soiled. She was clear-eyed and happy and she did not wince at light as the witch did when he opened the door to her and gave her instructions for when to return. He watched her go through the kitchen gardens and only closed his shed door again when she was out of sight.

The witch drew back the screen from before the terrified pigeon and was about to kill it, but he stared at the stubs of wax where the snakes had been and instead he opened a window and let the bird out. He sat at the table and breathed heavily, watching the boxes at the back of the hut. The air settled. The witch could hear scratching. It came from inside a plastic toolbox, where he had stashed his real familiar.

He had called a familiar. He had been considering it for a long time. He had had a rough understanding that it would give him a conduit to a fecundity, and that had bolstered him through the pain and distaste of what the conjuration had needed. Listening to the curious scritch-scritch he fingered the scabs on his thighs and chest. They would scar.

The information he had found on the technique was vague—passed-on vagrants’ hedge-magic, notepad palimpsests, marginalia in phone books. The mechanics of the operation had never been clear. The witch consoled himself that the misunderstanding was not his fault. He had hoped that the familiar, when it came, would fit his urban practice. He had hoped for a rat, big and dirty-furred, or a fox, or a pigeon such as the one he had displayed. He had thought that the flesh he provided was a sacrifice. He had not known it was substance.

With the lid off, the toolbox was a playpen, and the familiar investigated it. The witch looked at it, queasy. It had coated its body in the dust, so it no longer left wetness. Like a sea slug, ungainly, flanged with outgrowths of its own matter. Heavy as an apple, it was an amalgam of the witch’s scraps of fat and flesh, coagulated with his sputum, cum, and hoodoo. It coiled, rolled itself busy into corners of its prison.

It clutched towards the light, convulsing its pulp.

Even in its container, out of sight, the witch had felt it. He had felt it groping in the darkness behind him, and as he did with a welling up like blood he had made the snakes come, which he could not have done before. The familiar disgusted him. It made his stomach spasm, it left him ill and confounded, and he was not sure why. He had flensed animals for his calling, alive sometimes, and was inured to that. He had eaten shit and roadkill when liturgy demanded. But that little rag of his own flesh gave him a kind of passionate nausea.

When the thing had first moved he had screamed, realising what his familiar would be, and spewed till he was empty. And still it was almost beyond him to watch it, but he made himself, to try to know what it was that revolted him.

The witch could feel the familiar’s enthusiasm. A feral fascination for things held it together, and every time it tensed and moved by peristalsis around its plastic cell the contractions of its dumb and hungry interest passed through the witch and bent him double. It was stupid: wordless and searingly curious. The witch could feel it make sense of the dust, now that it had rolled in it, randomly then deliberately, using it for something.

He wanted the strength to do again what he had done for the woman, though making the snakes had exhausted him. His familiar manipulated things, was a channel for manipulation; it lived to change, use, and know. The witch very much wanted that power it had given him, and he closed his eyes and made himself sure he could, he could steel himself. But looking at the nosing dusted red thing he was suddenly weak and uncertain. He could feel its mindless mind. To have his own effluvia maggot through him with every experience, he could not bear it, even with what it gave him. It made him a sewer. Every few seconds in his familiar’s presence he was swallowing his own bile. He felt its constant eager interest like foulness, God knew why. It was not worth it. The witch decided.

It could not be killed, or if it could he did not know how. The witch took a knife to it but it investigated the blade avidly, only parting and re-forming under his efforts. It tried to grip the metal.

When he bludgeoned it with a flatiron it recoiled and regrouped its matter, moved over and around the weapon, soiling it with itself, and making the iron into a skate on which it tried to move. Fire only discomfited it, and it sat tranquil in acid. It studied every danger as it had dust, trying to use it, and the echo of that study turned the witch’s gut.

He tipped the noisome thing into a sack. He could feel it shove itself at the fabric’s pores, and he moved quickly. The witch drove, hessian fumbling in the toolbox beside him (he could not put it behind him, where he could not see it, where it might get out and conduct its investigations near his skin).

It was almost night when he stopped by the Grand Union Canal. In the municipal gardens of west London, between beat-up graffitied bridges, in earshot of the last punk children in the skate park, the witch tried to drown his familiar. He was not so stupid as to think it would work, but to drop the thing, weighted with rocks and tied up, into the cool and dirty water, was a relief so great he moaned. To see it drunk up by the canal. It was gone from him. He ran.

Cosseted by mud, the familiar tried to learn. It sent out temporary limbs to make sense of things. It strained without fear against the sack.

It compared everything it found to everything it knew. Its power was change. It was tool-using; it had no way of knowing except to put to use. The world was infinite tools. By now the familiar understood dust well, and had a little knowledge of knives and irons. It felt the water and the fibrous weave of the bag, and did things with them to learn that they were not what it had used before.

Out of the sack, in muddy dark, it swam ugly and inefficient, learning scraps of rubbish and little life.

There were hardy fish even in so grubby a channel, and it was not long before it found them. It took a few carefully apart, and learned to use them.

The familiar plucked their eyes. It rubbed them together, dangled them from their fibres. It sent out microscopic filaments that tickled into the blood-gelled nerve stalks. The familiar’s life was contagious. It sucked the eyes into itself and suddenly as visual signals reached it for the first time, though there was no light (it was burrowing in the mud) it knew that it was in darkness. It rolled into shallows, and with its new vitreous machines it saw streetlamp light cut the black water.

It found the corpses of the fish again (using sight, now, to help it). It unthreaded them. It greased itself with the slime on their skins. One by one it broke off the ribs like components of a model kit. It embedded them in its skin (its minute and random blood vessels and muscle fibres insinuating into the bone). It used them to walk, with the sedate pick-picking motion of an urchin.

The familiar was tireless. Over hours it learned the canal bed. Each thing it found it used, some in several ways. Some it used in conjunction with other pieces. Some it discarded after a while. With each use, each manipulation (and only with that manipulation, that change) it read meanings. The familiar accumulated brute erudition, forgetting nothing, and with each insight the next came easier, as its context grew. Dust had been the first and hardest thing to know.

When the familiar emerged from the water with the dawn, it was poured into a milk-bottle carapace. Its clutch of eyes poked from the bottleneck. It nibbled with a nail clipper. With precise little bullets of stone it had punctured holes in its glass sides, from which legs of waterlogged twig-wood and broken pens emerged. To stop it sinking into wet earth its feet were coins and flat stones. They looked insecurely attached. The familiar dragged the brown sack that had contained it. Though it had not found a use for it, and though it had no words for the emotion, it felt something like sentiment for the hessian.

All its limbs were permanently reconfigured. Even those it tired of and kicked off were wormed with organic ruts for its juices. Minuscule muscles and tendons the thickness of spider-silk but vastly stronger rooted through the components of its bric-a-brac body, anchoring them together. The flesh at its centre had grown.

The familiar investigated grass, and watched the birds with its inadequate eyes. It trouped industrious as a beetle on variegated legs.

Through that day and night the familiar learned. It crossed paths with small mammals. It found a nest of mice and examined their parts. Their tails it took for prehensile tentacles; their whiskers bristled it; it upgraded its eyes and learned to use ears. It compared what it found to dust, blades, water, twigs, fish ribs, and sodden rubbish: it learned mouse.

It learned its new ears, with focused fascination. Young Londoners played in the gardens, and the familiar stayed hidden and listened to their slang. It heard patterns in their sequenced barks.

There were predators in the gardens. The familiar was the size of a cat, and foxes and dogs sometimes went

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