like having a toothache vanish away. I should be surprised and happy. Instead, I'm afraid. A part of me is gone. Not being able to feel my brothers' pain is like not being able to hear them when they shout, and I'm afraid.

The dream begins to become a nightmare.

Without warning, my brother Keith vanishes. He's just gone. He was the first to go—to die—years ago. Now he's vanished again. In his place beside me, there is a tall, beau­tiful woman, black-brown-skinned and slender with long, crow-black hair, gleaming. She's wearing a soft, silky green dress that flows and twists around her body, wrapping her in some intricate pattern of folds and gathers from neck to feet. She is a stranger.

She is my mother.

She is the woman in the one picture my father gave me of my biological mother. Keith stole it from my bedroom when he was nine and I was twelve. He wrapped it in an old piece of a plastic tablecloth and buried it in our garden between a row of squashes and a mixed row of corn and beans. Later, he claimed it wasn't his fault that the picture was ruined by water and by being walked on. He only hid it as a joke. How was he supposed to know anything would happen to it? That was Keith. I beat the hell out of him. I hurt myself too, of course, but it was worth it. That was one beating he never told our parents about.

But the picture was still ruined. All I had left was the memory of it. And here was that memory, sitting next to me.

My mother is tall, taller than I am, taller than most peo­ple. She's not pretty. She's beautiful. I don't look like her. I look like my father, which he used to say was a pity. I don't mind. But she is a stunning woman.

I stare at her, but she does not turn to look at me. That, at least, is true to life. She never saw me. As I was born, she died. Before that, for two years, she took the popular 'smart drug' of her time. It was a new prescription medicine called Paracetco, and it was doing wonders for people who had Alzheimer's disease. It stopped the deterioration of their in­tellectual function and enabled them to make excellent use of whatever memory and thinking ability they had left. It also boosted the performance of ordinary, healthy young people. They read faster, retained more, made more rapid, accurate connections, calculations, and conclusions. As a re­sult, Paracetco became as popular as coffee among students, and, if they meant to compete in any of the highly paid pro­fessions, it was as necessary as a knowledge of computers.

My mother's drug taking may have helped to kill her. I don't know for sure. My father didn't know either. But I do know that her drug left its unmistakable mark on me—my hyperempathy syndrome. Thanks to the addictive nature of Paracetco—a few thousand people died trying to break the habit—there were once tens of millions of us.

Hyperempaths, we're called, or hyperempathists, or sharers. Those are some of the polite names, And in spite of our vulnerability and our high mortality rate, there are still quite a few of us.

I reach out to my mother. No matter what she's done, I want to know her. But she won't look at me. She won't even turn her head. And somehow, I can't quite reach her, can't touch her. I try to get up from my chair, but I can't move. My body won't obey me. I can only sit and listen as my fa­ther preaches.

Now I begin to know what he is saying. He has been an indistinct background rumble until now, but now I hear him reading from the twenty-fifth chapter of Matthew, quoting the words of Christ:

' 'For the kingdom of Heaven is as a man traveling into a far country who called his own servants, and delivered unto them his goods. And unto One he gave five talents, to an­other two, and to another one; to every man according to his several ability; and straightway took his journey.' '

My father loved parables—stories that taught, stories that presented ideas and morals in ways that made pictures in people's minds. He used the ones he found in the Bible, the ones he plucked from history, or from folk tales, and of course he used those he saw in his life and the lives of people he knew. He wove stories into his Sunday sermons, his Bible classes, and his computer-delivered history lec­tures. Because he believed stories were so important as teaching tools, I learned to pay more attention to them than I might have otherwise. I could quote the parable that he was reading now, the parable of the talents. I could quote several Biblical parables from memory. Maybe that's why I can hear and understand so much now. There is preaching between the bits of the parable, but I can't quite understand it. I hear its rhythms rising and falling, repeating and varying, shout­ing and whispering. I hear them as I've always heard them, but I can't catch the words—except for the words of the parable.

' 'Then he that had received the five talents went and traded with the same and made them another five talents. And likewise he that had received two, he also gained an­other two. But he that had received one went out and digged in the earth, and hid his lord's money.' '

My father was a great believer in education, hard work, and personal responsibility. 'Those are our talents,' he would say as my brothers' eyes glazed over and even I tried not to sigh. 'God has given them to us, and he'll judge us according to how we use them.'

The parable continues. To each of the two servants who had traded well and made profit for their lord, the lord said, ' 'Well

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