Eyes of Fire

Praise for New York Times Bestselling Author

Heather Graham

“Graham shines in this frightening tale. Paranormal elements add zing to her trademark chilling suspense and steamy romance, keeping the pages flying.”

—Romantic Times on Haunted

“Graham’s tight plotting, her keen sense of when to reveal and when to tease…will keep fans turning the pages.”

—Publishers Weekly on Picture Me Dead

“An incredible storyteller!”

—Los Angeles Daily News

“Demonstrating the skills that have made her one of today’s best storytellers, Ms. Graham delivers one of this year’s best books thus far.”

—Romantic Times on Hurricane Bay

“A suspenseful, sexy thriller…Graham builds jagged suspense that will keep readers guessing up to the final pages.”

—Publishers Weekly on Hurricane Bay

“A roller-coaster ride…fast-paced, thrilling…Heather Graham will keep you in suspense until the very end. Captivating.”

—Literary Times on Hurricane Bay

“The talented Ms. Graham once again thrills us. She delivers excitement [and] romance…that keep the pages flipping quickly from beginning to end.”

—Romantic Times on Night of the Blackbird

“With the name Heather Graham on the cover, you are guaranteed a good read!”

—Literary Times

HEATHER GRAHAM EYES OF FIRE

To Don Stelzen, surely the world’s nicest and best driving

instructor, with thanks for always being so great and patient.

To my son, Shayne, for being my first “biddy”

and learning with me.

To Sam Lawson, one of the world’s greatest classmates,

for his tolerance of so many scheduling changes.

And to Underwater Unlimited, one of the world’s most

wonderful dive shops; to Charlie Matthews,

Chuck Beltran and all the folks there—thanks!

Prologue

Dead men tell no tales.

Or so he had heard.

Yet these dead men seemed somehow to cry out in silence, noiselessly shrieking out a story that had been kept secret for nearly four hundred years. Their skeletal remains lay about eerily, some held together by remnants of rusted armor, one with its head uncannily perched on a bookcase while the disjointed body sat on the desk beneath it. The sword that had probably brought about his death lay at his side. Perhaps it had once pierced through him, through flesh and sinew and organs; perhaps it had once been bathed in blood. Now the sword lay on the handsomely carved desk where the pieces of the dead man remained, side by side with the small bones of what had been a human hand, almost as if it was waiting to be used again. To be picked up and wielded in some form of ghostly revenge.

Dead men tell no tales….

But this one shouted silently of his own murder.

A tiny yellow fish, a tang, darted in and out of the cavernous eye sockets of the long-dead man. The diver moved closer, then pulled back, the sound of his own breathing loud in his ears as a moray eel suddenly shot its head out from one of the cubicles in the growth-encrusted shelving. Sea fans wafted over oak. Anemones rose against the rotted core of an inkwell.

Another skeleton startled him into a weightless jump. This skeleton lay by the side of the desk, shadowed in darkness. Though time and pressure had blown out the master’s cabin window of the Beldona, the ship was down deep enough that the sun’s rays offered little light inside. The diver flashed his light at the skeleton and nearly shot through the roof, ceasing to breathe.

Because the skeleton looked at him.

Looked at him…

Stared at him like a demon, a devil, dead hand drifting, fingers seeming to point…

Stared at him with blazing red eyes that seemed to blind him. He ceased to breathe, forgetting the first rule of scuba diving—breathe continuously. Experienced diver that he was, he forgot, but oh, God…

The skeleton was staring at him with eyes of fire. A dead man. A pile of bones. Nearly one hundred feet beneath the surface of the sea.

Get a grip, man! he warned himself.

Nitrogen narcosis, he thought. A diver’s disease that could cause absurd giddiness, a state of well-being, a state of panic. A state in which a diver might well see hallucinations. Described by Jacques-Yves Cousteau as rapture of the deep. A danger any diver knew existed beyond depths of one hundred feet, sometimes before, certainly after, no matter how immune a man claimed he might be.

That was it—he was seeing things. He knew enough not to be doing what he was doing, especially at these depths! His rashness was taking its toll. He didn’t dare stay much longer, but, oh, God! The lure had been too great.

He was seeing things.

No, he wasn’t.

The dead men were there.

Even the dead man with the eyes of pure fire.

Sweet Jesus, but he hadn’t been expecting such an eerie haunting from the past. So often, especially at these depths, time and pressure and the sea herself ate away the pathetic, mortal remnants of man, down to the bone itself.

She was a dangerous mistress, the sea. Days, weeks, years, centuries, played havoc beneath the waves. Salt, pressure, currents and sand all swept around the treasures, living and otherwise, captured by the wicked whimsy of the sea. Swept around dead men left behind.

And so often kept them from telling their tales.

His head was spinning, his thoughts careening into fantasy.