1977

And now, now it’s happening again.

‘Where the fuck’s Maurice?’

I’m walking towards her, across the grass, across Soldier’s Field. I say, ‘He’ll be here.’

Detective Chief Superintendent Peter Noble, George’s boy, out from behind his fat new Millgarth desk, between me and her.

I know what he’s hiding: there’ll be a raincoat over her, boots or shoes placed on her thighs, a pair of panties left on one leg, a bra pushed up, her stomach and breasts hollowed out with a screwdriver, her skull caved in with a hammer.

Noble looks at his watch and says, ‘Well, anyroad, I’m taking this one.’

There’s a bloke in a tracksuit by a tall oak, throwing up. I look at my watch. It’s seven and there’s a fine steam coming off the grass all across the park.

Eventually I say, ‘It him?’

Noble moves out of the way. ‘See for yourself.’

‘Fuck,’ says Ellis.

The man in the tracksuit looks up, spittle all down him, and I think about my son and my stomach knots.

Back on the road, more cars are arriving, people gathering.

Detective Chief Superintendent Noble says, ‘The fuck you put that sodding siren on for? World and his wife’ll be out here now.’

‘Possible witnesses,’ I smile and finally look at her:

There’s a tan raincoat draped over her, white feet and hands protruding. There are dark stains on the coat.

‘Have a bloody look,’ Noble says to Ellis.

‘Go on,’ I add.

Detective Constable Ellis slowly puts on two white plastic gloves and then squats down on the grass beside her.

He lifts up the coat, swallows and looks up at me. ‘It’s him,’ he says.

I just stand there, nodding, looking off at some crocuses or something.

Ellis lowers the coat.

Noble says, ‘He found her.’

I look back over at the man in the tracksuit, at the man with the sick on him, grateful. ‘Got a statement?’

‘If it’s not too much trouble,’ smiles Noble.

Ellis stands up. ‘What a fucking way to go,’ he says.

Detective Chief Superintendent Noble lights up and exhales. ‘Silly slag,’ he hisses.

‘I’m Detective Sergeant Fraser and this is Detective Constable Ellis. We’d like to take a statement and then you can get off home.’

‘Statement.’ He pales again. ‘You don’t think I had anything…’

‘No, sir. Just a statement detailing how you came to be here and report this.’

‘I see.’

‘Let’s sit in the car.’

We walk over to the road and get in the back. Ellis sits in the front and switches off the radio.

It’s hotter than I thought it would be. I take out my notebook and pen. He reeks. The car was a bad idea.

‘Let’s start with your name and address.’

‘Derek Poole, with an e. 4 Strickland Avenue, Shadwell.’

Ellis turns round. ‘Off Wetherby Road?’

Mr Poole says, ‘Yes.’

‘That’s quite a jog,’ I say.

‘No, no. I drove here. I just jog round the park.’

‘Every day?’

‘No. Just Sundays.’

‘What time did you get here?’

He pauses and then says, ‘About sixish.’

‘Where’d you park?’

‘About a hundred yards up there,’ he says, nodding up the Roundhay Road.

He’s got secrets has Derek Poole and I’m laying odds with myself:

2-1 affair.

3-1 prostitutes.

4-1 puff.

Sex, whatever.

He’s a lonely man is Derek Poole, often bored. But this isn’t what he had in mind for today.

He’s looking at me. Ellis turns round again.

I ask, ‘Are you married?’

‘Yes, I am,’ he replies, like he’s lying.

I write down married.

He says, ‘Why?’

‘What do you mean, why?’

He shifts in his tracksuit. ‘I mean, why do you ask?’

‘Same reason I’m going to ask how old you are.’

‘I see. Just routine?’

I don’t like Derek Poole, his infidelities and his arrogance, so I say, ‘Mr Poole, there’s nothing routine about a young woman having her stomach slashed open and her skull smashed in.’

Derek Poole looks at the floor of the car. He’s got sick on his trainers and I’m worried he’ll puke again and we’ll have the stink for a week.

‘Let’s just get this over with,’ I mutter, knowing I’ve gone too far.

DC Ellis opens the door for Mr Poole and we’re all back out in the sun.

There are so many fucking coppers now, and I’m looking at them thinking, too many chiefs:

There’s my gaffer Detective Inspector Rudkin, Detective Superintendent Prentice, DS Alderman, the old head of Leeds CID Detective Chief Superintendent Maurice Jobson, the new head Noble and, in the centre of the scrum, the man himself: Assistant Chief Constable George Oldman.

Over by the body Professor Farley, the Head of the Department of Forensic Medicine at Leeds University, and his assistants are preparing to take her away from all this.

Detective Superintendent Alderman has a handbag in his hands, he’s taking a WPC and a uniform off with him.

They’ve got a name, an address.

Prentice is marshalling the uniforms, going door to door, corralling the gawpers.

The cabal turns our way.

Detective Inspector Rudkin, as hungover as fuck, shouts, ‘Murder Room, thirty minutes.’

The Murder Room.

Millgarth Street, Leeds.

One hundred men stuffed into the second-floor room. No windows, only smoke, white lights, and the faces of the dead.

In comes George and the rest of his boys, back from the park. There are pats on the back, handshakes here, winks there, like some fucking reunion.

I stare across the desks and the phones, the sweating shirt backs and the stains, at the walls behind the Assistant Chief Constable, at the two faces I’ve seen so many, many times, every day, every night, when I wake, when I dream, when I fuck my wife, when I kiss my son:

Theresa Campbell.

Joan Richards.

Familiarity breeds contempt.