“Thea?” I asked.

“Why not?” Carefully she wiped off the foot with a linen handkerchief and poured a modest portion into a cup. Dainty as a bird drinking dew from a leaf, she quaffed the liquid.

“Tastes like good old vintage,” she said, resisting a wry face.

“Vintage?” Moschus grinned. “That’s beer, dear, and it’s fresh from the vat.”

To cover Thea’s embarrassment, I seized the skin and raised the hoof to my lips. “Moschus, start the music,” I cried between gulps. He withdrew a flute from his sole item of clothing, a wolfskin sash, and began to play. The flute was a crude cylinder of tortoise shell, but Moschus’ music was wild, sweet, and eloquent with many voices: the slow creaking groan of palm trees in the wind; the tumble of waves subsiding into a long-drawn hiss; the hoot of an owl; the shriek of a hunting wolf. Zoe motioned an invitation to Icarus.

“Go ahead,” said Pandia. “I don’t dance.”

He occupied Zoe’s arms, and she led the boy in a sinuous undulation which alternated with leaps in the air and throaty cries of “Evoe, Evoe!

“The Dance of the Python!” he cried with recognition. “But we haven’t a snake.” He darted from the floor and Zoe, muttering about the vagaries of youth, cast about for a new partner. I was ready to offer myself when Icarus returned with Perdix. “Our python!”

“Pipe that flute!” cried Zoe, and she flung back her head till her green, gray-streaked tresses bobbed like the snakes of a Gorgon. She was three hundred and sixty-nine years old (a lover for each year, she claimed), and like her tree she looked as if many a woodpecker had mottled her skin and many a storm weatherbeaten her complexion; but beauty had not forsaken her: the full-blown beauty of an earth mother whose ample lap could pillow a lover’s head and whose opulent breasts could suckle a score of children. She stirred my blood like a skin of beer.

“My turn,” I called.

Restraining fingers caught at my belt. “Mine,” said Thea.

“I’ll step on your toes,” I protested, edging toward Zoe.

“Not in my dance.” Her fingers were irresistible. “We call it the Walk of the Cranes.” We linked hands and she led me through stately, meandering steps like those of the young virgins when they dance beside the River Kairatos, though the music seemed more appropriate to the opium-drugged priestesses of the Great Mother, when they yield themselves to ecstasy, writhe on the ground, and tear the bark from a tree with their savage teeth.

“Your friends are very”—she paused to select a word—“exuberant. I’m afraid they will tire my brother.”

“He seems to be holding his own,” I observed as the boy and his partner, her capacious bulk grown seemingly weightless, mimicked snakes on the ground and birds in the air, leaped with exultant cries of “Evoe! Evoe!”

“Eunostos,” she said. “Do you like my dance?”

“Well, it has dignity.”

“Yes, but sometimes you men seem to like something more animalistic.” A wistfulness softened her voice. She looked even less than her sixteen years, a very young girl whose knowledge of men was limited to a father, a brother, and a few palace retainers. I tightened my grip on her hand.

“I think,” she said sadly, “that most men like innocence only because it challenges them to change it into experience.”

“Physical innocence, yes,” I said. “That we like to change —after all it is merely ignorance. But the innocence of the heart—that is as rare as the black pearls from the land of the Yellow Men, and no honorable Beast wishes to threaten it, any more than he would drop a pearl in a glass of wine ind watch it dissolve.”

“But the body encloses the heart. When the body falls, what dignity is left to the heart?”

“None, when the body falls; but when it is given, like a proud city to a noble king, then it grows rich—then it enriches the heart.”

Against the feverish background of the flute, our shouted words seemed strangely impersonal, strangely divorced from the girl and Beast who spoke them. When the music ended, our words faltered in the great silence.

“That’s all,” said Moschus, wiping his lips and returning the flute to his wolfskin sash. “Musician wants a drink.” But he came at Thea with a thirst which was not for beer.

She disengaged her hand and hurried up the stairs toward the garden and the oven.

Moschus glared after her. “Skittish colt, eh, Eunostos?”

She returned with a heaping aviary of cakes in the form of owls, woodpeckers, swallows, eagles, and partridges, whose piquant scents enwrearhed the platter and titillated our nostrils. She was justly proud of her baking.

“Not for me, honey,” said Zoe, heading for the beer. “I don’t eat while I’m drinking. Spoils the kick.”

“Same here,” said Moschus, slapping Zoe’s flank.

Thea’s smile vanished. Her one contribution to the party was being ignored. “Pandia?” she asked doubtfully. Pandia sprang to her feet and converged on the birds, scooping them into her mouth so quickly that they seemed to flutter from the plate.

“You see why I don’t drink,” she said as she licked the last crumbs from her stubby hands (paws, should I say?). “It would waterlog the food.”

Now the drinking began in earnest. Six times I had to replenish the skin, while Thea followed me, mopping the beer which trickled onto the floor. Moschus watched her and brooded over what he whispered was youth’s lack of appreciation for mature years. “She treats me like an old dray,” he muttered. Icarus rested his head in Zoe’s lap; with one hand, she trickled beer down his throat from a rhyton shaped like a bull, with the other she stroked his pointed ears.

“Sly little Beast,” she said in a hoarse whisper. “Why did you take so long to come back to the forest?”

Between swallows he raised his head and caught Pandia’s eye. “All right, Pandy?” he called.

Pandia nodded vehemently. She had the look of a child who has caught her parents drinking, but there was no disapproval in the wide, watchful eyes; there was expectation of further excesses.

An increasingly nervous host, I alternated between swigs of beer and anxious looks at Thea, whose expression was dire enough to dismay a Gorgan. Suddenly I felt defiant. It was my house and my friends, and she had no right to mistake our good-natured mischief for misbehaving. A little horseplay on the part of Moschus; Zoe expansively maternal but hardly wanton; Icarus enjoying himself and Pandia enjoying the view. What was the harm in that? I sat down on the rug beside Zoe and twined an arm around the hill of her shoulders. Without displacing Icarus, she lent me the arm with which she had stroked his ears.

“Moschus, there’s room for you too,” she called with perhaps excessive optimism.

“Thea,” I bellowed. “Fetch us some more beer! Your guests are thirsty.”

A cold streamer of beer swatted me across the mouth.

“You’re drunk,” snapped Thea, “and so is Icarus,” and, turning to Zoe: “You’re to blame!”

Zoe’s voice was relaxed. “Dear, your brother is fifteen and it’s time he learned to hold his liquor. As for Eunostos, he’s hardly begun to drink. You ought to see him after another skin!” She gave a body-wrenching sigh. “However, I expect it’s time to go. It’s a long way to my tree, and there are Striges out at night, to say nothing of those thieving Thriae.” Still unhurried, with the slow deliberate movements of a mother placing her baby in a crib, she lifted Icarus’ head from her lap and cradled it on a cushion.

He looked up at her with sleepy disappointment. “Your lap was softer.”

She winked. “Boy, when you want a lap instead of a cushion, come to my tree. It’s a royal oak. Eunostos knows the way!”

I saw them up the stairs and across the garden. The silver palm of the fountain swayed in the moonlight; the crude parasol stood like the silk pavilion of an Eastern king; and even the homely oven looked dim and mysterious, fit for incense instead of bread. But the headless stalks of my poppies made me sad, in spite of the moon and its white, ennobling foam.

“Zoe,” I said. “Moschus. You will have to forgive her. She isn’t used to our ways.”

“You think that’s it?” Zoe smiled. “Inexperience, innocence, and all that? I would have said she was jealous.”

“Of Icarus?”

“Of you.”

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