“Not as far as I know. I’ve been at Westmore three years, and she’s not been seen there in my time. She is very young, and Westmore himself didn’t care. It was a case of inherited money. He drew the dividends, and Truscomb did the rest.”
Miss Brent reflected. “I don’t know much about the constitution of companies—but I suppose Mrs. Westmore doesn’t unite all the offices in her own person. Is there no one to stand between Truscomb and the operatives?”
“Oh, the company, on paper, shows the usual official hierarchy. Richard Westmore, of course, was president, and since his death the former treasurer—Halford Gaines—has replaced him, and his son, Westmore Gaines, has been appointed treasurer. You can see by the names that it’s all in the family. Halford Gaines married a Miss Westmore, and represents the clan at Hanaford—leads society, and keeps up the social credit of the name. As treasurer, Mr. Halford Gaines kept strictly to his special business, and always refused to interfere between Truscomb and the operatives. As president he will probably follow the same policy, the more so as it fits in with his inherited respect for the
“And the new treasurer—young Gaines? Is there no hope of his breaking away from the family tradition?”
“Westy Gaines has a better head than his father; but he hates Hanaford and the mills, and his chief object in life is to be taken for a New Yorker. So far he hasn’t been here much, except for the quarterly meetings, and his routine work is done by another cousin—you perceive that Westmore is a nest of nepotism.”
Miss Brent’s work among the poor had developed her interest in social problems, and she followed these details attentively.
“Well, the outlook is not encouraging, but perhaps Mrs. Westmore’s coming will make a change. I suppose she has more power than any one.”
“She might have, if she chose to exert it, for her husband was really the whole company. The official cousins hold only a few shares apiece.”
“Perhaps, then, her visit will open her eyes. Who knows but poor Dillon’s case may help others—prove a beautiful dispensation, as Mrs. Ogan would say?”
“It does come terribly pat as an illustration of some of the abuses I want to have remedied. The difficulty will be to get the lady’s ear. That’s her house we’re coming to, by the way.”
An electric street-lamp irradiated the leafless trees and stone gate-posts of the building before them. Though gardens extended behind it, the house stood so near the pavement that only two short flights of steps intervened between the gate-posts and the portico. Light shone from every window of the pompous rusticated facade—in the turreted “Tuscan villa” style of the ‘fifties—and as Miss Brent and Amherst approached, their advance was checked by a group of persons who were just descending from two carriages at the door.
The lamplight showed every detail of dress and countenance in the party, which consisted of two men, one slightly lame, with a long white moustache and a distinguished nose, the other short, lean and professional, and of two ladies and their laden attendants.
“Why, that must be her party arriving!” Miss Brent exclaimed; and as she spoke the younger of the two ladies, turning back to her maid, exposed to the glare of the electric light a fair pale face shadowed by the projection of her widow’s veil.
“Is that Mrs. Westmore?” Miss Brent whispered; and as Amherst muttered: “I suppose so; I’ve never seen her–-” she continued excitedly: “She looks so like—do you know what her name was before she married?”
He drew his brows together in a hopeless effort of remembrance. “I don’t know—I must have heard—but I never can recall people’s names.”
“That’s bad, for a leader of men!” she said mockingly, and he answered, as though touched on a sore point: “I mean people who don’t count. I never forget an operative’s name or face.”
“One can never tell who may be going to count,” she rejoined sententiously.
He dwelt on this in silence while they walked on catching as they passed a glimpse of the red-carpeted Westmore hall on which the glass doors were just being closed. At length he roused himself to ask: “Does Mrs. Westmore look like some one you know?”
“I fancied so—a girl who was at the Sacred Heart in Paris with me. But isn’t this my corner?” she exclaimed, as they turned into another street, down which a laden car was descending.
Its approach left them time for no more than a hurried hand-clasp, and when Miss Brent had been absorbed into the packed interior her companion, as his habit was, stood for a while where she had left him, gazing at some indefinite point in space; then, waking to a sudden consciousness of his surroundings, he walked off toward the centre of the town.
At the junction of two business streets he met an empty car marked “Westmore,” and springing into it, seated himself in a corner and drew out a pocket Shakespeare. He read on, indifferent to his surroundings, till the car left the asphalt streets and illuminated shop-fronts for a grey intermediate region of mud and macadam. Then he pocketed his volume and sat looking out into the gloom.
The houses grew less frequent, with darker gaps of night between; and the rare street-lamps shone on cracked pavements, crooked telegraph-poles, hoardings tapestried with patent-medicine posters, and all the mean desolation of an American industrial suburb. Farther on there came a weed-grown field or two, then a row of operatives’ houses, the showy gables of the “Eldorado” road-house—the only building in Westmore on which fresh paint was freely lavished—then the company “store,” the machine shops and other out-buildings, the vast forbidding bulk of the factories looming above the river-bend, and the sudden neatness of the manager’s turf and privet hedges. The scene was so familiar to Amherst that he had lost the habit of comparison, and his absorption in the moral and material needs of the workers sometimes made him forget the outward setting of their lives. But tonight he recalled the nurse’s comment—“it looks so dead”—and the phrase roused him to a fresh perception of the scene. With sudden disgust he saw the sordidness of it all—the poor monotonous houses, the trampled grass-banks, the lean dogs prowling in refuse-heaps, the reflection of a crooked gas-lamp in a stagnant loop of the river; and he asked himself how it was possible to put any sense of moral beauty into lives bounded forever by the low horizon of the factory. There is a fortuitous ugliness that has life and hope in it: the ugliness of overcrowded city streets, of the rush and drive of packed activities; but this outspread meanness of the suburban working colony, uncircumscribed by any pressure of surrounding life, and sunk into blank acceptance of its isolation, its banishment from beauty and variety and surprise, seemed to Amherst the very negation of hope and life.
“She’s right,” he mused—“it’s dead—stone dead: there isn’t a drop of wholesome blood left in it.”
The Moosuc River valley, in the hollow of which, for that river’s sake, the Westmore mills had been planted,
