Jack Bauer gazed at Utopia, or so the sign proclaimed. But beyond the vacant security gate and tattered chain link fence, Bauer saw only an expanse of pitted asphalt abutting an interconnected cluster of ugly, graffiti- stained concrete block buildings.
Squinting through a telescopic imager, Jack scanned the shuttered loading docks and steel doors, the windows boarded up tight. He double-checked one particular entrance, with the number 9 painted on its flat steel door. Then he tucked the tiny device into a sheath on his night-black assault suit. Now that the sun was creeping above the horizon, he no longer required the imager’s thermal or light-enhancing capabilities to pierce the gloom.
Sprawled on his belly atop a rocky brown rise that separated Utopia from another dusty industrial park, Jack lowered his head behind a clump of scrub-grass and adjusted the assault rifle in the Velcro zip holster strapped across his back. He had arrived at his position hours before, moving into place along with five members of Chet Blackburn’s CTU assault team, now scattered and invisible among the rocks and low hills around him. Though Jack could not see them, he knew another tactical squad from the Drug Enforcement Agency lurked in the bluffs on the opposite side of the complex. When the signal came, the two assault teams would converge on the buildings in a coordinated two-pronged attack.
In the dead of the hot dry night, the tactical units had converged to surround the supposedly abandoned production studio, unseen and undetected by those inside. Then they waited until the sun was a hot yellow ball surrounded by hazy dust, until the arrival of the big fish both agencies were hoping to scoop up in their net.
Jack shifted position, clenching and unclenching his sweaty hands, stretching his sleepy arms and legs, always careful not to expose his position. He moved a stone that had been chafing him, rubbed his sore neck. Compared to his days as a member of Delta Force, this was not a particularly unpleasant mission. In the line of duty Jack had experienced far worse things than watching the Southern California sun rise from a quiet bluff. Perhaps it was merely his age that made his joints ache, his muscles stiff from inactivity. Perhaps creeping old age also explained why, as zero hour approached, Jack felt an uncharacteristic edginess, an impatienceashewaitedfor thesignaltomove.
Or perhaps it was the fact that Jack Bauer had to wait for that command, just like everyone else. Working in tandem with the DEA was not part of Bauer’s job description, nor did he appreciate taking orders from others. That’s why, when Ryan first handed him this assignment weeks ago, Jack refused it. Chappelle didn’t seemed surprised by Bauer’s reaction; rather he advised Jack to look first, then decide.
“Go to the briefing this afternoon,” Ryan said. “Listen to what the DEA has to say. It may change your mind.”
To Jack’s surprise, his mind
According to researchers who studied a sample of this substance, Karma was a type of super methamphetamine. But Karma wasn’t merely a powerful stimulant. The drug also induced a sense of invulnerability and euphoria in the user, sometimes accompanied by mild hallucinogenic reactions. The pharmacological experts who studied the new compound and its effects on the brain believed Karma to be more addictive than crack cocaine or even heroin.
Karma was ingested orally — dissolved under the tongue like a lozenge or simply swallowed — and the drug’s ease of consumption was an element of its appeal. Virtually undetectable, it could be dissolved in a flavored or alcoholic beverage, which made it the perfect date-rape drug.
No one knew what criminal or narco-terrorist group initially synthesized Karma, but the drug had first appeared in the streets of Eastern Europe, Russia, and the Chechen Republic nearly a year before. Karma was not available in America or Western Europe as yet, because it was difficult to manufacture. It required real laboratory conditions to be synthesized properly. Even after synthesis, the compound broke down rapidly, making for a relatively short shelf life. Complicated, well-equipped labs for churning out the stuff had to be established locally.
The upside for criminal producers was that once the network was up and running, labs would be difficult to find. No illegal smuggling was involved in the manufacturing process. Karma’s ingredients were not controlled substances; they were common chemicals available commercially. Already, at least one overseas crime lord was bankrolling the establishment of Karma labs in Los Angeles, San Francisco, Seattle, Montreal.
According to the DEA’s best intelligence, the illegal manufacturing facility inside of the Utopia Studios complex was the first of the U.S. labs to go on line. The DEA wanted to shut it down and capture its operators before their poison ever reached the street.
His musings were interrupted when Jack’s earbud chirped.
“This is Angel Three. A car’s just come off North San Fernando Road. It’s moving east along Andrita.”
“This is Angel Two. Roger,” Jack replied, voice calm.
Angel Three — Agent Miguel Avilla — was a twenty-year veteran of the DEA. Thin, wiry and acerbic, Avilla was positioned in plain sight, right outside the studio gate and across Andrita Street from the abandoned movie studio. Unwashed and unshaven, shuffling around wrapped in a dirty blanket, Agent Avilla had posed as a homeless man for the past nine days while he’d observed the activities at the old studio.
To better reconnoiter the facility, Avilla had taken up residence among a copse of twisted trees in an empty lot, where he swilled booze openly, urinated in the gutter, and generally elicited no notice from those who worked along the lightly traveled street. He also made hourly reports to his superiors at the Los Angeles DEA office — relating the number of trucks arriving at and leaving the supposedly deserted studio, and observing several visits by a well-known representative of a Midwest narcotics distributor.
On his third day living on Andrita Street, several
“This is Angel Three. The car has stopped outside the gate. Repeat, the car has stopped.”
“This is Angel One. Roger that. Probably waiting for someone to unlock the gate…These goons don’t have a clue what’s coming for them. Over and out.”
Even over the headphones, Jack could hear the tension in the other man’s voice, tension masked by too many words, too much bravado. It was obvious to Jack that DEA Agent Brian McConnell — Angel One— was not yet ready to make command decisions or lead an assault team in a raid of this scope and importance.
“This is Angel Three. Someone’s coming out to open the gate.”
“This is it,” cried Angel One, voice tight with tension. “Get ready to move.”
Breaking protocol, Jack spoke. “This is Angel Two, hold your positions. Hold your positions.”
But no one was listening. No one from the DEA anyway. Jack could see men in black assault gear and lumpy body armor rising from cover on the opposite side of the studio compound.
“Get your men down before they’re observed, Angel One,” Jack commanded. As he spoke, Jack slipped the Heckler & Koch G36 Commando short carbine from its sheath across his back, chambered a 5.56mm armor- piercing round.
Another voice broke into the net. “This is Archangel. Stand down, Angel One. Wait for a positive ID on the men in the car.”
Jack was relieved to see the men on the opposite bluff melt back into the terrain.
Archangel was DEA chief Jason Peltz, the overall commander of this operation. Late forties, stoop-shouldered with salt and pepper hair balding in the middle, Peltz more resembled a high school history teacher than a major force in the Drug Enforcement Agency with two decades of experience. Last year Peltz had moved into the top spot at the DEA’s Los Angeles office. Since then, he’d become more of a bureaucrat than a front line operative. But Peltz
