Tore Mowatt Larssen, attorney; Lucy Rain Simpson, Indian Law Resource Center; Ralph David Erdrich, R.N., Indian Health Service, Sisseton, South Dakota; Angela Erdrich, M.D., Indian Health Board, Minneapolis; Sandeep Patel, M.D., Indian Health Service, Belcourt, North Dakota; Walter R. Echo-hawk, author of In the Courts of the Conqueror: The Ten Worst Indian Law Cases Ever Decided; Suzanne Koepplinger, executive director of Minnesota Indian Women’s Resource Center, who gave me the report she coauthored with Alexandra “Sandi” Pierce, “Shattered Hearts: The Commercial and Sexual Exploitation of American Indian Women and Girls in Minnesota”; Darrell Emmel, TNG consultant; my copy editor, Trent Duffy; Terry Karten, my editor at HarperCollins; Brenda J. Child, historian and chair of the American Indian Studies Department at the University of Minnesota; Lisa Brunner, executive director of Sacred Spirits First Nation Coalition; and Carly Bad Heart Bull, attorney. Additional thanks are due to Memegwesi; chi- miigwech to Professor John Borrows, whose most recent book, Drawing Out Law: A Spirit’s Guide, helped greatly in my understanding the process of wiindigoo law, as did Hadley Louise Friedland’s 2010 thesis “The Wetiko (Windigo) Legal Principles: Responding to Harmful People in Cree, Anishinabek and Saulteaux Societies.”

My cousin Darrell Gourneau, who died in 2011, gave his eagle feather, his songs, and his hunting stories. His mother, my aunt Dolores Gourneau, gave me his quilt for my writing chair.

Finally, thank you to everyone who got me through 2010–2011: first of all, to my daughter Persia, for her many thoughtful readings of this manuscript, her honest, valuable suggestions, and her loving care for me especially during the uncertain weeks of my diagnosis. Everyone rallied wonderfully during my treatment for breast cancer: thanks to Drs. Margit M. Bretzke, Patsa Sullivan, Stuart Bloom, and Judith Walker for matter-of-factly saving my life. My daughter Pallas advocated for me, drove me to treatments, and provided her own treatment— Battlestar Galactica, music, and food with mysterious powers of restoration. She kept the family together. Aza fought her own difficult battle and won it for us all with her art. She was also a consultant on the manuscript and a close, discriminating reader. Nenaa’ikiizhikok brought laughter and courage. Dan stayed the center of gravity for us all with his patience and good heart.

The events in this book are loosely based on so many different cases, reports, and stories that the outcome is pure fiction. This book is not meant to portray anyone alive or dead and, as always, any mistakes in the Ojibwe language are mine and do not reflect on my patient teachers.

About the Author

Louise Erdrich is a member of the Turtle Mountain Band of Chippewa and the author of thirteen novels as well as volumes of poetry, short stories, children’s books, and a memoir of early motherhood. Her novel Love Medicine won the National Book Critics Circle Award. The Last Report on the Miracles at Little No Horse was a finalist for the National Book Award. Most recently, The Plague of Doves won the Anisfield-Wolf Book Award and was a finalist for the Pulitzer Prize. Louise Erdrich lives in Minnesota and is the owner of Birchbark Books, an independent bookstore.

Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.

Also by Louise Erdrich

NOVELS

Love Medicine

The Beet Queen

Tracks

The Crown of Columbus (with Michael Dorris)

The Bingo Palace

Tales of Burning Love

The Antelope Wife (1997; revised edition, 2012)

The Last Report on the Miracles at Little No Horse

The Master Butchers Singing Club

Four Souls

The Painted Drum

The Plague of Doves

Shadow Tag

STORIES

The Red Convertible: New and Selected Stories, 1978–2008

POETRY

Jacklight

Baptism of Desire

Original Fire

FOR CHILDREN

Grandmother’s Pigeon

The Birchbark House

The Range Eternal

The Game of Silence

The Porcupine Year

Chickadee

NONFICTION

The Blue Jay’s Dance

Books and Islands in Ojibwe Country

Credits

Cover design by Oliver Munday

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