'Consumer,' LaBrava said.
The girl had a nice smile, very natural; she seemed too young and vulnerable to be working here. Psych major no more than a year out of college. 'That's what we call the people we screen. They're not, you know, patients technically till they're admitted somewhere. This's just a temporary stop more or less.'
The drunk said, 'Then I'm leaving.' He got up, stumbling against the rigid man, pushed off and tilted toward the girl lying on the mattress before finding his balance. He reached the back door and began working at the locks.
Pam said, 'Come on, Earl, sit down and be good. You have to stay here till you've sobered up and you're a little more appropriate.'
Earl turned from the door, falling against it. 'More 'propriate? Shit, I'm 'propriate.'
'You are not,' Pam said, a young schoolteacher at her desk. 'Please sit down so we can finish.'
The drunk fell against the chairs, almost into the rigid man whose hands remained flat on his thighs. The girl with sores on her legs moaned and rolled from her side to her back, eyes lightly closed, lids fluttering in the overhead light.
LaBrava was looking at her and Pam said, 'She's Haitian. She got stoned and walked out on the Interstate. A car had to swerve out of the way and hit another car and one of the drivers, I don't know which one, had to have twenty stitches in his head.'
The drunk said, 'Shit, I was at Louisville Veterans, they put sixty-four stitches in my leg. Boy jammed a bottle, broke it off, jammed the end of it in my leg. See? Right there. Sixty-four stitches. Doc said he stopped counting.'
'It's a beauty,' LaBrava said. 'Cut you good, didn't he?' He saw the drunk look up.
LaBrava turned. Maurice was standing over him.
'Get the camera.'
LaBrava kept his voice down. 'You sure you want to? Maybe they won't like it.'
Maurice said to the girl, 'Sweetheart, would you do something for my friend here? Unlock the door? He's got to get a camera outta the car.'
Pam let him out the back telling him to knock and she'd open it again.
What Maurice wanted to do--LaBrava was sure now--was take a picture of his friend smashed, bleary-eyed, then show it to her tomorrow. 'See what a beauty you are when you're drunk?' Shame her into sobriety. But if the woman had a problem with booze it would be a waste of time. He wouldn't mind, though, getting a shot of Earl. Earl showing his scar. Shoot it from down on the floor. The guy's leg crossed, pants pulled up, shin in the foreground, shiny crescent scar. Earl pointing with a dirty fingernail. Grinning near toothless, too drunk not to look proud and happy.
Bending over in the trunk LaBrava felt inside the camera case, brought out the Leica CL and attached a wide-angle lens.
Headlights flashed on him, past him. By the time he looked around the car had come to a stop parallel to the building, its dark-colored rear deck standing at the edge of the floodlit area that extended out from the back door. LaBrava felt in the case again for the flash attachment. He straightened, slamming the trunk closed.
A young guy was out of the car. Big, well-built guy in a silver athletic jacket, blue trim. Banging on the door now with the thick edge of his fist, other hand wedged in the tight pocket of his jeans. LaBrava came up next to him. The guy grinned, fist still raised, toothpick in the corner of his mouth.
'How you doing this evening?' Slurring his words.
He was thick all over, heavily muscled, going at least six-three, two-thirty. Blond hair with a greenish tint in the floodlight: the hair uncombed, clots of it lying straight back on his head without a part, like he'd been swimming earlier and had raked it back with his fingers. The guy wasn't young up close. Mid-thirties. But he was the kind of guy--LaBrava knew by sight, smell and instinct--who hung around bars and arm-wrestled. Homegrown jock--pumped his muscles and tested his strength when he wasn't picking his teeth.
LaBrava said, 'Not too bad. How're you doing?'
'Well, I don't idle too good, but I'm still running.' With a back-country drawl greasing his words. 'You gonna take some pitchers?'
'I'm thinking about it.'
'What of, this pisshole? Man, I wouldn't keep goats in this place.'
'I imagine they don't have much of a budget, run by the county,' LaBrava said. Hearing himself, he sounded like a wimp. He had the feeling he would never agree with this guy. Still, there was no sense in antagonizing him.
'Palm Beach County, shit, they got more money'n any county in the state of Florida. But you look at this pisshole kind of shack they put people in--I mean nice people--you'd never know it, would you? You don't see none of that Palm Beach crowd brought in here. They can be pissing on the squad car, cop'll go, 'Get in, sir. Lemme drive you home, sir.' Shit... Hey, you want a take my pitcher? Go ahead, I'll let you.'
'Thanks anyway,' LaBrava said.
'What paper you with?'
LaBrava paused. He said, 'Oh,' a pleasant, surprised tone. It was not recognition of himself, LaBrava the street shooter, but it was recognition of a sort. 'What makes you think I'm a news photographer?'
The guy said, 'I guess 'cause all you assholes look alike.' He turned away as they heard the locks, the door opening.
LaBrava saw Pam's expression change, startled, the girl tiny next to the silver jacket. She said, 'Hey, what're you doing--' The guy was taking her by the arm as he entered.
'I come on official business, puss. How you doing? You're new here, huh? I ain't seen you before.'
LaBrava edged past them with the camera, walked toward the hall and heard the locks snapping again behind him, heard the guy's bullshit charm hard at work. 'Here, shake hands. I'm Richard Nobles, puss, with the police hereabouts.' He heard Pam say, 'Wait a minute. What police hereabouts?' He heard the rigid man say, 'You ever see an eagle?' And heard Richard Nobles say, 'You kidding me, papa? I've cooked and ate a eagle...'
Maurice was waiting in the hall by the doorway.
'Go in get a shot of her. Wait, what've you got, the Leica? Okay, go on.'
'She awake?'
'I'm getting her outta here. Shoot straight down on her. What do you have it set at?'
'I don't know yet.' LaBrava walked into the room. He saw bare legs in the shaft of light from the hall, sandals with medium heels. Slim legs, one of them drawn up. She was lying on her side, wearing a light-colored dress, her shoulders bare, an arm extended, partly covering her face. Maurice stooped down to move her arm, gently. LaBrava went out to the hall to make his adjustments. When he came back in and stood over the woman on the mattress, framing her in the viewfinder, dark hair against pale skin, Maurice said, 'What'd you set it at?'
'Sixtieth at eight.'
'I don't know...'
LaBrava didn't wait. The flash went off as he triggered the camera tight to his right eye, cocked it with his thumb, shot the second time, cocked and shot again.
'Set it lower and get another one.'
'That's enough,' LaBrava said.
'I want to be sure we got something.'
'We got it,' LaBrava said. 'Take her out the front and I'll bring the car around.'
There was another girl in the office now who seemed only a few years older than Pam but more grown up, in charge. Coming into the room again LaBrava heard her tell Nobles she was the supervisor and wanted to see some identification or there would be nothing to discuss. Right away LaBrava liked her confidence. He liked her slim build in jeans standing with long legs apart, arms folded, brown hair waved to her shoulders. A good-looking girl who knew what she was doing.
Nobles dug a wallet out of his back pocket, turning sideways and brushing his silver jacket open so they would see the checkered walnut grip of a revolver stuck in the waist of his jeans. Saying, 'Boca police brought this lady here happens to be a friend of mine. See, I checked with them and they said it would be okay to release her to my custody. They said fine, go ahead.' He flipped open the wallet to show a gold shield on one side, an I.D. card
