was what had happened, how he had told her, why he had left her, and that he was no longer hers. Pain had given way to fury, which led to sorrow, which grew to grief, which reverted once again to anger, until at last by Thanksgiving her emotions were so frayed at the edges that she was numb. She almost blew the biggest campaign of her career, and two weeks before that she had had to go into her office, lock the door, and lie down. For a moment she had felt as though she were going to have hysterics, faint maybe, or perhaps just put her arms around someone-anyone-and burst into tears. It was as though there were no one now, no one to whom she belonged, no one who cared. Her father had died when she was in college, her mother lived in Atlanta with a man she found charming but whom Sam did not. He was a doctor, and pompous and self-satisfied as hell. But at least her mother was happy. Anyway, Sam wasn't close to her mother, and it wasn't to her that she could turn. In fact she hadn't told her of the divorce until November, when her mother had called one night and found Sam in tears. She had been kind, but it did little to strengthen the bond between them. For Sam and her mother it was too late. And it wasn't a mother that she longed for, it was her husband, the man she had lain next to, and loved, and laughed with for the last eleven years, the man she knew better than her own skin, who made her happy in the morning and secure at night. And now he was gone. The realization of it never failed to bring tears to her eyes and a sense of desolation to her soul.
But tonight, cold as well as weary, for once Samantha didn't even care. She took off her coat and hung it in the bathroom to dry, pulled off her boots, and ran a brush through her silvery gold hair. She looked in the mirror without really seeing her face. She saw nothing when she looked at herself now, nothing except a blob of skin, two dull eyes, a mass of long blond hair. One by one she peeled off her clothes as she stood there, dropping the black cashmere skirt, the black and white silk blouse she'd worn to work. The boots she'd pulled off and thrown on the floor beside her were from Celine in Paris, and the scarf she unknotted at her neck was a black and white geometrical pattern from Hermes. She had worn large pearl and onyx earrings and her hair had been severely knotted at her neck. The coat, which hung damply beside her, was bright red. Even in her dazed state of loss and sorrow, Samantha Taylor was a beautiful woman, or as the creative director of the agency called her, “a hell of a striking girl.” She turned the tap and a rush of hot water ran into the deep green tub. Once the bathroom had been filled with plants and bright flowers. In summer she liked to keep pansies and violets and geraniums there. There were tiny violets on the wallpaper, and all of the fixtures were French porcelain, in a brilliant emerald green. But like the rest of the apartment, it lacked luster now. The cleaning woman came to keep everything from getting dusty, but it was impossible to hire someone to come three times a week to make the place look loved. It was that that had left it, as it had left Samantha herself, that polish, that luster that comes only with a warm touch and a kind hand, the rich patina of good loving that shows on women in a myriad tiny ways.
When the tub was full of steaming water, Samantha slipped slowly into it, let herself just lie there, and closed her eyes. For a brief moment she felt as though she were floating, as though she had no past, no future, no fears, no worries, and then little by little the present forced itself into her mind. The account she was currently working on was a disaster. It was a line of cars the agency had coveted for a decade, and now she had to come up with the whole concept herself. She had come up with a series of suggestions relating to horses, with commercials to be shot in open country or on ranches, with an outdoorsy-looking man or woman who could make a big splash in the ads. But her heart wasn't really in it, and she knew it, and she wondered briefly for how long this would go on. For how long would she feel somehow impaired, damaged, as though the motor ran but the car would never again get out of first gear? It was a feeling of dragging, of pulling down, like having lead hair and hands and feet. When she stepped out of the tub, with her long silky hair piled in a loose knot atop her head, she wrapped herself carefully in a huge lilac towel and then padded barefoot into her room. Here again there was the feeling of a garden, a huge four-poster was covered with white eyelet embroideries and the bedspread was scattered with bright yellow flowers. Everything in the room was yellow and bright and frilly. It was a room she had loved when she did the apartment, and a place she hated now as she lay in it night after night alone.
