a labyrinth that led to death. A necessary end, I came (eluctable and rambling) toward some victim no less stoic and unforeseeing than Caesar.

In the light air, the faded leaves hung stiffly, gray-green and brown, palest beige and sallow. Here and there a single leaf spun and quivered, tinkling like a dry-mouthed bell. The creek below glinted at me occasionally through the brush, where meandering sunlight struck up from some clear minnow-pool; occasionally, even, a whisper of running water sounded. Between, stretches of sandstone and of silt (more exquisite than coral sand, scrolled with the tracks of the stream) had been swept clear of leaves by the wind. Where a bend had undercut a tree root, a late frog sang from his grotto. Elsewhere the creek lay silent and hidden, thatched with leaves.

Squirrels eyed me from the upper trunks. Persimmons, plum-sized, pumpkin-shaped and pumpkin-colored, hung like the lights of a garden party along the threadbare umbrella-ribs of their branches. I was beyond all sight and sound of humankind. The birds of the fencerows and open woodlots had given place to the shyer, drabber birds of the deep woods. Sweet-voiced, nameless to me, they flitted with little suspicious cries about the fringes of my vision—the only creatures in the woods whom my presence troubled. They would give warning (or so in my conceit I believed) if any warning was given. Only the mourning doves, imbecile and mild, ignored me.

I had neared the top of the creek’s gentle gorge, the dangerous point where I must cross the ridge into the next tiny valley. Again I took my cautious step, and paused, and scanned. An old oak tree stood at the head of the gorge, and from my latest viewpoint I could see a single ascending column of dull crimson rosettes up the visible edge of the thick trunk—the palmate, five-fingered leaves of the Virginia creeper, neatly graduated from large to small. Beneath and behind the oak, the undergrowth was hung with the open clusters of a young grapevine. The small black grapes, most of them already a little shriveled, were like lackluster eyes among the leaves. I stared at them, and they, pregnant with mighty vines upon which no boys would ever swing, stared steadily back. Then without alteration of the scene another eye was staring. Larger and brighter, it poised motionless among the grapes. Slowly, as in those puzzle pictures in which the outlines of hidden beasts gradually reveal themselves to the concentrated sight, certain branches resolved into the beautiful forward curve of a raked antler.

From the height of the eye, he stood a good four feet. For minutes more, I could make out nothing of his actual fleshly presence—only the symbolic eye and antler, like the grin of the Cheshire cat. I counted four points; adding a conservative two for concealed branches, and doubling for the other antler, I could assume a twelve-point buck—old and wise and in all probability the master of a considerable harem. That antler raised a very practical question: Should I try for the glorious-headed stag, or for one of his more succulent dependents? Bring me a deer. It was a requisition for provisions (Hunt Morgan’s commissariat, Buffalo Bill to Kraftsville, Illinois), but was it not also a test of my prowess?

Then the line of his back came into focus, and I stiffened with silent lust. In those still woods, he and I were the stillest things. The creek whispered; every leafed thing burred and rustled; the birds exclaimed in quiet voices; the indifferent insects sang and whirred. What wind there was (a stirring in the damp earth’s cover, a life in the hanging leaves) favored me. It was possible, for all the directness in that dark gaze, that he did not see me. I began to raise the gun.

There was no change in the solitary eye or the stretched outlines. Creepingly from inch to inch, with pauses, I lifted the rifle, until my cheek nested peacefully against the stock. Now I could see, or imagine that I saw, the even tan of his pelt showing in background patches between the patterning leaves and twigs. I chose a spot that offered as clear a trajectory as any (Arslan had taught me how slight a thing could hopelessly deflect a bullet) to the broad target of his chest, and began that most delicate pleasure of the hunter—the gradual squeeze that is to trip the trigger exactly at one of those unprolongable instants when the swaying sights are mated perfectly upon the target.

But my stag, too, was cocked, and his triggering instant came an instant sooner. As the stock struck my cradling cheek and shoulder, and my ears rang with the shot, the buck was already in motion. He crashed across the slope into the next gorge.

I plunged wildly after, paused upon his track to look for blood, and followed far enough to be sure he was not wounded. There was no need to follow farther now. Later, much later, when the calm hours of afternoon had lulled him, when responsibility had netted him round and routine emergencies disarmed him, my chance would come again. There were other deer in the woods, but he was mine.

