out her name.
Her father generally slept through it, but Diddie climbed out of bed and sat by Sugar Beth’s window, smoking her Tareytons and watching them. “You’re going to be a woman for the ages, Sugar Baby,” she’d whisper. “A woman for the ages.”
The woman for the ages turned her battered Volvo into Mockingbird Lane and glanced at the French Colonial that had once been the home of the town’s most successful dentist but now belonged to Ryan and Winnie. The past two days couldn’t have been more dismal. Sugar Beth had cleaned up the carriage house so it was habitable, but she hadn’t uncovered a trace of the Lincoln Ash painting, and tomorrow she faced the unpleasant task of searching that wreck of a depot for it. Why couldn’t Tallulah have bequeathed her blue chip stocks instead of a shabby carriage house and a train stop that should have been torn down years ago?
She came to the end of Mockingbird Lane, then braked as the Volvo’s headlights picked out something that hadn’t been there when she’d left-a heavy chain stretching across her bumpy gravel driveway. She’d barely been gone two hours. Someone had worked fast.
She got out of the car to investigate. The quick-set cement had done its job, and a couple of hard kicks didn’t budge either of the posts holding the chain. Apparently the new owners of Frenchman’s Bride didn’t understand her driveway wasn’t part of their property.
Her spirits sank lower, and she tried to convince herself to wait until morning to confront them, but she’d learned the hard way not to postpone trouble, so she headed for the long walk that led to the entrance of the house where she’d grown up. Even blindfolded, she would have recognized the familiar pattern of the bricks beneath her feet, the point where the walk dipped, the spot where it curved to avoid the roots of an oak that had come down in a storm when she’d been sixteen. She approached the front veranda with its four graceful columns. If she ran her finger around the base of the closest one, she’d come to the place where she’d gouged her initials with the key to Diddie’s El Dorado.
Lights shone from inside the house. Sugar Beth tried to tell herself the uneasiness in her stomach came from lack of a decent meal, but she knew better. Before she’d gone into town, she’d tried to boost her confidence with a tight candy pink T-shirt showing a few inches of belly, a pair of low-riding, straight-legged jeans that hugged her long-stemmed legs, and black stilettos that took her nearly to six feet. She’d topped the outfit with a copycat black motorcycle jacket and the pea-size fake diamond studs she’d bought to replace the ones she’d hocked. But the outfit wasn’t doing a thing to boost her morale now, and as she crossed the porch of her old home, her heels tapped out a dismal reminder of what she’d lost.
She set her shoulders, lifted her chin, and punched the bell, but instead of the familiar seven-note chime, she heard a jarring, two-tone gong. What right did anyone have to replace the chimes at Frenchman’s Bride?
The door opened. A man stood there. Tall. Imperious. It had been fifteen years, but she knew who he was even before he spoke.
“Hello, Sugar Beth.”
GEORGETTE HEYER,
CHAPTER TWO
She swallowed hard and spoke around a croak. “Mr. Byrne?”
His thin, unsmiling lips barely moved. “That’s right. It’s Mr. Byrne.”
She tried to catch her breath. Tallulah hadn’t told her he was the one who’d bought Frenchman’s Bride, but she’d only passed on the news she’d wanted Sugar Beth to hear. The years fell away. Twenty-two. That’s how old he’d been when she’d destroyed his career, barely more than a kid.
He’d looked so odd in those days with his Ichabod Crane body-too tall, too thin, his hair too long, nose too big, everything about him too eccentric for a small Southern town-appearance, accent, attitude. Naturally, the girls had been dazzled. He’d always dressed in black, most of it threadbare, with silk scarves looping his neck, some fringed, one a muted paisley, another so long it came to his hips. He’d used phrases like
The first week of school they’d spotted him using a tortoiseshell cigarette holder. When he’d overheard some of the boys whispering that he looked like a queer, he’d gazed down his long nose at them and said he regarded that as a compliment, since so many of the world’s great men had been homosexual. “Alas,” he’d told them, “I’ve been sentenced to a life of mundane heterosexuality. I can only hope a few of you will be more fortunate.”
But the young schoolteacher she remembered was a pale harbinger of the imposing man who stood before her. Byrne was still odd, but in a far more unsettling way. His ungainly body had become hard-muscled and athletic. Although he was lean, he was no longer skinny, and he’d finally grown into his face, even that honker of a nose, while the cheekbones that had once looked gaunt now seemed patrician.
Sugar Beth knew the smell of money, and it clung to him like smoke. When she’d last seen him, his hair had fallen to his shoulders. Now it was just as thick, but cut in a movie star’s short, dramatic rumple. Whether an expensive salon product or good health had produced its dark sheen was hard to tell, but one thing was certain. He hadn’t gotten a haircut like that in Parrish, Mississippi.
He wore a ribbed turtleneck with Armani written all over it and black wool trousers that had a thin gold pinstripe. Not only had Ichabod Crane grown up, but he’d also gone to grooming school, then bought out the place and turned it into an international franchise.
She hardly ever had to look up at any man, especially not when she was wearing dominatrix heels, but she was looking up now. Into the same haughty jade eyes she remembered. All her old resentment came rushing back. “Nobody told me you were here.”
“Indeed? How amusing.” He hadn’t lost his British accent, although she knew accents could be manipulated. Her own, for example, could go North or South, depending on circumstances. “Do come in.” He stepped back and invited her into her own home.
She wanted to give him the finger and tell him to go to hell. But running was another of life’s luxuries she could no longer afford, right along with throwing hissy fits and maxing out her credit cards. The contempt that tightened the corners of his thin lips told her he understood exactly how much his invitation stung. Knowing he expected her to stomp off gave her the determination to set her shoulders and step over the threshold… into Frenchman’s Bride.
He’d ruined it. She saw that right away. Another beautiful Southern home ravished by a foreign marauder.
The rounded shape of the entrance hall and its sweeping curl of staircase remained the same, but he’d destroyed Diddie’s romantic pastels by painting the curved walls a dark espresso brown and the old oak moldings chalk white. A jarring abstract hung in place of the painting that had once dominated the space, which had been a life-size portrait of herself at age five, exquisitely dressed in white lace and pink ribbons as she curled at her beautiful mother’s fashionably shod feet. Diddie had insisted the artist add a white toy poodle to the painting, even though they didn’t have a poodle, or any dog, despite Sugar Beth’s pleas. But her mother said she wouldn’t have anything in the house that licked its private parts, or licked anybody else’s for that matter.
White marble inset with bands of taupe had replaced the worn hardwood floors. The antique chests were gone, along with a gilded Marie Antoinette mirror and a pair of gold brocade chairs. Now, a gleaming black baby grand piano dominated the space. A baby grand in the entrance hall of Frenchman’s Bride… Sugar Beth’s grandmother with her avant-garde tastes might have enjoyed the oddity, but Diddie was surely doing belly flips in her grave.
“My, my…” Sugar Beth’s accent headed deeper south, the way it did when she’d been put at a disadvantage. “And haven’t you just put your own stamp on things?”
“I do what amuses me.” He regarded her with the arrogance of a nobleman forced to speak to the scullery
