Harvesting the Heart

My father turned into a different person in his workshop. He moved with the grace of a cat; he pulled parts and wheels and cogs out of the air like a magician, to make gadgets and knickknacks where minutes before there was nothing. When he spoke of my mother, which was not often, it was always down in the workshop. Sometimes I would catch him staring up at the nearest window, a small cracked rectangle. The light would fall on his face in a way that made him seem ages older than he was; anduit Ahe was; I’d have to stop myself and count the years and wonder how much time really had gone by.

It wasn’t as if my father actually ever said to me, I know what you did. He just stopped speaking to me. And it was then that I knew. He acted anxious and he wanted time to pass quickly so I could leave for college. I thought about something a girl in my PE class had said once about having sex: that once you did it, everyone could tell. Was the same true of abortions? Could my father read it on my face?

I waited one week after the fact, hoping that graduation would bring about some kind of understanding. But my father suffered through the ceremony and never even said “Congratulations!” to me. That day, he moved in and out of the shadows of our house like someone uncomfortable in his own skin. At eleven o’clock, we watched the nightly news. The headline story was about a woman who had bludgeoned her three-month-old infant with a can of salmon. The woman was taken to a psychiatric hospital. Her husband kept telling reporters he should have seen it coming.

When the news was over, my father went to his old cherry desk and took a blue velvet box from the top drawer. I smiled. “I thought you’d forgotten,” I said.

He shook his head and watched with guarded eyes as I ran my fingers over the smooth cover, hoping for pearls or emeralds. Inside were rosary beads, beautifully carved out of rosewood. “I thought,” he said quietly, “you might be needing these.”

I told myself that night as I packed that I was doing this because I loved him and I didn’t want him to bear my sins for the rest of his life. I packed only my functional clothes, and I wore my school uniform because I figured it would help me blend in. Technically I was not running away. I was eighteen. I could come and go as I pleased.

I spent my last three hours at home downstairs in my father’s workshop, trying out different wordings for the note I would leave behind. I ran my fingers over his newest project. It was a birthday card that sang a little ditty when you opened it and then, when you pressed the corner, automatically inflated itself into a balloon. He said there was really a market for this stuff. My father was having trouble with the music. He didn’t know what would happen to the microchip once the thing became a balloon. “Seems to me,” he’d said just the day before, “once you’ve got something, it shouldn’t go changing into something else.”

In the end, I simply wrote: I love you. I’m sorry. I’ll be fine. When I looked at it again, I wondered if it made sense. Was I sorry for loving him? Or because I’d be fine? Finally, I threw down the pen. I believed I was being responsible, and I knew that eventually I would tell him where I’d wound up. The next morning I took the rosary beads to a pawnshop in the city. With half my money, I bought a bus ticket that would take me as far away from Chicago as it could. I tried very hard to make myself believe there was nothing for me to hold on to there.

On the bus I made up aliases for myself and told them to anyone who asked. I decided at a rest stop in Ohio that I would get off the bus in Cambridge, Massachusetts. It was close enough to Rhode Island; it sounded more anonymous than Boston; and also, the name just made me feel good-it reminded me of dark Englre Af dark Eish sweaters and graduating scholars and other fine things. I would stay there long enough to make money that would pay my way to RISD. Just because Fate had thrown another obstacle in my way didn’t mean I had to give up my dreams. I fell asleep and dreamed of the Virgin Mary and wondered how she knew to trust the Holy Spirit when he came to her, and when I woke up I heard a single violin, which seemed to me the voice of an angel.

I called my father from the underground pay phone in the Brattle Square bus station. I called collect. I watched a bald old woman knitting on a squat bench and a cellist with tinsel braided into her cornrows. I tried to read the sausage-link graffiti on the far wall, and that’s when the connection came through. “Listen,” I said, before my father had the chance to draw a breath, “I’m never coming home.”