I circled back to the edge of the woods where I had entered. I checked the horses, drank, relieved myself, gathered a double handful of persimmons, and stretched out with them and a slab of my own bread to rest and wait. By now he would have fled far enough. He would gather his harem, while I lay munching tranquilly in the thick dry grass. Herder, warder, leader—lover last and first—he would return to his familiar bonds. He would not wander far; like me, he had his bounds. And bound—oh, bound… oh, bound. The swelled and shuddering word engorged my mind. The spring and fall of haunches in the leap, ridges and gullies of unleaving autumn, the maps of love, the ropes of life, trees rooted in the towing tides of air … oh bound, bound, the leap of the heart, the limit of the deer. Until, released at last, the word found words and drained itself in the relieving trivialness of poetry. And, bound for the same bourn as I, On every road I wandered by, Trod beside me, close and dear, The beautiful and death-struck year. “Bound to stir up a fuss,” my grandfather had grumbled (or was it my great-uncle? Some old man, grumbling once, a time and scene forgotten), though I had been the quietest of children. My eyes were open, the same persimmon trees hung their fruits before me; I stretched myself in the dry grass of Karcher’s woods and finished my bread.

In Karcher’s woods, here at the foot of the first hill, I had found one spring a shin-high stalk spiraled with cloud-white flowers. I had gazed, disturbed because I could not put a name to my pleasure, a long time into the tiny depths of the twisted blossoms. They were minute, fly-sized—and yet, in intricacy and grandeur, monumental, like expert miniatures of the Great Buddha. Slowly and sweetly I recognized that they were orchids.

That spring and others, I had found, too, the standard schoolbook wildflowers—Dutchman’s breeches, snowdrop, hepatica—academic beauties that were somehow touching, rooted in Kraft County dirt; touching but unreal. More to the point were the flocks of sturdy little upright violets that we called rooster-fights, purpling sunny hillcrests unregarded, mowed and trampled like the grass. And my orchids. Anomalous, unpredicted, and secret, they illuminated the woods.

I had wondered, sometimes, if Sanjar had known those orchids. Perhaps he had seen them and passed on, unrealizing, he to whose homeless eyes all flowers were exotic. Solomon’s seal, cinquefoil, heal-all—he had delighted to name and touch the rugged blooms of Illinois. Smartweed, ironweed, butterflyweed—season after season, he named, he touched, but he did not pick. Yet I had seen him race and roll with a puppy’s craziness in the red clover, and one day he had cut armloads of wild honeysuckle and ridden home triumphantly bedecked, in clouds of sweetness, with trailing stems twined in his vexed horse’s mane. But honeysuckle or columbine, mullein or pigweed, they were no more native to him than the flamboyant flora of monsoon Asia, he who was born to the twisted scrub of Arslan’s plains. To Sanjar, the unyellowing ivory of miraculous orchids in Karcher’s woods must be no more, no less, significant than the casual dayflowers whose blue blossoms and supine stalks we trampled every summer long. No, the orchids were mine forever.

And Sanjar, Sanjar was gone—Sanjar whose shining eyes opened sometimes into a look of blindness. Confiding, quick Sanjar, afire with indignation as he struck with his riding whip, and struck again, and struck again ('You don’t kick any of those dogs, you hear?') while the disgraced courtier whimpered and backed, head hunched behind his flapping arms. Singing Sanjar, Sanjar who had tumbled the books off the table, laughing—'Oh, what’s the use, Hunt?” (I thinking, but not saying, Someday you may want to read.) When Sanjar argued, he was candid, receptive, eager to learn; but his commands were arbitrary, his angers as flashing and frequent as summer lightning.

My fingers curled in the stiff curled grass, and my mind rode back to the blaze of Bukharan summer, where Arslan lay, drenched with his sweat and mine, one bright arm flung like a wave-cast across his face. It was not likely that I would see him so again. In Bukhara, everything had been intensified, concentrated by a process of dehydration. Essences of day and night, of summer and winter; spring itself, too faint and swift to grasp, wringing the heart with one outrageous spasm; these things had suited the passions that lived within them, the hoarse and howling rages that swept down the shining stairs, the abandon (loose and laughing as drunkenness, but unblurred) of joy. That—if, of course, I could only have known it—had been our honeymoon.

And he had been young then, very young. He had begun his work early, as a man should (as men were born to do before the artifices of civilization had prolonged childhood past puberty), and in his hour of triumph he had still

Вы читаете Arslan
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату
×