A young woman who had played the heroine’s best friend in the first play, and the saucy innkeeper’s daughter in the last, pointed us to the end of the room. “Sherry! Sherry Vernet!” she called.
The young man who stood up in response was lean; less conventionally handsome than he had seemed from the other side of the footlights. He peered at us quizzically. “I do not believe I have had the pleasure...?”
“My name is Henry Camberley,” said my friend, drawling his speech somewhat. “You may have heard of me.”
“I must confess that I have not had that privilege,” said Vernet.
My friend presented the actor with an engraved card.
The man looked at the card with unfeigned interest. “A theatrical promoter? From the New World? My, my. And this is...?” He looked at me.
“This is a friend of mine, Mister Sebastian. He is not of the profession.”
I muttered something about having enjoyed the performance enormously, and shook hands with the actor.
My friend said, “Have you ever visited the New World?”
“I have not yet had that honour,” admitted Vernet, “although it has always been my dearest wish.”
“Well, my good man,” said my friend, with the easy informality of a New Worlder. “Maybe you’ll get your wish. That last play. I’ve never seen anything like it. Did you write it?”
“Alas, no. The playwright is a good friend of mine. Although I devised the mechanism of the magic lantern shadow show. You’ll not see finer on the stage today.”
“Would you give me the playwright’s name? Perhaps I should speak to him directly, this friend of yours.”
Vernet shook his head. “That will not be possible, I am afraid. He is a professional man, and does not wish his connection with the stage publically to be known.”
“I see.” My friend pulled a pipe from his pocket, and put it in his mouth. Then he patted his pockets. “I am sorry,” he began. “I have forgotten to bring my tobacco pouch.”
“I smoke a strong black shag,” said the actor, “but if you have no objection –'
“None!” said my friend, heartily. “Why, I smoke a strong shag myself,” and he filled his pipe with the actor’s tobacco, and the two men puffed away, while my friend described a vision he had for a play that could tour the cities of the New World, from Manhattan Island all the way to the furthest tip of the continent in the distant south. The first act would be the last play we had seen. The rest of the play might perhaps tell of the dominion of the Old Ones over humanity and its gods, perhaps telling what might have happened if people had had no Royal Families to look up to – a world of barbarism and darkness – “But your mysterious professional man would be the play’s author, and what occurs would be his alone to decide,” interjected my friend. “Our drama would be his. But I can guarantee you audiences beyond your imaginings, and a significant share of the takings at the door. Let us say fifty per-cent!”
“This is most exciting,” said Vernet. “I hope it will not turn out to have been a pipe-dream!”
“No sir, it shall not!” said my friend, puffing on his own pipe, chuckling at the man’s joke. “Come to my rooms in Baker Street tomorrow morning, after breakfast-time, say at ten, in company with your author friend, and I shall have the contracts drawn up and waiting.”
With that the actor clambered up onto his chair and clapped his hands for silence. “Ladies and Gentlemen of the company, I have an announcement to make,” he said, his resonant voice filling the room. “This gentleman is Henry Camberley, the theatrical promoter, and he is proposing to take us across the Atlantic Ocean, and on to fame and fortune.”
There were several cheers, and the comedian said, “Well, it’ll make a change from herrings and pickled- cabbage,” and the company laughed.
And it was to the smiles of all of them that we walked out of the theatre and out onto the fog-wreathed streets.
“My dear fellow,” I said. “Whatever was–'
“Not another word,” said my friend. “There are many ears in the city.”
And not another word was spoken until we had hailed a cab, and clambered inside, and were rattling up the Charing Cross Road.
And even then, before he said anything, my friend took his pipe from his mouth, and emptied the half- smoked contents of the bowl into a small tin. He pressed the lid onto the tin, and placed it into his pocket.
“There,” he said. “That’s the Tall Man found, or I’m a Dutchman. Now, we just have to hope that the cupidity and the curiosity of the Limping Doctor proves enough to bring him to us tomorrow morning.”
“The Limping Doctor?”
My friend snorted. “That is what I have been calling him. It was obvious, from footprints and much else besides, when we saw the Prince’s body, that two men had been in that room that night: a tall man, who, unless I miss my guess, we have just encountered, and a smaller man with a limp, who eviscerated the prince with a professional skill that betrays the medical man.”
“A doctor?”
“Indeed. I hate to say this, but it is my experience that when a Doctor goes to the bad, he is a fouler and darker creature than the worst cut-throat. There was Huston, the acid-bath man, and Campbell, who brought the procrustean bed to Ealing...” and he carried on in a similar vein for the rest of our journey.
The cab pulled up beside the kerb. “That’ll be one and tenpence,” said the cabbie. My friend tossed him a florin, which he caught, and tipped to his ragged tall hat. “Much obliged to you both,” he called out, as the horse clopped out into the fog.
We walked to our front door. As I unlocked the door, my friend said, “Odd. Our cabbie just ignored that fellow on the corner.”
“They do that at the end of a shift,” I pointed out.
“Indeed they do,” said my friend.
I dreamed of shadows that night, vast shadows that blotted out the sun, and I called out to them in my desperation, but they did not listen.
5. The Skin and the Pit
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Inspector Lestrade was the first to arrive.
“You have posted your men in the street?” asked my friend.
“I have,” said Lestrade. “With strict orders to let anyone in who comes, but to arrest anyone trying to leave.”
“And you have handcuffs with you?”
In reply, Lestrade put his hand in his pocket, and jangled two pairs of cuffs, grimly.
“Now sir,” he said. “While we wait, why do you not tell me what we are waiting for?”
My friend pulled his pipe out of his pocket. He did not put it in his mouth, but placed it on the table in front of him. Then he took the tin from the night before, and a glass vial I recognised as the one he had had in the room in Shoreditch.
“There,” he said. “The coffin-nail, as I trust it shall prove, for our Master Vernet.” He paused. Then he took out his pocket watch, laid it carefully on the table. “We have several minutes before they arrive.” He turned to me. “What do you know of the Restorationists?”
“Not a blessed thing,” I told him.
Lestrade coughed. “If you’re talking about what I think you’re talking about,” he said, “perhaps we should leave it there. Enough’s enough.”