I waited for him to fight me on that point, or even to break down and admit he’d been frantically searching the streets of Chicago for two days. But my father only let out a low whistle. “Never say never, lass,” he said. “It comes back to haunt you.”

I gripped the receiver until my knuckles turned white. My father, the one-the only- person in my life who cared what would happen to me, didn’t seem very concerned. Sure, I’d disappointed him, but that couldn’t erase eighteen years, could it? One of the reasons I’d had the courage to leave was that, deep down, I knew he would always be there waiting; I knew I would not really be alone.

I shivered, wondering how I had misjudged him too. I wondered what else there was to say.

“Maybe you could tell me where you’ve gone off to,” my father said calmly. “I know you made it to the bus station, but after that I’m a bit fuzzy on details.”

“How did you find that out?” I gasped.

My father laughed, a sound that wrapped all the way around me. His laugh, I think, was my very first memory. “I love you,” he said. “What did you expect?”

“I’m in Massachusetts,” I told him, feeling better by the minute. “But that’s all I’m going to say.” The cellist picked up her bow and drew it across her instrument’s belly. “I don’t know about college,” I said.

My father sighed. “That’s no reason to up an’ leave,” he murmured. “You could have come to me. There’s always-” At that moment a bus whizzed by, drowning out the rest of his words. I could not hear, and I liked that. It was easier than admitting I did not want to know what my father was saying.

“Paige?” my father asked, a question I had missed.

“Dad,” I said, “did you call the police? Does anybody know?”

“I didn’t tell a soul,” he said. “I thought of it, you know, but I believed you’d come through that door any minute. I hoped.” His voice fell low, dull. “Truth is, I didn’t believe that you’d go.”

“This isn’t about you,” I pleaded. “You’ve got to know that it isn’t about you.”

“It is, Paige. Or you wouldn’t ever ha’ thought to leave.”

No, I wanted to tell him, that can’t be true. That can’t be true, because all these years you’ve been saying it wasn’t my fault that she left. That can’t be true, because you are the one thing that I hated leaving behind. The words lodged in my throat, stuck somewhere behind the tears that started running down my face. I wiped my nose on my sleeve. “Maybe I will come home someday,” I said.

My father tapped his finger against the end of the receiver, just as he used to do when I was very little and he went on overnight trips to peddle his inventions. He’d send a soft whap through the phone lines. Did you hear that? he’d whisper. That’s the sound of a kiss runnin’ into your heart.

A bus from I don’t know where was coming through the dark tunnel of the station. “I’ve been out of my head with worryin’,” my father admitted.

I watched the bus’s wheels blot the herringbone-brick terminal drive. I thought of my father’s Rube Goldberg contraptions, the inventions he’d made just to entertain me: a faucet that sent water down a gully, which released a spinning fan, which in turn blew a paddle that connected a pulley that opened the cereal box and poured out my serving of Cheerios. My father could make the best out of anything he was given. “Don’t worry about me,” I said confidently. “After all, I’m your daughter.”

“Aye,” my father said, “but it seems you’ve got a bit of your mother in you too.”

After I’d worked two weeks at Mercy, Lionel trusted me enough to lock up. During the down times, like three in the afternoon, he’d sit me down at the counter and ask me to draw pictures of people. Of course I did the workers on my shift-Marvela and Doris and Leroy-and then I did the President and the mayor and Marilyn Monroe. In some of these portraits were the things I didn’t understand. For example, Marvela’s eyes showed a man dark with passion, being swallowed by the living sea. In the curl of Doris’s neck I’d drawn hundreds of cats, each looking more and more like a human, until the last one had Doris’s own face. In the fleshy swell of Marilyn Monroe’s peach arm were not the lovers you’d expect but rolling farmland, rippled wheat, and the sad, liquid eyes of a pet beagle. Sometimes people in the diner noticed these things, and sometimes they didn’t-the images were always small and subtle. But I kept drawing, and each time I finished, Lionel would tape the portrait over the cash register. It got so that the