She looked at me quizzically, as if about to say something more. But before she could, there came the noise of quick, light footsteps rounding the stairs and beginning down the corridor. Drawing closer. Clip, clip, clip, clip

Emmeline ran to the door and peered through the keyhole.

‘It’s Miss Prince,’ she said, looking to Hannah. ‘Coming this way.’

‘Quick!’ Hannah said in a determined whisper. ‘Or suffer death by Tennyson.’

There was a scurry of footsteps and a flurry of skirts and before I realised what was happening all three had vanished. The door burst open and a gust of cold, damp air swept through. A prim figure stood across the doorway.

She surveyed the room, her gaze landing finally on me. ‘You,’ she said. ‘Have you seen the children? They’re late for their lessons. I’ve been waiting in the library ten minutes.’

I was not a liar, and I cannot say what made me do it. But in that instant, as Miss Prince stood peering over her glasses at me, I did not think twice.

‘No, Miss Prince,’ I said. ‘Not for a time.’

‘Is that so?’

‘Yes, miss.’

She held my gaze. ‘I was sure I heard voices in here.’

‘Only my own, miss. I was singing.’

‘Singing?’

‘Yes, miss.’

The silence seemed to stretch forever, broken only when Miss Prince tapped her blackboard pointer three times against her open hand and stepped into the room; began to walk slowly around its perimeter. Clip… Clip… ClipClip

She reached the doll’s house and I noticed the tail of Emmeline’s sash ribbon protruding from its stand. I swallowed. ‘I… I might have seen them earlier, miss, now I think of it. Through the window. In the old boathouse. Down by the lake.’

‘Down by the lake,’ Miss Prince said. She had reached the French windows and stood gazing out into the fog, white light on her pale face. ‘Where willows whiten, aspens quiver, little breezes dusk and shiver…’

I was unfamiliar with Tennyson at that time, thought only that she produced a rather pretty description of the lake. ‘Yes, miss,’ I said.

After a moment she turned. ‘I shall have the gardener retrieve them. What’s his name?’

‘Dudley, miss.’

‘I shall have Dudley retrieve them. We must not forget that punctuality is virtue without peer.’

‘No, miss,’ I said, curtseying.

And she clipped coldly across the floor, closing the door behind her.

The children emerged as if by magic from beneath dust cloths, under the doll’s house, behind the curtains.

Hannah smiled at me, but I did not linger. I could not understand what I had done. Why I had done it. I was confused, ashamed, exhilarated.

I curtseyed and hurried past, cheeks burning as I flew along the corridor, anxious to find myself once more in the safety of the servants’ hall, away from these strange, exotic child-adults and the odd feelings they aroused in me.

WAITING FOR THE RECITAL

I could hear Myra calling my name as I raced down the stairs into the shadowy servants’ hall. I paused at the bottom, letting my eyes adapt to the dimness, then hurried into the kitchen. A copper pot simmered on the huge stove and the air was salty with the sweat of boiled ham. Katie, the scullery maid, stood by the sink scrubbing pans, staring blindly at the steamy hint of a window. Mrs Townsend, I guessed, was having her afternoon lie-down before the Mistress rang for tea. I found Myra at the table in the servants’ dining room, surrounded by vases, candelabras, platters and goblets.

‘There you are, then,’ she said, frowning so that her eyes became two dark slits. ‘I was beginning to think I’d have to come looking for you.’ She indicated the seat opposite. ‘Well, don’t just stand there, girl. Get yourself a cloth and help me polish.’

I sat down and selected a plump milk jug that hadn’t seen light of day since the previous summer. I rubbed at the flecked spots, but my mind lingered in the nursery upstairs. I could imagine them laughing together, teasing, playing. I felt as though I had opened the cover of a beautiful, glossy book and become lost in the magic of its story, only to be forced too soon to put the book aside. You see? Already I had attached some strange glamour to the Hartford children.

‘Steady on,’ Myra said, wresting the cloth from my hand. ‘That’s His Lordship’s best silver. You’d better hope Mr Hamilton don’t see you scratching it like that.’ She held aloft the vase she was cleaning and began to rub it in deliberate circular motions. ‘There now. See as how I’m doing it? Gentle like? All in the one direction?’

I nodded and set about the jug again. I had so many questions about the Hartfords: questions I felt sure Myra could answer. And yet I was reluctant to ask. It was in her power, I knew, and her nature, I suspected, to ensure my future duties took me far from the nursery if she supposed I was gaining pleasure beyond the satisfaction of a job well done.

Yet just as a new lover imbues ordinary objects with special meaning, I was greedy for the least information concerning them. I thought about my books, tucked away in their attic hideaway; the way Sherlock Holmes could make people say the last thing they expected through artful questioning. I took a deep breath. ‘Myra…?’

‘Mmm?’

‘What is Lord Ashbury’s son like?’

Her dark eyes flashed. ‘Major James? Oh, he’s a fine-’

‘No,’ I said, ‘not Major James.’ I already knew about Major James. One couldn’t pass a day in Riverton without learning of Lord Ashbury’s elder son, most recent in a long line of Hartford males to attend Eton then Sandhurst. His portrait hung next to that of his father (and the string of fathers before him) at the top of the front staircase, surveying the hall below: head aloft, medals gleaming, blue eyes cold. He was the pride of Riverton, both upstairs and down. A Boer War hero. The next Lord Ashbury.

No. I meant Frederick, the ‘Pa’ they spoke of in the nursery, who seemed to inspire in them a mix of affection and awe. Lord Ashbury’s second son, whose mere mention caused Lady Violet’s friends fondly to shake their heads and His Lordship to grumble into his sherry.

Myra opened her mouth and closed it again, like one of the fish the storms washed up on the lake bank. ‘Ask no questions and I’ll tell you no lies,’ she said finally, holding her vase up to the light for inspection.

I finished the jug and moved on to a platter. This was how it was with Myra. She was capricious in her own way: unreservedly forthcoming at some times, absurdly secretive at others.

Sure enough, for no other reason than the clock on the wall had ticked away five minutes, she acquiesced. ‘I suppose you’ve heard one of the footmen talking, have you? Alfred, I’ll warrant. Terrible gossips, footmen.’ She started on another vase. Eyed me suspiciously. ‘Your mother’s never told you about the family, then?’

I shook my head and Myra arched a thin eyebrow in disbelief, as if it

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