Raves For the Work of MICKEY SPILLANE and MAX ALLAN COLLINS!

“Authentic narrative drive and almost hypnotic conviction...set Spillane apart from all his imitators.”

—The New York Times

“No one can twist you through a maze with as much intensity and suspense as Max Allan Collins.”

—Clive Cussler

“A superb writer. Spillane is one of this century’s bestselling authors.”

—Cleveland Plain Dealer

“Collins never misses a beat...All the stand-up pleasures of dime-store pulp with a beguiling level of complexity.”

—Booklist

“If you are a Spillane fan you will enjoy this one more than anything done before. It is fast-moving, easy reading, and has the greatest shocker of an ending.”

—Albuquerque Tribune

“Max Allan Collins [is] like no other writer.”

—Andrew Vachss

“Spillane’s books...redefined the detective story.”

—Wallace Stroby

“Collins has a gift for creating low-life believable characters [in] a sharply focused action story that keeps the reader guessing till the slam-bang ending. A consummate thriller from one of the new masters of the genre.”

—Atlanta Journal Constitution

“Spillane...presents nothing save visual facts; but he selects only those facts, only those eloquent details, which convey the visual reality of the scene and create a mood of desolate loneliness.”

—Ayn Rand

“There’s a kind of power about Mickey Spillane that no other writer can imitate.”

—Miami Herald

“Max Allan Collins is the closest thing we have to a 21st century Mickey Spillane.”

—This Week

“Need we say more than—the Mick is back.”

—Hammond Times

I sat forward. “What can you tell me about Halaquez?”

The madam was frowning. “That he was a patron here. That he’s a ruthless killer with sadistic tastes that bleed over into his sexual kinks. His needs extend well beyond what we provide here at Mandor.”

“It’s a way to find him. You must know other houses or girls working solo, doing the S & M thing.”

Bunny’s eyes were tight. “I think you will find Mr. Halaquez is banned from all such establishments. But I will give you a list, if you think that may help.”

“It’s a start.”

“The only other thing...but it’s a long shot.”

“Hell. Guys get rich playing long shots. Go.”

Again she chose her words carefully. “There is a rumor...and for now it’s just a rumor...that the Consummata is setting up shop in Miami.”

I blinked. “Who or what is the ‘Consummata’?”

“A very famous dominatrix.”

“From Miami?”

“From nowhere. From everywhere. Her clients, they say, are among the most rich and powerful men. She is a rumor. A wisp of smoke. A legend. If Jaimie Halaquez hears that the Consummata has graced Miami with her presence, he won’t be able to resist...”

SOME OTHER HARD CASE CRIME BOOKS YOU WILL ENJOY:

DEAD STREET by Mickey Spillane

THE FIRST QUARRY by Max Allan Collins

THE LAST QUARRY by Max Allan Collins

QUARRY IN THE MIDDLE by Max Allan Collins

QUARRY’S EX by Max Allan Collins

TWO FOR THE MONEY by Max Allan Collins

DEADLY BELOVED by Max Allan Collins

FIFTY-TO-ONE by Charles Ardai

KILLING CASTRO by Lawrence Block

THE DEAD MAN’S BROTHER by Roger Zelazny

THE CUTIE by Donald E. Westlake

HOUSE DICK by E. Howard Hunt

CASINO MOON by Peter Blauner

FAKE I.D. by Jason Starr

PASSPORT TO PERIL by Robert B. Parker

STOP THIS MAN! by Peter Rabe

LOSERS LIVE LONGER by Russell Atwood

HONEY IN HIS MOUTH by Lester Dent

THE CORPSE WORE PASTIES by Jonny Porkpie

THE VALLEY OF FEAR by A.C. Doyle

MEMORY by Donald E. Westlake

NOBODY’S ANGEL by Jack Clark

MURDER IS MY BUSINESS by Brett Halliday

GETTING OFF by Lawrence Block

The CONSUMMATA

by Mickey Spillane

and Max Allan Collins

A HARD CASE CRIME BOOK

(HCC-103)

For Lynn Myers—

one of Mickey’s

favorite customers

CO-AUTHOR’S NOTE

In 1967, with some fanfare, Mickey Spillane’s The Delta Factor— introducing Morgan the Raider as a new series character—enjoyed considerable critical and commercial success. After a disappointing experience producing a Factor film, however, the frustrated Spillane set aside the already-announced second Morgan novel, The Consummata. Twenty years ago, he entrusted the incomplete manuscript to me, saying, “Maybe someday we can do something with this.”

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