Xingu

“He amuses me.”

“Amusement,” said Mrs. Plinth, “is hardly what I look for in my choice of books.”

“Oh, certainly, ‘The Wings of Death’ is not amusing,” ventured Mrs. Leveret, whose manner of putting forth an opinion was like that of an obliging salesman with a variety of other styles to submit if his first selection does not suit.

“Was it meant to be?” enquired Mrs. Plinth, who was fond of asking questions that she permitted no one but herself to answer. “Assuredly not.”

“Assuredly not—that is what I was going to say,” assented Mrs. Leveret, hastily rolling up her opinion and reaching for another. “It was meant to—to elevate.”

Miss Van Vluyck adjusted her spectacles as though they were the black cap of condemnation. “I hardly see,” she interposed, “how a book steeped in the bitterest pessimism can be said to elevate however much it may instruct.”

“I meant, of course, to instruct,” said Mrs. Leveret, flurried by the unexpected distinction between two terms which she had supposed to be synonymous. Mrs. Leveret’s enjoyment of the Lunch Club was frequently marred by such surprises; and not knowing her own value to the other ladies as a mirror for their mental complacency she was sometimes troubled by a doubt of her worthiness to join in their debates. It was only the fact of having a dull sister who thought her clever that saved her, from a sense of hopeless inferiority.

“Do they get married in the end?” Mrs. Roby interposed.

“They—who?” the Lunch Club collectively exclaimed.

“Why, the girl and man. It’s a novel, isn’t it? I always think that’s the one thing that matters. If they’re parted it spoils my dinner.”

Mrs. Plinth and Mrs. Ballinger exchanged scandalised glances, and the latter said: “I should hardly advise you to read ‘The Wings of Death’ in that spirit. For my part, when there are so many books one has to read; I wonder how any one can find time for those that are merely amusing.”

“The beautiful part of it,” Laura Glyde murmured, “is surely just this—that no one can tell how ‘The Wings of Death’ ends. Osric Dane, overcome by the awful significance of her own meaning, has mercifully veiled it—perhaps even from herself—as Apelles, in representing the sacrifice of Iphigenia, veiled the face or Agamemnon.”

“What’s that? Is it poetry?” whispered Mrs. Leveret to Mrs. Plinth, who, disdaining a definite reply, said coldly: “You should look it up. I always make it a point to look things up.” Her tone added—“though I might easily have it done for me by the footman.”

“I was about to say,” Miss Van Vluyck resumed, “that it must always be a question whether a book can instruct unless it elevates.”

“Oh—” murmured Mrs. Leveret, now feeling herself hopelessly astray.

“I don’t know,” said Mrs. Ballinger, scenting in Miss Van Vluyck’s tone a tendency to depreciate the coveted distinction of entertaining Osric Dane; “I don’t know that such a question can seriously be raised as to a book which has attracted more attention among thoughtful people than any novel since ‘Robert Elsmere.’”

“Oh, but don’t you see,” exclaimed Laura Glyde, “that it’s just the dark hopelessness of it all—the wonderful tone-scheme of black on black—that makes it such an artistic achievement? It reminded me when I read it of Prince Rupert’s maniere noire…the book is etched, not painted, yet one feels the colour-values so intensely….”

“Who is he?” Mrs. Leveret whispered to her neighbour. “Some one she’s met abroad?”

“The wonderful part of the book,” Mrs. Bellinger conceded, “is that it may be looked at from so many points of view. I hear that as a study of determinism Professor Lupton ranks it with ‘The Data of Ethics.’”

“I’m told that Osric Dane spent ten years in preparatory studies before beginning to write it,” said Mrs. Plinth. “She looks up everything—verifies everything. It has always been my principle, as you know. Nothing would induce me, now, to put aside a book before I’d finished it, just because I can buy as many more as I want.”

“And what do you think of ‘The Wings of Death’?” Mrs. Roby abruptly asked her.

It was the kind of question that might be termed out of order, and the ladies glanced at each other as though disclaiming any share in such a breach of discipline. They all knew there was nothing Mrs. Plinth so much disliked as being asked her opinion of a book. Books were written to read; if one read them what more could be expected? To be questioned in detail regarding the contents of a volume seemed to her as great an outrage as being searched for smuggled laces at the Custom House. The club had always respected this idiosyncrasy of Mrs. Plinth’s. Such opinions as she had were imposing and substantial: her mind, like her house, was furnished with monumental “pieces” that were not meant to be disarranged; and it was one of the unwritten rules of the Lunch Club that, within her own province, each member’s habits of thought should be respected. The meeting therefore closed with an increased sense, on the part of the other ladies, of Mrs. Roby’s hopeless unfitness to be one of them.

II

Mrs. Leveret, on the eventful day, arrived early at Mrs. Ballinger’s, her volume of Appropriate Allusions in her pocket.

It always flustered Mrs. Leveret to be late at the Lunch Club: she liked to collect her thoughts and gather a hint, as the others assembled, of the turn the conversation was likely to take. To-day, however, she felt herself completely at a loss; and even the familiar contact of Appropriate Allusions, which stuck into her as she sat down, failed to give her any reassurance. It was an admirable little volume, compiled to meet all the social emergencies; so that, whether on the occasion of Anniversaries, joyful or melancholy (as the classification ran), of Banquets, social or municipal, or of Baptisms, Church of England or sectarian, its student need never be at a loss for a pertinent reference. Mrs. Leveret, though she had for years devoutly conned its pages, valued it, however, rather for its moral support than for its practical services; for though in the privacy of her own room she commanded an army of quotations, these invariably deserted her at the critical moment, and the only phrase she retained—_Canst thou draw out leviathan with a hook_?—was one she had never yet found occasion to apply.

To-day she felt that even the complete mastery of the volume would hardly have insured her self-possession; for she thought it probable that, even if she did, in some miraculous way, remember an Allusion, it would be only to find that Osric Dane used a different volume (Mrs. Leveret was convinced that literary people always carried them), and would consequently not recognise her quotations.