This feat of rhetoric over, the candidates were called on to advance and receive their degrees. The men came first, profiting by the momentary advantage of sex, but clearly aware of its inability to confer even momentary importance in the eyes of the impatient audience. A pause followed, and then Fulvia appeared. Against the red- robed faculty at the back of the dais, she stood tall and slender in her black cap and gown.
The high windows of painted glass shed a paleness on her face, but her carriage was light and assured as she advanced to the President and knelt to receive her degree. The parchment was placed in her hand, the furred hood laid on her shoulders; then, after another flourish of rhetoric, she was led to the lectern from which her discourse was to be delivered. Odo sat just below her, and as she took her place their eyes met for an instant. He was caught up in the serene exaltation of her look, as though she soared with him above wind and cloud to a region of unshadowed calm; then her eyes fell and she began to speak.
She had a pretty mastery of Latin, and though she had never before spoken in public, her poetical recitations, and the early habit of intercourse with her father’s friends, had given her a fair measure of fluency and self- possession. These qualities were raised to eloquence by the sweetness of her voice, and by the grave beauty which made the academic gown seem her natural wear, rather than a travesty of learning.
Odo at first had some difficulty in fixing his attention on what she said; and when he controlled his thoughts she was in the height of her panegyric of constitutional liberty. She had begun slowly, almost coldly; but now her theme possessed her. One by one she evoked the familiar formulas with which his mind had once reverberated. They woke no echo in him now; but he saw that she could still set them ringing through the sensibilities of her hearers. As she stood there, a slight impassioned figure, warming to her high argument, his sense of irony was touched by the incongruity of her background. The wall behind her was covered by an ancient fresco, fast fading under its touches of renewed gilding, and representing the patron scholars of the mediaeval world: the theologians, law-givers and logicians under whose protection the free city had placed its budding liberties. There they sat, rigid and sumptuous on their Gothic thrones: Origen, Zeno, David, Lycurgus, Aristotle; listening in a kind of cataleptic helplessness to a confession of faith that scattered their doctrines to the winds. As he looked and listened, a weary sense of the reiterance of things came over him. For what were these ancient manipulators of ideas, prestidigitators of a vanished world of thought, but the forbears of the long line of theorists of whom Fulvia was the last inconscient mouthpiece? The new game was still played with the old counters, the new jugglers repeated the old tricks; and the very words now poured out in defence of the new cause were but mercenaries scarred in the service of its enemies. For generations, for centuries, man had fought on; crying for liberty, dreaming it was won, waking to find himself the slave of the new forces he had generated, burning and being burnt for the same beliefs under different guises, calling his instinct ideas and his ideas revelations; destroying, rebuilding, falling, rising, mending broken weapons, championing extinct illusions, mistaking his failures for achievements and planting his flag on the ramparts as they fell. And as the vision of this inveterate conflict rose before him, Odo saw that the beauty, the power, the immortality, dwelt not in the idea but in the struggle for it.
His resistance yielded as this sense stole over him, and with an almost physical relief he felt himself drawn once more into the familiar current of emotion. Yes, it was better after all to be one of that great unconquerable army, though, like the Trojans fighting for a phantom Helen, they might be doing battle for the shadow of a shade; better to march in their ranks, endure with them, fight with them, fall with them, than to miss the great enveloping sense of brotherhood that turned defeat to victory.
As the conviction grew in him, Fulvia’s words regained their lost significance. Through the set mask of language the living thoughts looked forth, old indeed as the world, but renewed with the new life of every heart that bore them. She had left the abstract and dropped to concrete issues: to the gift of the constitution, the benefits and obligations it implied, the new relations it established between ruler and subject and between man and man. Odo saw that she approached the question without flinching. No trace remained of the trembling woman who had clung to him the night before. Her old convictions repossessed her and she soared above human fears.
So engrossed was he that he had been unaware of a growing murmur of sound which seemed to be forcing its way from without through the walls of the ancient building. As Fulvia’s oration neared its end the murmur rose to a roar. Startled faces were turned toward the doors of the council-chamber, and one of the Duke’s gentlemen left his seat and made his way through the audience. Odo sat motionless, his eyes on Fulvia. He noticed that her face paled as the sound reached her, but there was no break in the voice with which she uttered the closing words of her peroration. As she ended, the noise was momentarily drowned under a loud burst of clapping; but this died in a hush of apprehension through which the outer tumult became more ominously audible. The equerry reentered the hall with a disordered countenance. He hastened to the Duke and addressed him urgently.
“Your Highness,” he said, “the crowd has thickened and wears an ugly look. There are many friars abroad, and images of the Mountain Virgin are being carried in procession. Will your Highness be pleased to remain here while I summon an escort from the barracks?”
Odo was still watching Fulvia. She had received the applause of the audience with a deep reverence, and was now in the act of withdrawing to the inner room at the back of the dais. Her eyes met Odo’s; she smiled and the door closed on her. He turned to the equerry.
“There is no need of an escort,” he said. “I trust my people if they do not trust me.”
“But, your Highness, the streets are full of demagogues who have been haranguing the people since morning. The crowd is shouting against the constitution and against the Signorina Vivaldi.”
A flame of anger passed over the Duke’s face; but he subdued it instantly.
“Go to the Signorina Vivaldi,” he said, pointing to the door by which Fulvia had left the hall. “Assure her that there is no danger, but ask her to remain where she is till the crowd disperses, and request the faculty in my name to remain with her.”
The equerry bowed, and hurried up the steps of the dais, while the Duke signed to his other companions to precede him to the door of the hall.
As they walked down the long room, between the close-packed ranks of the audience, the outer tumult surged threateningly toward them. Near the doorway, another of the gentlemen-in-waiting was seen to speak with the Duke.
“Your Highness,” he said, “there is a private way at the back by which you may yet leave the building unobserved.”
“You appear to forget that I entered it publicly,” said Odo.
“But, your Highness, we cannot answer for the consequences—”
The Duke signed to the ushers to throw open the doors. They obeyed, and he stepped out into the stone vestibule preceding the porch. The iron-barred outer doors of this vestibule were securely bolted, and the porter hung back in affright at the order to unlock them.
“Your Highness, the people are raving mad,” he said, flinging himself on his knees.
