carefully combed the white beard over. Charles gave him a folded handkerchief, his watch and seals, and spectacle case.
'That will do, my lad.' The door shut, he sank back, he was alone...
And now that little ancient fellow was climbing down endless flights that led to a glittering, gay dining-room. What legs he had! They were like a spider's—thin, withered.
'You're an ideal family, sir, an ideal family.'
But if that were true, why didn't Charlotte or the girls stop him? Why was he all alone, climbing up and down? Where was Harold? Ah, it was no good expecting anything from Harold. Down, down went the little old spider, and then, to his horror, old Mr. Neave saw him slip past the dining-room and make for the porch, the dark drive, the carriage gates, the office. Stop him, stop him, somebody!
Old Mr. Neave started up. It was dark in his dressing-room; the window shone pale. How long had he been asleep? He listened, and through the big, airy, darkened house there floated far-away voices, far-away sounds. Perhaps, he thought vaguely, he had been asleep for a long time. He'd been forgotten. What had all this to do with him—this house and Charlotte, the girls and Harold—what did he know about them? They were strangers to him. Life had passed him by. Charlotte was not his wife. His wife!
... A dark porch, half hidden by a passion-vine, that drooped sorrowful, mournful, as though it understood. Small, warm arms were round his neck. A face, little and pale, lifted to his, and a voice breathed, 'Good-bye, my treasure.'
My treasure! 'Good-bye, my treasure!' Which of them had spoken? Why had they said good-bye? There had been some terrible mistake. She was his wife, that little pale girl, and all the rest of his life had been a dream.
Then the door opened, and young Charles, standing in the light, put his hands by his side and shouted like a young soldier, 'Dinner is on the table, sir!'
'I'm coming, I'm coming,' said old Mr. Neave.
15. THE LADY'S MAID.
Eleven o'clock. A knock at the door... I hope I haven't disturbed you, madam. You weren't asleep—were you? But I've just given my lady her tea, and there was such a nice cup over, I thought, perhaps...
... Not at all, madam. I always make a cup of tea last thing. She drinks it in bed after her prayers to warm her up. I put the kettle on when she kneels down and I say to it, 'Now you needn't be in too much of a hurry to say your prayers.' But it's always boiling before my lady is half through. You see, madam, we know such a lot of people, and they've all got to be prayed for—every one. My lady keeps a list of the names in a little red book. Oh dear! whenever some one new has been to see us and my lady says afterwards, 'Ellen, give me my little red book,' I feel quite wild, I do. 'There's another,' I think, 'keeping her out of her bed in all weathers.' And she won't have a cushion, you know, madam; she kneels on the hard carpet. It fidgets me something dreadful to see her, knowing her as I do. I've tried to cheat her; I've spread out the eiderdown. But the first time I did it—oh, she gave me such a look—holy it