It wasn't that there had not been offers. There had been, but she was immobilized by the interminable sensation of being numb. There was no one whom she wanted, no one about whom she cared. It was as though someone had turned off the faucet to her very soul. And now as she sat on the edge of the bed and yawned softly, remembering that she had eaten only an egg-salad sandwich for lunch and skipped both breakfast and dinner, she jumped as she heard the buzzer from downstairs. For a moment she thought about not answering, and then, dropping the towel and reaching hastily for a quilted pale blue satin robe, she ran toward the intercom as she heard the bell again.
“Yes?”
“Jack the Ripper here. May I come up?”
For a fraction of an instant the voice was unfamiliar in the garbled static of the intercom, and then suddenly she laughed, and as she did she looked like herself again. Her eyes lit up, and her cheeks still wore their healthy glow from the warm tub. She looked younger than she had in months. “What are you doing here, Charlie?” she shouted into the speaker in the wall.
“Freezing my ass off, thanks. You gonna let me in?” She laughed again and rapidly pressed the buzzer, and a moment later she could hear him bounding up the stairs. When he arrived in her doorway, Charles Peterson looked more like a lumberjack than the art director of Crane, Harper, and Laub, and he looked more like twenty-two than thirty-seven. He had a full, boyish face and laughing brown eyes, dark shaggy hair and a full beard, which was now dusted with sleet. “Got a towel?” he said, catching his breath, more from the cold and the rain than from the stairs.
She rapidly got him a thick lilac towel from her bathroom and handed it to him; he took off his coat and dried his face and beard. He had been wearing a large leather cowboy hat that now funneled a little river of ice water onto the French rug. “Peeing on my carpet again, Charlie?”
“Now that you mention it… got any coffee?”
“Sure.” Sam looked at him strangely, wondering if anything was wrong. He had come to visit her once or twice before at the apartment, but usually only when something major was on his mind. “Something happen with the new account that I should know?” She glanced out at him from the kitchen with a worried look, and he grinned and shook his head as he followed her to where she stood.
“Nope. And nothing's going to go wrong. You've been on the right track with that all week. It's going to be fabulous, Sam.”
She smiled softly as she started the coffee. “I think so too.” The two exchanged a long, warm smile. They had been friends for almost five years, through countless campaigns, winning awards and teasing and joking and working till four A.M. to coordinate a presentation before showing it to the client and the account men the next day. They were both the wunderkinder of Harvey Maxwell, titular creative director of the firm. But Harvey had sat back for years now. He had found Charlie at one agency and hired Samantha from another. He knew good people when he found them. He had given them their heads and sat back with glee as he watched what they created. In another year he would retire, and it was everyone's bet, including Samantha's, that she would inherit his job. Creative director at thirty-one was not bad at all. “So what's new, kiddo? I haven't seen you since this morning. How's the Wurtzheimer stuff going?”
“Well…” Charlie threw up his hands with an expression of acceptance. “How much can you do for one of the largest department stores in St. Louis that has big bucks and no taste?”
“What about the swan theme we talked about last week?”
“They hated it. They want flash. Swans ain't flash.”
Sam rolled her eyes and sat down at the large butcher-block table as Charlie sprawled his lanky form into one of the chairs across from her. It was strange, she had never been drawn to Charlie Peterson, not in all the years they had worked together, traveled together, slept on planes together, talked into the wee hours together. He was her brother, her soul mate, her friend. And he had a wife she loved almost as much as he did. Melinda was perfect for him. She had decorated their big friendly apartment on East Eighty-first with brightly colored tapestries and beautifully woven baskets. The furniture was all covered in a deep mahogany-colored leather and everywhere one looked were wonderful little art objects, tiny treasures Melinda had discovered and brought home, everything from exotic seashells they had collected together in Tahiti, to one perfect marble she had borrowed from their sons. They had three boys, all of whom looked like Charlie, a large unmannerly dog named Rags, and an enormous yellow Jeep Charlie had driven for the past ten years. Melinda was also an artist, but she had never been “corrupted” by the workaday world. She worked in a studio and had had two successful shows of her work in the past few years. In many ways she was very different from Samantha, yet the two women had a gentleness in common, a softness
