Danielle Steel

44 Charles Street

© 2011

To my wonderful, beloved children,

Beatie, Trevor, Todd, Nick, Sam,

Victoria, Vanessa, Maxx, and Zara.

Please be safe, be careful,

be happy, be loved,

and, whenever possible, wise,

compassionate, and forgiving.

And may you always be

lucky and blessed.

A perfect recipe for life.

With all my love,

Mommy / d.s.

Chapter 1

FRANCESCA THAYER SAT at her desk until the figures started to blur before her eyes. She had been over them a thousand times in the past two months-and had just spent the entire weekend trying to crunch numbers. They always came out the same. It was three o’clock in the morning and her long wavy blond hair was a tangled mess as she unconsciously ran her hands through it again. She was trying to save her business and her house, and so far she hadn’t been able to come up with a solution. Her stomach turned over as she thought of losing both.

She and Todd had started the business together four years ago. They’d opened an art gallery in New York’s West Village where they specialized in showing the work of emerging artists at extremely reasonable prices. She had a deep commitment to the artists she represented. Her experience in the art world had been extensive, although Todd had none at all. Before that, she had run two other galleries, one uptown after she graduated, and the other in Tribeca. But this gallery that they had started together was her dream. She had a degree in fine arts, her father was a well-known artist who had become very successful in recent years, and the gallery she shared with Todd had gotten excellent reviews. Todd was an avid collector of contemporary work, and he thought that helping her start the gallery would be fun. At the time, Todd was tired of his own career on Wall Street as an attorney. He had a considerable amount of money saved and figured he could coast for a few years. The business plan he had developed for them showed them making money within three years. He hadn’t counted on Francesca’s passion for less expensive work by entirely unknown artists, helping them whenever possible, nor had he realized that her main goal was showcasing the work, but not necessarily making a lot of money at it. Her hunger for financial success was far more limited than his. She was as much a patron of the arts as a gallerist. Todd was in it to make money. He thought it would be exciting and a welcome change of career for him after years of doing tax and estate work for an important law firm. But now he said he was tired of listening to their bleeding-heart artists, watching his nest egg dwindle to next to nothing, and being poor. As far as Todd was concerned, this was no longer fun. He was forty years old, and wanted to make real money again. When he talked to her about it he had already lined up a job at a Wall Street firm. They were promising him a partnership within a year. As far as selling art was concerned, he was done.

Francesca wanted to stick with it and make the gallery a success, whatever it took. And unlike Todd, she didn’t mind being broke. But in the past year, their relationship had begun to unravel, which made their business even less appealing to him. They argued about everything, what they did, who they saw, what to do about the gallery. She found the artists, worked with them, and curated the shows. Todd handled the money end of things and paid the bills.

The worst of it was that their relationship was over now too. They had been together for five years. Francesca had just turned thirty when she met him, and Todd was thirty-five.

It was hard for her to believe that a relationship that had seemed so solid could fall apart so totally in a year. They had never wanted to get married and now they disagreed about that too. When Todd hit forty, he suddenly decided he wanted a conventional life. Marriage was sounding good to him and he didn’t want to wait much longer to have kids. At thirty-five, she still wanted what she had when they met five years before. They had talked about maybe having kids one day, but she wanted to turn their gallery into a success first. Francesca had been very honest with him about marriage when they met, that she had an aversion to it. She had had a front-row seat all her life to her mother’s obsession with getting married-and she watched her screw it up five times. Francesca had spent her entire life trying not to make the same mistakes. Her mother had always been an embarrassment to her. And she had no desire whatsoever to start emulating her now.

Francesca’s parents had gotten divorced when she was six. She had also watched her extremely handsome, charming, irresponsible father drift in and out of relationships, usually with very young girls who never lasted in his life for more than six months. That, combined with her mother’s fetish for marriage, had made Francesca commitment-phobic until she met Todd. His parents’ own bitter divorce when he was fourteen had made him skittish about marriage too. They had had that in common, but now he had begun to think that marriage made sense. He told her he was tired of their bohemian lifestyle where people lived together and thought it was fine to have kids without getting married. As soon as Todd blew out the candles on his fortieth birthday cake, it was as if a switch were turned on, and without any warning, he turned traditional on her. Francesca preferred things exactly as they were and had always been.

Now suddenly, in recent months, all of Todd’s friends seemed to live uptown. He complained about the West Village where they lived, and which she loved. He thought the neighborhood and people in it looked scuzzy. To complicate matters further, not long after they opened the gallery, they had fallen in love with a house that was in serious disrepair. They had discovered it on a snowy December afternoon and were instantly excited, and had gotten it at a great price because of the condition it was in. They restored it together, doing most of the work themselves. If they weren’t working in the gallery, they were busy with the house, and within a year everything in it gleamed. They bought furniture at garage sales, and little by little they had turned it into a home they loved. Now Todd claimed that he had spent all of the last four years lying under a leaky sink, or making repairs. He wanted an easy modern condominium where someone else did all the work. Francesca was desperately fighting for the life of their business and the house. Despite the failure of the relationship, she wanted to keep both, and didn’t see how she could. It was bad enough losing Todd without losing the gallery and her home too.

They had both tried everything they could to save the relationship, to no avail. They had gone to couples counseling and individual therapy. They had taken a two-month break. They had talked and communicated until they were blue in the face. They had compromised on everything they could. But he wanted to close or sell the gallery, which would have broken her heart. And he wanted to get married and have kids and she didn’t, or at least not yet-and maybe never. The idea of marriage still made her cringe, even to a man she loved. She thought his new friends were dreary beyond belief. He thought their old ones were limited and trite. He said he was tired of vegans, starving artists, and what he considered left-wing ideals. She had no idea how they had grown so far apart in a few short years, but they had.

They had spent last summer apart, doing different things. Instead of sailing in Maine as they usually did, she

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